…..news letter #588 – round two…..

Alright, that wasn’t so hard… and this one was way longer than last week’s. There seems to be a rather positive response to the new format of this news letter, so I guess we’ll keep it. Loads of rad stuff this week and some early arrivals of stuff for next week too….
…..picks of the week…..
Kawabata_Makoto's_Mainliner
Kawabata Makoto’s Mainliner: Revelation Space (Riot Season) LP
One of the most celebrated Japanese underground bands have returned. It may have taken over 12 years, but Kawabata Makoto, guitar guru and head honcho in Acid Mothers Temple, has finally decided to get his celebrated “psychedelic solid free attack group” back together. Joining original Mainliner members Kawabata Makoto (motorpsycho guitar) and Koji Shimura (drums) is new recruitKawabe Taigen (bass/vocals) and the trio still kick up one hell of a sonic racket. Confusion surrounds the exact details of the recording, but they seem to date from December 2011, and from Kawabata’s mountain-top temple studio-cum-home. The man himself, as always, is shying away from sharing too many of the magick details about the Mainliner rebirth. And the stark, minimal black-with-gold sleeve keeps the mystery intact, apart from the grainy band photo on the rear. All said, Revelation Space is a comeback statement of intent. And it’s firmly in the same in-the-red/raw camp as the original trio’s classic Mellow Out. From the initial speaker-shaking feedback burst of opener “Revelation Space,” right through to the closing 20-minute epic “New Sun” (which showcases Taigen’s otherworldly howl perfectly) there is no let-up in the brutal delivery. This will no doubt delight those Mainliner diehards who never thought they’d see the day again, and all those with a love of guitar howls and punishing feedback levels, but always underpinned by some righteous grooves. Sample it here!

jerusalem
*Jerusalem In My Heart: Mo7it Al-Mo7it (Constellation) LP
“Jerusalem in My Heart (JIMH) has been a live audio-visual happening since 2005, with Montréal-based producer and musician Radwan Ghazi Moumneh at its core. Moumneh is a Lebanese national who has spent a large part of his adult life in Canada and has been a fixture of the Montréal independent music community from his early days as guitarist in various notable ’90s hardcore bands to his tireless activity as a sound engineer and producer over the last decade. With performances occurring one to three times per year, no two JIMH events have ever been the same, with Moumneh’s vocals and purposefully blown-out sonic sensibility as the single constant. JIMH has always been an immersive sonic and visual live experience; on the musical side, an evolving effort to forge a modern experimental Arabic music that weds melismatic singing in classical Arabic modes to electronic compositions with a punk-rock production sensibility. Mo7it Al-Mo7it, a unique and profoundly emotive album of contemporary Arabic music, captures and conveys all of this.” Sample it here! 

…..new arrivals…..

alessandroniAlessandro Alessandroni: I Cantori Moderni (Penny) 2LP
“Commercially available for the first time, this 1970 library album by Alessandro Alessandroni is the only existing full-length recording of his extraordinary vocal group, I Cantori Moderni, an eight-to-sixteen person choir featuring Edda Dell’Orso, Giulia De Mutiis (Alessandroni’s first wife), Gianna Spagnuolo, Augusto Giardino, and Franco Cosacchi, and highlighting, through twelve original themes by Alessandroni, the complex vocal harmonies of the legendary group that lent their voices to the amazing soundtracks of Ennio Morricone, Piero Umiliani and many of the most important Italian composers of the ’60s and ’70s.” Sample it here!

Ariel Pink: Thrash & Burn (Human Ear) 2CDariel pink
An absorbing look at Ariel Rosenberg’s early musique concrète epic. Thrash and Burn dates from a time when Ariel Rosenberg, then a few years from turning “Pink,” first proclaimed himself a “20th Century Composer” without a trace of irony in his voice. Appropriately, this early work takes the form of a musique concrète epic forged from Rosenberg’s late-’90s faux-primitif, garage-punk, and tape-loop experiments. At 94 minutes and 36 tracks, Thrash and Burn displays the symphonic ambitions of his genre-devouring pop saga, Haunted Graffiti, but with little in the way of fastidious album-oriented constructions. Rather, Thrash and Burn is a free-form tape ramble that uses gauzy atmospherics to strike up a wicked dialogue with the likes of Rosenberg’s non-pop influences, like Iannis Xenakis, Pierre Schaeffer, and Luc Ferrari. Thrash and Burn was discovered in 2005, in an ankle-deep pile of cracked cassettes and scratched CD-R’s in Rosenberg’s Beverly Hills flat. Grier and Rosenberg then made an initial reconstruction attempt, and Thrash and Burn became a 4-cassette box set for the inaugural release of Human Ear Music, in 2006. The Wikipedia page for Thrash and Burn places its origin sometime in 1998. Sample it here!

bardoBardo Pond: Ticket Crystals (Fire) 2LP
“The sixth studio album from Philadelphia’s foremost purveyors of psychedelic space rock. Appearing for the first time on double heavy weight vinyl and with brand new artwork by Joy Feasley, Bardo Pond’s 2006 album Ticket Crystals exemplifies the quintet’s signature doom tempo, multi-layered drones while introducing a lighter pastoral feel.” Sample it here!

 

 

Debashish Bhattacharya & Friends: Beyond the Ragasphere (Riverboat) LPDebashish-Bhattacharya-And-Friends
Late Record Store Day arrival! Guitar legends John McLaughlin and Jerry Douglas collaborate with Indian slide guitar maestro Debashish Bhattacharya to explore Beyond The Ragasphere, accompanied by a galaxy of friends including tabla giants Pandit Bickram Ghosh and Tanmoy Bose and introducing the stunning vocals of Anandi Bhattacharya. Sample it here! 

 

bibio

Bibio: Silver Wilkinson (Warp) LP
“First new music since 2011 from one of Warp’s most highly respected young artists. Bibio strives for what could be called a panoramic filmic sound. A combination of what he’d already learned from the past and what he still wanted to achieve. From this mixture of years of experience and exploration of new sounds results a meditative and mature album.” Sample it here! 

 

Nicholas Bullen: Component Fixations (Type) LPbullen
To this day, Nicholas Bullen is best-known as a founding member of arguably grindcore’s most important act: Napalm Death. Although he decided to call it a day before the band slipped into the mainstream circuit, his sonic fingerprints were all over their influential debut Scum, and he’s been breaking boundaries ever since. A key figure in Birmingham’s experimental scene, Bullen was also a founding member of Scorn and has been involved in a variety of projects since. Over 30 years later we arrive to Component Fixations, an album that Bullen has been contemplating, working, and reworking for some time. It is, after all, his solo debut proper, and as such is a work that absolutely represents him as an artist both visually and aurally. Taking influence from the early electronic artists of the 1960s, Bullen has fused this passion with his own musically explorative past, resulting in an album of beguiling tape-manipulations, drones and noise. Component Fixations is far more than a simple exercise in academic sound, and Bullen has injected his long-form pieces with a rare mortal sense of corruption and failure. Every single sound on the album was taken from field recordings captured in the confines of Bullen’s house and garden, and this only serves to confirm the unshakable humanity of the record. Component Fixations might be a long way from Scum, but dig deep and you’ll find the same curious mind, desperate to pull apart sounds and give them a brand-new meaning. Extreme doesn’t have to mean loud, after all. Sample it here! 

caretakerCaretaker:
An Empty BlissBeyond This World
Patience (After Siebald)
Persistent Repetition of Phrases (History Always Favours The Winners) LPs
Limited (read: already sold out at the source) represses of all three of these highly sought after albums by Leyland Kirby as The Caretaker! Kirby’s work as The Caretaker has always dealt with the suggestion of haunted memory and the obscuring of temporal motion, and this album makes that more explicit than ever, with titles that reference amnesia, Alzheimer’s, past life regression and other such memory misfires and short circuits. Musically, this album might be compared to Philip Jeck’s manipulated vinyl tracts, featuring similarly oceanic swells of crackle and dust, with faded pianos or big band sounds wafting wraith-like across the mix. After conjuring the sinister atmospherics of The Shining with his debut album Selected Memories From The Haunted Ballroom, The Caretaker has been chasing this idea of sound leaving its indelible mark on a space and time, so consequently these creepy, semi-dissolved musical passages sound no more tangible than shadows, and the album for the most part comes across as some sort of séance held via wax cylinder. Sample it here!  And here!

Co La: Moody Coup (Software) LPBetrayed_RIFTS_LP_ATOZ_JKT_retail
“Co La is the primary project of musician and producer Matt Papich, whose explorations of sample-based electronic music have culminated in Moody Coup. The emotional palette of Moody Coup, Papich’s second album and first for Software Recording Co., is more complex than its exuberant predecessor Daydream Repeater. Where that record’s relentlessly bucolic tone drew from the saccharine core of reggae, exotica, and ’60s girl groups, the bedrock of Moody Coup is elusive and abstract. The various genre coinages that have been tagged to Co La’s music before – new exotica, avant-luxury, furniture music, etc. – fail to accommodate the brainier obsessions behind Moody Coup’s genesis. A new brand of alchemy occurs in the album, where cryptic sources are enhanced and embellished to a point of transcendence. This departure is the brilliant process of Co La’s unpredictable electronic music.” Sample it here!

daftpunk-1367945965Daft Punk: Random Access Memories (Columbia) LP/CD
In tomorrow? The highly anticipated fourth album from the critically acclaimed techno outfit DAFT PUNK is almost here!! The album features collaborations with artists including Nile Rodgers, Paul Williams, Giorgio Moroder, Pharrell Williams, Todd Edwards, DJ Falcon, Chilly Gonzales, Panda Bear and Julian Casablancas. Sample it here!

 

 

*Dalhous: An Ambassador For Laing (Blackest Ever Black) LPDALHOUS-300x300
Debut album from the Edinburgh-based duo of Marc Dall and Alex Ander, who work with intricately-stacked percussion, dub-wise bass and a rich harmonic tapestry of processed voices, keys, harp, vibraphone, guitar, woodwind, strings and synthesizer — every sound re-sampled to the nth degree then subjected to subtle automation and rigorously fine-tuned over a period of many months. From the mesmerizing, pastoral drift of “Anger Sees Red” and “Dwelling by the Meadow” to agitated arabesques like “The Physical Body” and the self-titled “Dalhous,” the resulting pieces explore dream-like but treacherous terrain. Eleven questions in a world of blue. Sample it here!

emmanuel*JD Emmanuel: Time Traveller (Aguirre) 2LP
Kudos to Lieven Martens of Dolphins Into The Future for bringing J.D. Emmanuel back into the spotlight. In 2007, Lieven dug up the masterpiece album Wizards and re-issued it on his own label. A few years later, in 2011, J.D. was asked to tour through Europe where he was accompanied by Dolphins Into The Future and Paul LaBrecque. Denmark, Belgium, Sweden, Germany, and Holland welcomed J.D. and the people attending the concerts knew they were in for an electronic blast from the past. This 2LP set covers the tour with a great deal of unreleased live tracks. The live recordings show J.D.’s phenomenal skill to create a universe of swirling and constantly turning sounds. He’s up there in the big league of early electronic and new age pioneers with the likes of Iasos, Laurie Spiegel, and Trans-Millenia Consort. Some words from the man himself: “After my European tour, I decided to use the name Time Traveler to describe my music because it can put the listener into a state where time seems to disappear. This is my goal with my music, to create an altered state for expanding consciousness.” Sample it here! 

*Grim Tower: Anarchic Breezes (Outer Battery) LP Grim_Tower_cover_large
“Grim Tower is the collaborative project of Stephen McBean (vocals/guitar/synths) and Imaad Wasif (vocals/guitar). The album, called Anarchic Breezes, was written around the central idea of a new acoustic death folk, yet could be heard as equal parts Harry Smith and Harry Pussy. Both songwriters, Canadians now based in Los Angeles, come together on Anarchic Breezes to explore a mutual interest in the darker traditions of song and detuning found in the American primitive archives. The album features the ancillary rhythm section of Rob Barbato (bass) and Dan Allaire (drums), also L.A. musicians with roots deep in the modern psych movement. Anarchic Breezes was recorded by S. McBean at his home studio, with additional recording by Rob Campanella at the Jonestown Studios. It contains nine originals and one cover, the obscure ‘Leaving My Old Life Behind’ by Jonathan Halper as featured in Kenneth Anger’sPuce Moment. It was mixed by Mark Nevers (Will Oldham, Silver Jews, Calexico, Vic Chesnutt) at Beech House Studios in Nashville. The two voices on this album serve as mediums to a yet unheard music. Let the free ride the breeze.” Sample it here! 

guthrie2Jim Guthrie: Takes Time (Static Clang) LP
Nearly ten years removed from his last proper full-length, Jim Guthrie is finally back in the game, not that he hasn’t been around. From scoring films and video games to performing with about a zillion other bands (Royal City, Islands, Human Highway, etc.), Guthrie has been something of a hot commodity in the Canadian scene. And it’s easy to see why. With Takes Time, the Toronto-based, Guelph-bred multi-instrumentalist has created a masterwork of stately, intelligent pop, at once gleefully anachronistic and deeply satisfying. Over the span of 11 tracks, Guthrie traverses a variety of musical terrain. Sometimes these things take time. Stream it here! 

*Otis G Johnson: Everything (Numero) LP otis
“For outsider gospel visionary and Detroit native Otis G. Johnson, the Holy Ghost was in the machine… in this case a rhythm-equipped Hammond organ. Everything – God Is Love 78, a singular 1978 mid-fi document, features android percussion against chords of Otis’s own invention, possessed by minor tonality and frequent bum notes. Lifting it further are extemporaneous vocal homilies to the rapture, love, and everything, plus occasional ‘other’ voicings that scratch at the periphery of the mix. Homespun gospel rarely entered this dirge-like, intuitive space, nor did it commonly achieve such a spectral and captivating hymn to its darkest conventions.” Sample it here!

kink gong*Kink Gong: Voices (Descrepant) LP
Laurent Jeanneau’s, aka Kink Gong’s, electronic project continues on Discrepant. Since the end of the ’90s, Laurent Jeanneau, also an integral Sublime Frequencies contributor, has been recording the music of mostly endangered minorities of South East Asia. Alongside his relentless pursuit of remote, exotic, and unpublished musical traditions, he also started creating electronic versions by combining raw recordings with natural sounds, archive material and electronically-treated sounds. For Voices, Laurent based his alternate re-versions around the extensive voice recordings he made on location in the southern regions of Yunnan and Guizhou in China as well as in Sapa, North Vietnam, and Phongsaly, Northern Laos. The compositions contain unedited acoustic recordings, computer modified parts, sound collages and acoustic recordings of people and instruments. All tracks were recorded on location and re-arranged by Laurent Jeanneau in Dali, China. Special vinyl one-time pressing of 300 copies. Sample it here! 

Major Lazer: Free the Universe (Secretly Canadian) LPmusic-major-lazer-free-the-universe-artwork
“After releasing their landmark LP Guns Don’t Kill People… Lazers Do in 2009, the heroic production duo of Diplo and Switch found themselves boldly marching forwards toward the end of the aughts, conquering major milestones. Now, as the sole executive producer of Major Lazer, Diplo continues to spearhead the current dancehall revival movement with the upcoming release Free The Universe. The recording includes exciting collaborations with Bruno Mars, Tyga, Flux Pavillion, Wynter Gordon, Shaggy, Wyclef, Ezra Koenig from Vampire Weekend, Dev and more.” Sample it here!

melnykLubomyr Melnyk: Corollaries (Erased Tapes) CD
Ukrainian pianist Lubomyr Melnyk — the pioneer of Continuous Piano Music — presents his first release on UK label Erased Tapes. Melnyk is a true innovator, exploring new directions in contemporary music. Classically-trained and greatly affected by the minimalist movement in the early 1970s, the Ukrainian pianist developed his own unique language for the piano, named after the principle of maintaining a continuous, unbroken stream of sound. Melnyk has shown a remarkable devotion to the instrument, always striving to discover new ways of composing music in the continuous mode. His focus is on the actual sound of the piano as much as the harmonies and melodies of the music. Playing rapid and complex note patterns made Lubomyr one of the world’s fastest concert pianists. His virtuoso piano technique forms overtones that blend, collide or even create new melodies in rare moments, and thereby shape the composition beyond its original form. Sample it here!

Melvins: Everybody Loves Sausages (Ipecac) CDmelvins
“An album of covers of songs the band says have had a big influence on them. The tracks covered range from glam rock (Queen’s ‘Best Friend’) to mod rock (The Jam’s ‘Art School’), with plenty of hard rock and even Divine’s “Female Trouble” thrown in for good measure. Everybody Loves Sausage also features several guest musicians like Mudhoney’s Mark Arm and Neurosis’ Scott Kelly, as well as some tracks recorded by the ‘Melvins Lite’ lineup of Buzz Osborne, Dale Crover, and Trevor Dunn.” – Eric Thurm // “This record will give people a peak into the kind of things that influence us musically,” explains Buzz Osborne. “We REALLY like all of these songs along with the bands who actually wrote this stuff because first and foremost we are HUGE music fans.” Sample it here! 

nationalThe National: Trouble Will Find Me (4AD) CD
LP in hopefully tomorrow… This is the sixth studio offering for the Brooklyn band, and follows 2010’s critical and commercial success “High Violet”. The new album is the most self-assured collection of songs produced by The National in it’s 14-year career. In an interview with UK’s UNCUT Magazine, front man Matt Berninger described the songs as more “immediate and visceral” than their previous work. “Trouble Will Find Me” possesses a directness, a coherency and an approachability that suggests The National are at their most confident. Sample it here!

 

Not Waving: Umwelt (Ecstatic) LPnot waving
“I want to give a sound to places I don’t know.” throbbing/ /textural/ /noise/ /processed/ /casualties/ /mistakes/ /accidents/ /anxiety/ /claustrophobia/ /abandon/ /absention/ /escapism. Inspired by ’80s weird Italian electronica, Manuel Göttsching, Peter Baumann, This Heat, Ike Yard. “Remote Viewing” is a powerful, paranormal technique developed in the 1970s at Stanford Research Institute and used by the U.S. government. analog pedals/ /synths/ /drum machine/ /guitar/ /violin//voice. Written, produced and recorded between September and December 2012 in London. Limited edition transparent vinyl of 300 copies only. Mastered by Sonic Boom (Spacemen 3) at New Atlantis Studios. Sample it here!

polyrhythOrchestre Poly-Rythmo de Cotonou: Volume 3 – The Skeletal Essences of Afro-Funk 1969-1980 (Analog Africa) CD
Sale priced in our listening post! Analog Africa presents a new compilation of 14 funky tracks by the legendary Orchestre Poly-Rythmo de Cotonou from Benin. Starting in 2005, Samy Ben Redjeb, Analog Africa’s founder and compiler, made several trips to Benin, where he dug up most of the orchestra’s output recorded between 1969 and 1983: hundreds of vinyl records and a few master tapes, in a total of 500 songs. With all that material in hands and the astonishing richness of the group’s material, choosing the songs proved to be a tough task. The 14 tracks presented here have never been issued outside of Africa and most of them follow the spirit and sound of the first volume, The Vodoun Effect, which was a selection of songs released by small and obscure labels from this tiny country which was once known as Dahomey. One thing that immediately catches the attention listening to this compilation is the band’s steamroller-like grooves employed by Gustave Bentho, the mythical bass master, and Leopold Yehouessi, the fantastic drummer — for many, Africa’s funkiest rhythm sections. The soul of the music he created has permanently engraved itself in the soil of Benin. Sample it here! 

*Mike Patton: The Place Beyond the Pines OST (Milan) LP pines
The Place Beyond the Pines is Derek Cianfrance upcoming crime drama film. The film reunites Cianfance and Ryan Gosling with whom he worked on 2010′s “Blue Valentine.” The daring movie is a sweeping emotional drama powerfully exploring the unbreakable bond between fathers and sons. Mike Patton, American singer- songwriter and multi instrumentalist best known as the lead singer of the rock band Faith No More delivers a sweeping and brooding score. Like a red thread, his music guides the audience through this multi-generational story often linking characters and locations. Sample it here!

iggyIggy & The Stooges: Ready to Die (Fat Possum) LP
Better 40 years later than never: The follow-up to the first record ever to bear the Iggy and the Stooges logo–the immortal proto-punk masterpiece Raw Power. Ready To Die finds Iggy Pop,guitarist James Williamson and drummer Scott “Rock Action” Asheton reunited for a full album of all-new material for the first time since the legendary Raw Power sessions, with Mike Watt filling in for the late Ron Asheton on bass. The results are the closest thing to a time capsule to 1973–or at least to Iggy’s subsequent efforts with Williamson, including 1977′s Kill City and 1979′s New Values–that rock ‘n’ roll is likely to proffer in this millennium. Sample it here!

Pure X: Crawling Up The Stairs (Acephale) LP purex
The title of this record is the perfect metaphor for Austin, TX band Pure X’s evolving sound. On their great, though somewhat elusive, debut, Nate Grace’s crooning vocals were buried under layers of ambient guitars. Here, they’re slowly climbing out of the murk to take centre stage without abandoning the group’s penchant for Galaxie 500-esque, floating vibes. The change is the product of a group finding their footing and playing to their strengths. Grace’s voice fluctuates between a Jarvis Cocker speak-sing and soulful falsetto, creating tiny ambient pop masterpieces like the sublime “Someone Else” and the chiming “Thousand Year Old Child.” Pure X were always a band with a distinct sonic template, but the haze was as much a mask as calling card. With Crawling Up the Stairs, the masks are off for the world to hear. Sample it here! 

saltlandSaltland: I Thought It Was Us, But It Was All Of Us (Constellation) LP 
Saltland is the new project led by Montreal-based cellist Rebecca Foon (Esmerine, ex-Silver Mt. Zion), joined by Jamie Thompson (Unicorns, Esmerine) on miniature percussion, programming and signal processing. I Thought It Was Us But It Was All Of Us is a beautifully restrained debut album that telescopes the directness and delicacy of Foon’s compositional and vocal styles into lush, twilight atmospheres aglow with luminescent tendrils and flickering particles. Foon sings of childhood innocence lost, of serene utopic reveries and downcast dystopic horizons, and the search for soft, stoic strength in a darkening world, in most cases propelled by Thompson’s handmade percussion and understated programming/processing. The album’s ambience also owes much to the work of Mark Lawson, the award-winning producer (Arcade Fire) who collaborated closely with Foon to record and mix these songs. With contributions from Laurel Sprengelmeyer and Jess Robertson (Little Scream), Mishka Stein (Patrick Watson), Colin Stetson (Bon Iver), Sarah Neufeld and Richard Reed Parry (Arcade Fire) among others, Saltland offers up an unassumingly immersive debut album of searching songs that blend several core influences into a distinctively naturalistic sound. Saltland stakes out a unique space where minimalism, shoegaze, dream-pop, coldwave, chamber music, drone and ambient/electronic coexist and coalesce. Sample it here! 

Manfred Schoof Orchestra: European Echoes (Cien Fuegos) LP schoof
Cien Fuegos presents a 1969 album from the Manfred Schoof Orchestra — headed up by popular European avant-garde jazz figure, Manfred Schoof. Originally issued on FMP, the label’s first release. Features appearances from musicians such as Peter Brötzmann, Derek Bailey, Han Bennink, Paul Rutherford, Evan Parker. Born 1936 in Magdeburg, Manfred Schoof is one of the most popular jazz avant-gardists in Europe. He played in projects like Globe Unity Orchestra, Manfred Schoof Quintet, New Jazz Trio, and many more. Since 1990, he has taught music at the University Of Cologne and works for television and radio. He composed the music for “The Program With The Mouse.” Enrico Rava (trumpet); Manfred Schoof (trumpet); Hugh Steinmetz (trumpet); Peter Brötzmann (tenor saxophone); Gerd Dudek (tenor saxophone); Evan Parker (soprano saxophone); Paul Rutherford (trombone); Derek Bailey (guitar); Fred Van Hove (piano); Alexander von Schlippenbach (piano); Irène Schweizer (piano); Arjen Gorter (double bass); Peter Kowald (double bass); Buschi Niebergall (double bass); Han Bennink (drums); Pierre Favre (drums). Recorded by an unknown engineer in June 1969, in Bremen. Produced by Jost Gebers. Cover design: Wolf Walt. Photograph by Johannes Muth.

Ágætis Byrjun (400x400)Sigur Ros – Agaetis Byrjun (Fat Cat) LP
Late Record Store Day reissue of their classic second album! Need I say more. Sample it here!

 

 

 

 

Songs: Ohia: Hecla & Griper (Secretly Canadian) LPsongs
Songwriter Jason Molina tragically passed away last month, fans will be able to revisit one of his classic works with Songs: Ohia via a 15th anniversary edition of the 1997 EP Hecla & Griper. The reissue will mark the first time the collection has ever been available on vinyl. Even better, the original eight-song EP comes beefed up with four bonus tracks; two of these are previously unreleased (“Debts” and “Pilot & Friend”) while the other two were later redone for 1998′s Impala (“Hearts Newly Arrived” and “One of Those Uncertain Hands”). Sample it here! 

twink*Twink: Think Pink (Sunbeam) LP
Recorded in London in July 1969, and featuring members of Tomorrow, The Pretty Things, The Deviants, and Tyrannosaurus Rex, the legendary Think Pink is one of the hallowed relics of British underground rock. Masterminded by John “Twink” Alder, who fully participated in this comprehensive reissue, it is presented here with detailed background notes, eight bonus tracks and rare pictures, making it truly essential for all fans of true psychedelia. Sample it here! 

 

*Ugly Things #35 Magazine ugly things
“This special landmark 30th anniversary issue features cover stories on The Seeds, The Nazz, and The Radiators from Space. Inside there are a bunch more stupendously cool and intriguing stories including Ty Wagner (‘I’m A No Count’), The Sons of Fred, The Paragons (‘Abba’), The Focal Point, Thunder & Roses, The Suzannes, and a profusely illustrated history of Ann Arbor, Michigan’s fabled teen club, the Fifth Dimension (The Who, the Yardbirds, the MC5, and the Stooges were among the many bands to have played there in the late ’60s). Cyril Jordan’s ’60s memoir continues with his rundown of the year 1965, while Greg Prevost takes a look at New York Dolls collectibles with a running commentary from Johnny Thunders himself. We’ll also take a look back over 30 years of publishing Ugly Things. All this and our extensive review sections covering all the latest reissues, rock’n'roll books and DVDs.”

Vampire-Weekend-Modern-Vampires-Of-The-CityVampire Weekend: Modern Vampires of the City (XL) LP/CD
Vampire Weekend recently announced that their much anticipated follow-up to 2010′s #1 Gold Certified “Contra”, “Modern Vampires of the City”, will be available May 7th. For this album, band members Rostam Batmanglij and Ezra Koenig traveled to LA to collaborate with Rostam’s longtime friend, and fellow producer, Ariel Rechtshaid. They brought with them writing and recording sessions from New York and Martha’s Vineyard and began to stride towards realizing the finished album and were later joined by drummer Chris Tomson and bassist Chris Baio. The album is a bustling world of voices and visions – from the death of Henry Hudson to the Orthodox girl falling in love at an uptown falafel shop, from Hannah Hunt tearing up the New York Times on a distant beach to the lethal chandelier of “Everlasting Arms”, from the ardent yearning of “Don’t Lie” to the harmonized voice of hope in “Young Lion”. Sample it here! 

Velvet Underground: At The End of Cole Ave. – Second Night (Keyhole) 2CD vu
The Velvet Underground were arguably at their live peak in late 1969. Lou Reed, Sterling Morrison, Maureen Tucker, and Doug Yule (who’d replaced John Cale a full year previously) had developed into a sensationally tight and adventurous quartet, and this show — the second of two recorded on consecutive nights before a tiny audience in Dallas, Texas — is considered by many of their fans to be the finest surviving document of them in performance. Remastered sound. Background notes included. Sample it here!

Mosquito by Yeah Yeah YeahsYeah Yeah Yeahs: Mosquito (Keyhole) 2CD
‘We would love for this music to make our fans feeeeel something, for it to stir some sh*t up inside of them, whatever that may be,’ says singer Karen O. ‘SO much feeling went into this record, it was the rope ladder thrown down into the ditch for us to climb up and dust ourselves off. I hope others can climb up it too; we’re excited to share the good vibes.’ Who is responsible for that cover!!! Sample it here!

 

Various: A Fistful of Fuzz (Particles) CD fff
Originally issued in a tiny edition in 1998, this legendary compilation assembles some of the most fuzz-drenched obscurities to have emerged from late ’60s America. From Arizona to New York, Rhode Island to Texas, there’s enough attitude here to fuel teenage angst for centuries to come. This mindblowing set comes complete with background notes and rare photos, making it truly essential for garage psych addicts. Remastered sound. Artists include: John Doe & The Acetates, The Sound Apparatus, The Ruins, The Prodigal, The Journey Back, Sounds Synonymous, Pretty, The Aliens, The Ritual,The In-Keepers, Loos Foos & The Fiberglass Cornflake, Flying Circus, The Denims, Don Malena & The Dry Ice, Thackeray Rocke,Tapestry Garden, The Green Slime, and Peabody Company.

Numero40*Various: Good God! Apocryphal Hymns (Numero) LP/CD
“The third installment in Numero’s series of otherworldly gospel, robed funk, and spiritual soul, Apocryphal Hymns is a slim new gospel songbook, penned powerfully by the genre’s lesser-known disciples. Here, heavenly harmonies, psychedelic guitars, damaged sacred steel, a bleeding French horn, off-kilter choirs, and consumer-side electronic percussion decorate the Word, with performance modes that stray far from the flock, but hew always to the message. In homage to the stock jacket record industry of the 1970s, select one of these four alternate covers: woodland twilight, seashore morning, mountain waterfall, and sunbeam canyon.”

*Various: Kenya Special (Soundways) 3LP/2CD Kenya-Special-300x300
Soundway Records present Kenya Special: Selected East African Recordings from the 1970s & ’80s — a treasure-trove of rare and unusual recordings from East Africa. Spread out over two CDs, Kenya Special is accompanied by detailed liner notes, original artwork and photographs. It follows on from Soundway’s much-acclaimed African “Special” series that to date has focused on the highlife and Afrobeat output from 1970s Nigeria and Ghana. Kenya Special is a collection of 32 recordings that stand out as being different or unique as well as some classic genre standards. Many of the tracks featured here are peppered with innovation and experimentation, highlighting how diverse the music scene in Kenya was at the time. Painstakingly compiled, assembled and researched over two years by a team of five people from five countries (Kenya included), Kenya Special is a collection that looks beyond the mainstream and brings new life and recognition to some little-known gems and forgotten classics of Kenya’s past. Sample it here! 

…..restocks…..

bahamas: barchords (universal) LP
beatles: white album (apple) 2LP
beatles: yellow submarine (apple) LP
black keys: attack & release (nonesuch) LP
black keys: big come up (alive) LP
black keys: brotheres (nonesuch) LP
captain beefheart: safe as milk (reprise) LP
city & colour: little hell (dine alone) LP
crystal castles: III (last gang) LP
dead kennedys: fruit fruit for rotting vegetables (manifesto) LP
dead kennedys: gimme convenience… (manifesto) LP
*el-g: mil plutton (alter) LP
*bill fay: s/t (4 men with beards/esoteric) LP/CD
flaming lips: hear it is (plain) LP
fleet foxes: s/t (sub pop) LP
florence & the machine: ceremonials (island) LP
flying lotus: los angeles (warp) LP
flying lotus: until the quiet comes (warp) LP
fuzz: sleigh ride (in the red) 7″
*gruppo di improvvisazione nuovo consonanza: musica su schemi (superior viaduct) LP
*bo hansson: sagan om ringen (lord of the rings) (silence) CD
*harvester: hemat (silence) LP
*tim hecker: dropped pianos (kranky) LP
*d.r. hooker: the truth (hear music) LP
joy division: ymca 1979 (acme) LP
love: forever changes (rhino) LP
the lumineers: s/t (dual tone) LP
metallica: and justice for all (elektra) LP
metallica: st. anger (elektra) LP
nirvana: in utero (geffen) LP
nirvana: live at reading (geffen) LP
nirvana: nevermind (geffen) LP
pink floyd: dark side of the moon (emi) LP
joel plaskett: la de da (maple) LP
portishead: third (island) LP
radiohead: king of limbs (tbd) LP
red hot chili peppers: blood sugar sex magic (warner) LP
refused: shape of punk to come (epitaph) 2LP
*arthur russell: calling out of context (audika) CD
sigur ros: med suo i eyrum… (xl) LP
*sleep: dopesmoker (southern lord) hash and sticky green coloured LP
elliot smith: either/or (kill rock stars) LP
joe strummer: art rock & the x-ray style (anti) LP
t2: 1971-72 (acme) LP
tame impala: lonerism (modular) LP
*television: marquee moon (rhino) LP
tomahawk: oddfellows (ipecac) LP
ween: quebec (schnitzel) LP
rene wilson: sugar glider (mint) LP
xx: xx (xl) LP
xx: coexist (young turks) LP
neil young: after the gold rush (reprise) LP
neil young: harvest (reprise) LP
*various: music for dancefloors KPM (strut) LP

…..incoming…..

!!!: thiiiler (warp) LP/CD
*william basinski: nocturnes (temporary residence)
boards of canada: tomorrow’s harvest (warp) LP/CD
camera obscura: desire lines (4ad) LP/CD
*circle: six day run OST (svart) LP
*circle: panic (svart) LP
city & colour: the hurry & the harm (dine alone) LP
daft punk: random access memory (columbia) LP/CD
*derdiyoklar ikilisi: coban mamos (pharaway sounds) LP/CD
*drive OST (mondo) LP
*the focus group: elektrik karousel (ghost box) LP/CD
gold panda: half of where you live (ghostly) LP
king tuff: was dead (burger) LP
mark lanegan & duke garwood: black pudding (ipecac) LP
laura marling: i once was an eagle (ribbon) LP
*tucker martine: brokenhearted dragonflies: insect electronica from southeast asia (sublime frequencies) LP
*the national: trouble will find me (4ad) LP/CD
*oblivion OST (mondo) LP
*public image ltd: first edition (light in the attic) LP/CD
queens of the stone age: …like clockwork (matador) LP/DLX LP/CD
nicholas sean savage: other life (arbutus) LP
sigur ros: hvarf/heim (xl) 2LP
sigur ros: kveikur (xl) LP/DLX LP/CD
*joakim skogsberg: jola rota (subliminal sounds) LP
*source family OST (drag city) LP
*irma thomas: in between tears (alive) LP
wild nothing: empty estate (captured tracks) LP
v/a: arts & crafts x (arts & crafts) LP
*v/a: ecstasy of gold: 23 killer bullets from the spaghetti west 1 (semi-automatic) LP
*v/a: ecstasy of gold: 22 killer bullets from the spaghetti west 2 (semi-automatic) LP
*v/a: molam: thai country groove from isan vol. 2 (sublime frequencies) LP

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…..news letter #587 – a new age…..

Well, after 12 years, I’ve finally gotten bored with the old text only version of this weekly news letter, so I’ve decided to try and spiff things up. This will likely be a bit of a work in progress for the next few weeks as we fine tune the look and what not, since I still want to get this list out on Thursdays. Please let us know what you think and if you have any problems with this new format.

…..picks of the week…..

invisible hands*The Invisible Hands: s/t (Abduction) 2LP
Limited edition 2LP. The Invisible Hands is the English translation of the band’s original Egyptian Arabic name: El Ayadi El Khafeyya. Taking almost two years to create amidst an unusual and challenging backdrop, this is the new project of Alvarius B. (Alan Bishop of Sun City Girls). Eleven highly-crafted songs projected through his typically dark lens of songwriting and a band of brilliant musicians from Egypt; this special edition limited 2LP includes the English and Arabic language vocal versions of the album together in one set. Sides A and B are the English album delivered in AB’s patented sinister style, drenched in lovely psychedelic folk arrangements and vocal choruses with a nod to what could have potentially been an album that surfaced decades ago but instead found its way into the future, superimposed over historic and tumultuous times in the center of the Arab world. Sides C and D are the Arabic version — the exact same 11 songs but the lead vocals are sung in Arabic by Cherif El Masri and Aya Hemeda. The mixes are almost identical but there are various subtle differences in instrumentation, vocal choruses, and effects. The group was established during the summer of 2011 and the album was recorded in Cairo in May of 2012. Band members include Cherif El Masri and Aya Hemeda (both former members of popular Egyptian group Eskenderella) with drummer Magued Nagati. On a handful of songs, several other players from the Cairo scene are featured including Sam Shalabi (Shalabi Effect/Land Of Kush) on oud and Mohamed Medhaton violin and viola. This limited edition one-time 2LP vinyl pressing comes in a beautiful heavy-duty gatefold jacket with full-color artwork and all lyrics and credits printed in English and Arabic. 

bladerunner

*Vangelis: Blade Runner OST (Audio Fidelity) LP
“The Blade Runner soundtrack was composed by Vangelis for Ridley Scott’s 1982 film, considered one of the finest sci-fi movies ever made. It is mostly a dark, melodic combination of classical compositions and synthesizers which mirrors the futuristic film noir envisioned by Scott. The soundtrack holds legendary status and at the time was well-received by fans and critics including Best Original Score nominations for a BAFTA and Golden Globe yet, except for a few cuts, it was not released until 1994. The movie remains a classic film with a long list of popular movie stars including Harrison Ford, Daryl Hannah, Rutger Hauer, Sean Young, and Edward James Olmos, most of whom appear on this record in movie dialog samples mixed into the 12 tracks of nearly one hour of music. Vangelis makes each track flow into one another. The soundtrack features vocal contributions from Demis Roussos and the sax solo by Dick Morrissey on “Love Theme.” The gatefold jacket includes many colorful stills from the film. Blade Runner is a timeless classic on film and now on 180 gram transparent red vinyl.” 

…..new arrivals…..

anciientAnciients: Heart of Oak
(Season of Mist) 2LP

Heart of Oak is the stunning Season of Mist debut full-length from Ancients, one of 2013′s most anticipated albums for good reason. The acutely modern, progressive quartet craft songs as nuanced and expressive as the range of human emotion, without eschewing their hard rock/heavy metal roots. With Heart of Oak as their calling card, Ancients exude class and confidence of a band beyond their years! Produced by the band and engineered by Jesse Gander (Japandroids, Bison B.C.) at The Hive Creative Labs (Black Mountain, Nomeansno) in Vancouver in the winter 2011/2012. “The foursome’s brand of metal is thunderous yet always focused on melody, striking a strong balance between commanding and catchy. Unlike much of today’s mainstream metal acts, these guys know how to write honest-to-goodness songs, showing tremendous discipline amidst all the instrumental flamboyance, and are primed to put their young peers to shame.” – Popmatters, The Best Hopes to Break Out in 2013. Sample it
here! 

*Anonymous: Inside the Shadowanon
(Machu Picchu) LP

Originally released in 1976 in an edition of 300 copies, the sole album by Indianapolis’ Anonymous stands today as a high water-mark in psych-rock. The album combines the adventure of west coast ballroom groups, the 12-string majesty of Byrds, and breathtaking multi-part harmonies to forge something inimitable and one-of-a-kind, with powerful songs that pushed the limit and raised the bar at the same time. A true classic recommended for everyone into amazing rock records of all varieties. Sample it here! 

croninMikal Cronin: MCII
(Merge) LP

Mikal Cronin’s self-titled debut from 2011 was all about endings: the end of college, the end of a serious relationship, and the end of his time in Los Angeles, where he grew up. So it’s no surprise that his sophomore release MCII – and first album for Merge Records – is all about new beginnings. “Since the first record came out, my life has changed quite a bit,” Cronin says, referencing his move to San Francisco and tours with Ty Segall as well as with his own band. “I was presented with a whole new slew of problems and situations that I was trying to work through.” Recorded in late 2012 by Eric Bauer at Bauer Mansion in San Francisco, MCII includes guest appearances by K. Dylan Edrich, Charles Moonhart, Ty Segall, and Petey Dammit. Sample it here! 

Deerhunter: Monomaniadeerhunter
(4AD) LP/CD

From Atlanta, Georgia, the origins of Deerhunter can be traced back to when frontman Bradford Cox first met guitarist Lockett Pundt at high school. Years later Bradford and Moses Archuleta began making music together, and the seeds of what would become Deerhunter were sown. After a brief hiatus, during which time Bradford Cox and Lockett Pundt released their own albums as Atlas Sound and Lotus Plaza respectively, a new Deerhunter line-up (with additions of bassist Josh Mckay and guitarist Frankie Broyles) reconvened in January of 2013 at Rare Book Studio in Brooklyn, New York. Produced by Nicholas Vernhes and Cox and recorded in the dead of night, Deerhunter’s new longplayer Monomania is now available. Monomania finds the group recalling its scrappy punk aesthetic; a perfect nocturnal garage rock album full of the layered and hazy vintage guitar sounds that define them.

drake*Nick Drake: Bryter Layter
(Island) Deluxe LP

Following the huge success of Pink Moon on deluxe vinyl – comes his second album Bryter Layter in a similar deluxe vinyl offering. The album is an exact replica of the original 1970 release and is pressed on heavyweight audiophile vinyl, and remastered from near-original master tapes by the album’s original engineer/ producer John Wood. Although the original tapes were unusable, Wood had made a safety copy of the album in 1970 and it is from this that the new album has been made. After crafting a debut album full of beauteous, somber chamber-folk, Nick Drake pulled something of an about-face in 1970 with the follow-up, Bryter Layter. With a bright, sparkling production and orchestrations that occasionally border on Easy Listening, the framework is light and airy where Five Leaves Left was dark and foreboding. Sample it here! 

*Pan American: Cloud Room, Glass Room panam
(Kranky) 2LP

With percussionist extraordinaire Steven Hess now a full fledged member, Mark Nelson and Pan-American deliver their first new album since White Bird Release from 2009. This collection of new sounds began with the duo rehearsing for a series of shows in southern europe in late 2011 and early 2012, the songs written together as a group to be played live. Bobby Donne (Labradford, Cristal) plays bass on multiple tracks, further emphasizing the live band feel. Mark Nelson’s deft production touches abound, subtly mixing disparate elements into a fully integrated whole, while Hess prominently displays a myriad of percussion techniques showing a mastery of understated rhythms. Sample it here! 

ramesh*Ramesh: s/t
(Pharaway Sounds) LP/CD

In 1970s Tehran, the classically-trained Ramesh played the serious, quiet marquess against Googoosh’s langorous pop princess. Both singers made the papers every time they changed their haircuts & appeared on tv frequently. However, while Googoosh now runs a cosmetics company in Los Angeles, they say Ramesh was killed in the political turmoil of the late 70s because she was a lesbian. Nobody knows for sure. What we do know is that she was a funky queen whose rich voice sits like a fat mink coat, twirling it’s melancholy way around long-necked lutes, backed by flurries of frame & goblet drums. And the sleazy, Western brass, strings & synths are here too, slathered across rare singles for your shameless dancing pleasure. Welcome to the unpredictable world of pre-revolutionary Iranian pop music. Sample it here! 

Savages: Silence Yourselfsavages
(Matador) LP/CD

The highly anticipated debut from London’s Savages, an all-female four-piece who play music with scything energy and brutal power. Recorded with Rodaidh McDonald (The xx) in Northwest London’s Fish Factory during December of 2012 and produced with Johnny Hostile. Silence Yourself opens with an excerpt from the John Cassavetes film Opening Night. The band has cited a huge range of influences, including J.G. Ballard, the Gun Club, Silver Apples, Siouxsie, Wire, Black Sabbath, Mary Shelley and Kurt Vonnegut. Sample it here!

shehimShe & Him: Volume 3
(Merge) LP/CD

With fourteen songs ’11 Deschanel originals and three covers’ Volume 3 is an effortlessly effervescent, bleached-out-in-the-sun pop record. The album features some of the most dynamic, complex songs Deschanel has ever written, allowing for tempo shifts, disco grooves, string arrangements on multiple tracks, and horn flourishes that perfectly suit the She & Him sound. Volume 3 features guest contributions from NRBQ’s Joey Spampinato, Mike Watt, Tilly and the Wall, Pierre de Reeder from Rilo Kiley, and Tom Hagerman from Devotchka. LP includes download. Sample it here!

Young Galaxy: Ultramarineyounggalaxy
(Paper Bag) LP/CD

Ultramarine is the name and colour of Young Galaxy’s fourth LP, the first album they have made away from Montreal, across the sea, all together. Like 2011′s Shapeshifting, Ultramarine was made with electronic producer Dan Lissvik (Studio); but this time it was made in Gothenburg, Sweden, at Lissvik’s studio; this time five musicians stood in a room with Lissvik, playing their instruments; this time every song was sung by co-founder Catherine McCandless, with eyes on a blue horizon. These are ten tracks of shining, glimmering electronic pop songs that scatter across the dancefloor, swim through headphones, ringing out like a cold new summer. A modern record, beautifully now, and in a way more direct than anything Young Galaxy have ever made. Sample it here! 

sedayeh*Various: Sedayeh Del
(Pharaway Sounds) LP/CD

Khosh Amadid, friends, to this 4th volume in a series of compilations highlighting fiercely rare 45s from Tehran’s pre-revolutionary golden age. Vivacious ladies with sassy Dorothy Hamill haircuts and skin-bearing pantsuits were once plastered across Tehran’s newsstands. Those gorgeous sirens and their hunky male counterparts made all the teens sway to hand drums that boinked in 6/8 time. Plush brass & string arrangements took their cues from Latin grooves, psychedelic guitars, ritzy soundtracks, and sugary pop from the West. Within months of the 1979 Islamic revolution, pop music was labeled a symbol of the previous regime and became illegal overnight. In those same months, it also became illegal for women to be in public without conforming to the hijab dress code. By hook and crook, these little round records survived, and they attest to a time when Tehran’s homegrown and exiled populations would have been united in an easygoing love for funk bass & buzzing synthesizers.
Sample it here! 

…..restocks…..

alabama shakes: boys & girls (ato) LP
arcade fire: funeral (merge) LP
arcade fure: suburbs (merge) LP
beach boys: pet sounds (capitol) LP
beatles: abbey road (emi) LP
beatles: magical mystery tour (emi) LP
beatles: white album (emi) LP
beatles: revolver (emi) LP
black flag: damaged (sst) LP
john coltrane: a love supreme (impulse) LP
daft punk: discovery (emi) LP
daft punk: homework (emi) LP
daphni: jiaolong (merge) LP
marvin gaye: what’s goin’ on (motown) LP
*tim hecker: ravedeath, 1972 (kranky) LP
kendrick lamar: good kid… (aftermath) LP
curtis mayfield: superfly (curtom) LP
ministry: land of rape & honey (music on vinyl) LP
nirvana: incesticide (geffen) LP
nirvana: nevermind (geffen) LP
ost: sound city: reel to real (LP)
*rodriguez: coming from reality (light in the attic) LP
rolling stones: exile on main street (universal) LP
*sleep: dopesmoker (southern lord) LP
*suicide: s/t (red star) LP
*velvet underground; the verge/mgm albums (sundazed) 5LP
*velvet underground & nico: s/t (4 men with beards) LP
white stripes – under great northern lights (third man) LP

…..incoming…..

!!!: thiiiler (warp) LP/CD
*william basinski: nocturnes (temporary residence)
bibio: silver wilkinson (warp) LP
boards of canada: tomorrow’s harvest (warp) LP/CD
camera obscura: desire lines (4ad) LP/CD
*circle: six day run OST (svart) LP
*circle: panic (svart) LP
city & colour: the hurry & the harm (dine alone) LP
daft punk: random access memory (columbia) LP/CD
*dalhous: an ambassador for laing (blackest ever black) LP
*derdiyoklar ikilisi: coban mamos (pharaway sounds) LP/CD
*drive OST (mondo) LP
*the focus group: elektrik karousel (ghost box) LP/CD
gold panda: half of where you live (ghostly) LP
jim guthrie: takes time (static clang) LP
iggy pop & the stooges: ready to die (fat possum) LP
king tuff: was dead (burger) LP
*kink gong: voices (descrepant) LP
mark lanegan & duke garwood: black pudding (ipecac) LP
major lazer: free the universe (secretly canadian) LP
laura marling: i once was an eagle (ribbon) LP
*tucker martine: brokenhearted dragonflies: insect electronica from southeast asia (sublime frequencies) LP
*the national: trouble will find me (4ad) LP/CD
*oblivion OST (mondo) LP
*mike patton: the place beyond the pines (milan) LP
*public image ltd: first edition (light in the attic) LP/CD
queens of the stone age: …like clockwork (matador) LP/DLX LP/CD
*saltland: i thought it was us (constellation) LP
nicholas sean savage: other life (arbutus) LP
sigur ros: agaetis byrjun (fat cat) LP
sigur ros: hvarf/heim (xl) 2LP
sigur ros: kveikur (xl) LP/DLX LP/CD
*joakim skogsberg: jola rota (subliminal sounds) LP
*source family OST (drag city) LP
*irma thomas: in between tears (alive) LP
vampire weekend: modern vampires in the city (xl) LP/CD
wild nothing: empty estate (captured tracks) LP
yeah yeah yeahs: mosquito (interscope) LP
v/a: arts & crafts x (arts & crafts) LP
*v/a: ecstasy of gold: 23 killer bullets from the spaghetti west 1 (semi-automatic) LP
*v/a: ecstasy of gold: 22 killer bullets from the spaghetti west 2 (semi-automatic) LP
*v/a: molam: thai country groove from isan vol. 2 (sublime frequencies) LP

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…..news letter #586 – post-winter…..

howdy all….

well, we are still recovering from record store day here, which you can see from the list below. tons of restocks coming in this week and next, as well as still receiving some late rsd releases. anyway, there’s still piles of records on the desk, so i won’t waste both of our time…..

…..pick of the week…..

atom eart
*atom earth mother – ancient faith – alt vinyl – 2lp wood box

- not only a beautiful object, but an amazing slab of music as well. “atom earth mother: a solo project from one half of :zoviet*france: dedicated to the white goddess and inspired by the prehistoric antiquities in northumberland, primarily the enigmatic and beautiful ‘rock art’ that are known as ‘cup and ring’ marks, a form of symbolic language 4500+ years old, whose meaning has been lost in the mists of time. utilizing digital and analogue equipment and production technique, location recordings, found sound and employing experimentation as the creative tool, atom earth mother embarks on a sonic journey to the origins of our civilization and indeed our very being. ‘ancient faith’ is an album about love and faith, and although it started out as homage to the earth mother, it soon became a deeply personal story documenting the end of a love affair and the emotional aftermath. stunningly packaged in a wooden box with a hand branded conjoined ‘cup and ring’ marked design burnt into the front panel, and containing a photographic insert with two superb images of the antiquities that were the major inspiration, taken by the artist himself, this double vinyl has three sides of audio and a fourth side that contains an etching of a ‘cup and ring’ mark.” limited to 250 copies, sure to be gone fast.


…..new arrivals…..

black dog – tranklements – dust science – 3lp
- limited to 300 copies. the black dog have been gathering their thoughts, passions, and anger, reflecting it into their music, sometimes as part of a larger picture or concept, sometimes just focusing on one subject. tranklements is a body of work created as 16 unique and individual tracks. each one is its own little object, something created to externalize, explain and express the world the band find themselves in. it encompasses many thoughts, emotions and desires and there is an individual story and internal message behind each. they’ve all been discussed and fought for. however, the black dog don’t really want to explain them — they don’t expect those personal rationales to translate to others. they would rather you gaze upon the objects yourself and come to your own conclusions. nobody likes to be told what to think. in many ways, their work with the electronic supper club project has helped them to reconnect with many things and each other. the creative talent and desires of the younger generation have never gone away. the real underground is still as vibrant as ever, not lost to false values, over-sized egos and ladder-climbing brands. the black dog have always respected that energy and individuality that exists beyond the bland compliant mainstream. the truth is, they have always felt like the awkward outsiders.
cindy talk – a life is everywhere – editions mego – lp
- a life is everywhere is an ecstatic mix of rhythm, noise, drone, texture, and melody. simultaneously heartfelt and not for the faint-hearted. within their self-contained world, cindytalk continue the unique trajectory that has purveyed their career starting in 1982. this installment further explores the fearsome terrain that was initiated with previous editions mego releases such as the crackle of my soul and hold everything dear. throughout the six tracks on offer, the standard fair of music is run through serious level processes leaving, taking rhythm and sound to extreme limits while always retaining trace elements of their core. ringing bells are interrupted by artifacts from shredded sound-matter, euphoric chords are swamped by chopped rhythms which succumb to an endless storm of electronic bliss. utopia has never been so bold. the unique positioning of cindytalk’s output over a 30+ year period is a testament to the will to explore, unfettered by trend, taste and desire. this is unadulterated expression, a future music for those willing to confront the future as a viable option.
*loren connors – the departing of a dream – family vineyard – lp
-  ”vinyl reissue of master guitarist loren connors’ modern classic — the first of what would become a three volume series based loosely as tribute to miles davis’ “he loved him madly.” this album finds connors exploring slowly churned darkened hues — each collapsing onto themselves like echoes of miles’ muted trumpet and connors’ signature ghost melodies. since the late 1970s, connors’ use of haunted delta blues, minimalism and compositional underpinnings have become an avant-garde style synonymous to him. when the departing of a dream was released as a cd in 2002 it signaled a dramatic growth in connors’ sound by combining electric, acoustic and bass guitar with the unsettling ménage of subtle percussion and ambient hiss.”
crystal castles – iii – last gang – lp
- the third album from the canadian electronic/experimental/dance duo, the first of their albums to be produced entirely by band member ethan kath. ‘we wanted the album to sound like a completely different and new experience” says ethan. ‘we’d limit ourselves to one take on each song because we believe the first take is the rawest expression of an idea,” by ditching their old synthesizers and keyboards used on I and II, ethan enforced a ‘strictly no computers’ rule in the studio and began recording everything directly to tape. together the canadian duo has conjured up a collection of songs that are as raw as they are well rounded. as `(Ill)’ unfolds, each track will take you to greater heights and equal lows, as you enter the sometimes plagued and often polarized world that is crystal castles. recorded mostly in warsaw and berlin, the album also boasts the haunting and euphoric 5-minute mind-bender ‘plague’ that quickly caused a cyber-storm amongst fans and media when the band unveiled it via their soundcloud page this summer.
*rhodri davies – wound response – alt vinyl – lp
- back in stock!!! ltd edition of 350 copies on opaque vinyl housed in heavy 4 way silkscreened card sleeve. artwork by jean-luc guionnet. this album is the focus of a glowing feature whole page review in october 2012 issue of the wire and a track is on that issue’s wiretapper cd. “a frantic blowout..signals a quantum leapfrom the quiet corners of lower case improv”. clive bell, the wire
*demdike stare – testpressing #002 – modern love – 12″
- demdike stare presents #2 in their testpressing series. “grows without bound” is a noisy analog session resurrected from the burning embers of industrial and noise, harnessed into an unstable growl that makes room for a barely-there percussive stumble — think somewhere between vainio and nate young. “primitive equations” takes inspiration from the bare-boned, hyper-tense production of photek’s “ni – ten – ichi – ryu,” slugging out feral, steely noise and ‘ardcore torque forged by calloused hands and burning minds to cruel, propulsive effect.
merrell fankhauser & hms bounty – things – guerssen – lp
       - one of the all-time ’60s classics, coming out from the california desert of antelope valley where hms leader merrell fankhauser lived for a couple of years. this was released on uni in late 1968, and gosh it’s a killer! flower power psychedelia, great all original songs, this is one of those albums you shouldn’t miss under any circumstance. remastered sound, original artwork and an insert with liners by merrell and a great photo from his own archive.
flaming lips – the terror – warner – lp/cd
       - finally in tomorrow on vinyl!! the flaming lips have been in the news lately, but often it’s been for obnoxiously attention-grabby reasons. so it’s good to hear that they’re now returning to the business of releasing intense, freaked-out albums. in a press release, wayne coyne calls the album a ‘bleak, disturbing record’, and writes, “we were hopeless, we were disturbed and, i think, accepting that some things are hopeless’ or letting hope in one area die so that hope can start to live in another?? maybe this is the beginning of the answer.” – stereogum
heliocentrics – 13 degrees – now again – lp/cd
       - “the heliocentrics’ debut album, out there was a confounding piece of work. drawing equally from the funk universe of james brown, the disorienting asymmetry of sun ra, the cinematic scope of ennio morricone, the sublime fusion of david axelrod, pierre henry’s turned-on musique concrète, and can’s beat-heavy krautrock, out there pointed the way towards a brand new kind of psychedelia, one that could only come from a band of accomplished musicians who were also obsessive music fans. drummer malcolm catto and bassist jake ferguson are the heliocentrics’ masterminds and producers, and guitarist ade owusu, percussionist jack yglesisas, and keyboardist ollie parfitt hold constant presence within this ever-evolving ensemble. they have been playing together for over a decade and their collective drive is to find an individual voice. the heliocentrics search for it in an alternate galaxy where the orbits of funk, jazz, psychedelic, electronic, avant-garde, and ‘ethnic’ music all revolve around ‘the one.’ back at now-again with 13 degrees of reality, the heliocentrics have returned to develop this epic vision of psychedelic funk, while exploring the possibilities created by their myriad influences — latin, african, and more. thus, the electro-latin fusion of ‘descarga electronica’ sits next to weeping strings piled atop ‘collateral damage’s’ chunky rhythms, which passes undulating swing of ‘wrecking ball,’ a dirge as irresistibly funky as it is devastating. no surprise, then, that the heliocentrics have earned lifetime fans in the likes of questing spirits like madlib (with whom catto has collaborated on numerous yesterdays new quintet projects), dj shadow (both as a touring ensemble and in the studio), quantic, and ethiopian jazz giant mulatu astatke, with whom the heliocentrics recorded and released inspiration information 3, the fourth classic mulatu album — released nearly forty years after his other three. out there may have been one hell of an opening volley, but having spent some years in the wild running among mavericks like astatke and oriental jazz pioneer lloyd miller, the heliocentrics have realized that their strongest statements are made somewhere between the persistent fuzz of owusu’s distorted guitar, catto’s impossible syncopation and ferguson’s looping bass lines. 13 degrees of reality is one of the most distinctive musical statements you’ll hear all year.”
joy division – ymca – 2-8-79 – acme – lp
       - “first time official issue of this previously unissued classic and historical london live performance from 1979. recorded live in august 1979 as part of a series of four legendary post punk gigs that included throbbing gristle, echo & the bunnymen, red crayola, and cabaret voltaire. limited edition 180 gram vinyl comes complete with textured sleeve and a poster insert.”
my blood valentine – loveless – fan club – lp
       - grey area reissue of this classic album, which is much better than that new one… get it while you can!
svarte greiner – black tie – miasmah – lp
       - after two bone-chilling full-lengths for the type recordings imprint, erik k. skodvin has embarked on his first journey for his own miasmah label with black tie. while originally conceived as a soundtrack to an installation by norwegian artist marit følstad, skodvin uses this as a starting point to craft his most unnerving long-form pieces to date. split into two distinct movements, “black tie” and “white noise,” we are exposed to the yin and yang of skodvin’s patented acoustic doom, and all the gravitas that it might contain. “black tie” was the piece which ended up being used in the installation itself, and is the closest to skodvin’s established sound as it stops time around its creaking cello, plucked strings and whispering ambience. subtle and slow, the track blooms into a skeletal cloud of radio static and distortion before sinking back down to earth on those familiar moaning strings. with “white noise” however, skodvin takes us on a different journey, allowing panoramic synthesizer drones to take control while middle eastern strings chime in the distance. transcendent and disarming, skodvin manages to connect the dots between biosphere, thomas köner and of course deaf center and still emerge with something fresh and unexpected. more than simply an accompanying work to an installation, black tie is a crucial new chapter in the svarte greiner evolution, and one that should give a few clues as to what might come next.
t2 – 1971 – 72 – acme – lp
       - “unreleased studio recordings from 1971 and 1972 which were originally planned as an album release. if this had been released at the time, t2 would have certainly gone on to the big leagues of rock, joining free, deep purple, atomic rooster, etc. sadly, this was never released and so we are happy to present this previously unheard underground masterpiece. comes on 180 gram vinyl.”
uncle acid & the deadbeats – mind control – rise above – coloured 2lp
       - highly anticipated brand new studio album from one of the most talked about rock bands on the planet. recorded at the legendary chapel studios over an autumnal full moon using the finest western electrical technology, engineer jim spencer (bert jansch, robert wyatt) has perfectly captured the bands live sound of saturated fuzz, mind-bending riffs and 60′s vocal harmonies. it is a fact that uncle acid & the deadbeats have, in recent times, become one of the most talked about rock bands currently in existence. the fact that no one even knew what they looked like until very recently is testimony to the enigma that surrounds this terrifying, yet extremely melodically minded cult. it is another fact that they have become one of the most collectable bands on the planet, with first press vinyl editions of “blood lust” fetching up to and over 700 pounds (yes, british pounds!) on the collectors market. pretty remarkable for a record that is barely two years old. within it’s blood soaked grooves you will hear shocking tales of bizarre desert ceremonies, religious brainwashing and drug inspired mass slaughter! imagine the original alice cooper band jamming in a cell with early black sabbath and the stooges, whilst sitting on murder charges and you may get a glimpse into their fuzzed up world of exploding tube amps and cymbal smashing mayhem. however, this enticing act of musical manipulation is merely the icing upon a very sick cake.
*:zoviet*france: – 7.10.12 – alt vinyl – 7″+10″+12″
       - a minimalist repress of this classic release from 2012 which sold out globally in one day! “six months after the release of the limited edition ’7.10.12′ vinyl boxed set, alt.vinyl and :zoviet*france: are making the music from the album more widely available in a more conventional form. retaining the original 7-inch, 10-inch and 12-inch vinyl formats, the three discs are pressed in standard black vinyl and packaged together in plain black sleeves.”
*various – imaginational anthem vols 1-5 – tompkins square – 6cd
       - “since 2005, tompkins square label’s imaginational anthem compilations have featured some of the greatest acoustic guitarists in the world, with recordings spanning five decades. more than mere samplers, these albums have served as state-of-the-art dispatches from the front lines of the art form. imaginational anthem vols. 1-5 is a specially priced 6cd box set, limited to 999 copies, featuring the first five volumes in their originals packaging, plus an exclusive live bonus disc from william tyler (lambchop), entitled ‘elvis was a capricorn,’ not available in any other format.”

…..late record store day arrivals…..

*beak> – 0898/welcome to the machine – invada – 10″
david bowie – drive in saturday – emi – 7″ picture disc
burzum – burzum/aske – back on black – coloured lp
burzum – hvis lyset tar oss – coloured back on black – lp
burzum – det som engang var – coloured back on black – lp
burzum – filosofem – coloured back on black – lp
cannibal corpse – butchered at birth – back on black – lp picture disc
*nick drake – s/t – emi – lp
*the fall – sir william wray – cherry red – 7″
*barry gray – the cas carnaby five – silva screen – 7″ flexi & poster
*gza – liquid swords – get on down – 4lp boxset + chess set
francoise hardy – porquoi vous – emi – 7″
*hawkwind – urban guerilla – emi – 7″
*hawkwind – kings of speed – atomhenge – 7″
lee ‘scratch’ perry & the upsetters – chapter 1 – clocktower – 3×10″ box
*charlie poole with the highlanders – complete paramount & brunswick recordings – tompkins square – lp
*pussy galore – groovy hate fuck – shove – lp
rush – abc 1974 – rock classics – coloured 2lp
scientist – scientific dub – clocktower – 3×10″ box
slayer – hell awaits – back on black – coloured lp
slayer – show no mercy – back on black – coloured lp
vitamin string quartet – vsq plays sigur ros – cmh – lp

…..restocks…..

*alvarius b – baroque primitiva – abduction – cd
*ambarchi/haino/o’rourke – now… – black truffle – lp
bang – death of a country – rise above relics – lp
syd barrett – barrett – harvest – lp
syd barrett – the madcap cries – fan club – lp
black sabbath – paranoid – rhino – lp
black sabbath – s/t – rhino – lp
bon iver – for emma, forever ago – jagjaguwar – lp
bon iver – s/t – jagjaguwar – lp
bonobo – north borders – ninja tune – lp
boris – amplifier worship – southern lord – lp
*budos band – s/t – daptone – lp
nick cave & the bad seeds – the boatman’s call – mute – lp
civil wars – barton hollow – sensibility – lp
leonard cohen – my radio sweetheart – fan club – lp
leonard cohen – don’t touch that dial – fan club – lp
john coltrane – blue trane – blue note – lp
danger mouse – grey album – fan club – lp
dead weather – sea of cowards – thirdman – lp
j dilla – rebirth of detroit instrumentals – ruff draft – lp
julie doiron – so many days – aporia – lp
*bill fay – life is people – dead oceans – lp
*bill fay – time of the last persecution – 4 men with beards – lp
fleet foxes – s/t – sub pop – lp
bridgette fontaine – 13 chansons decadentes – emi – lp
*ben frost/daniel bjarnason – solaris – bedroom community – lp/cd
godspeed you black emperor – yanqui uxo – constellation – lp
grizzly bear – shields – warp – lp
grouper – dragging a dead deer up a hill – kranky – lp
hawkwind – warrior on the edge of time – united artists – lp
japandroids – celebration rock – polyvinyl – lp
japandroids – no singles – polyvinyl – lp
japandroids – post-nothing – polyvinyl – lp
*medusa – first step beyond – numero – lp
metz – s/t – sub pop – lp
thelonious monk – straight no chaser – music on vinyl – lp
thelonious monk & sonny rollins – s/t – original jazz classics – lp
my bloody valentine – things left behind – fan club – lp
nirvana – bleach – sub pop – lp
*daphne oram – oramics – young americans – 4lp
*ost – django unchained – mercury – 2lp
oval – 94diskont – thrill jockey – lp
pissed jeans – honeys – sub pop – lp
queens of the stone age – songs for the deaf – ipecac – 2lp
*rainforest spiritual enslavement – black magic cannot cross water – blackest ever black – lp
ramones – leave home – rhino – lp
ramones – rocket to russia – rhino – lp
ramones – road to ruin – rhino – lp
ramones – s/t – rhino – lp
smiths – hatful of hollow – rhino – lp
smiths – meat is murder – rhino – lp
smiths – louder than bombs – rhino – lp
smiths – strangeways… – rhino – lp
*stooges – s/t- rhino – lp
*andy stott – passed me by – modern love – 2×12″
*andy stott – we stay together – modern love – 2×12″
tool – anima – bmg – 2lp
*velvet underground – complete mono collection – sundazed – 5lp box
velvet underground – la cave – keyhole – lp
tom waits – night hawks at the diner – rhino – lp
tom waits – bone machine – island – lp
*wanda group – piss fell – opal tapes – lp
*bukka white – mississippi blues – 4 men with beards – lp
whitehorse – s/t – sixshooter – lp
wilco – sky blue sky – nonesuch – lp
wilco – being there – nonesuch – lp
wire – change becomes us – pink flag – cd
neil young – zuma – reprise – lp
neil young – harvest live – swinging dog – lp
neil young – live at massey hall – reprise – lp
neil young – live at fillmore east – reprise – lp
*various – forge your own chains – now again – lp
*various – nuggets – rhino – lp

thanks for listening…

listen records
10443a – 124 street
edmonton, ab
t5n 1r7
780.732.1132

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…..news letter #585 – holy moly!…..

howdy all…

wow…. if you weren’t here on saturday, then perhaps you saw the photo we posted, and if not, well you missed something truly insane! a massive line up to get in for record store day, line up to pay for almost the entire day. so many smiling friendly faces. so many record lovers. such great times! thank you thank you thank you to every single person who came down and supported the shop. and now, back to normal… killer records, all the time! and this week is a doozy, one of my all time favorite albums finally reissued on vinyl, for the first time ever, and a whole lot of other rad stuff too….

 …..pick of the week…..

Time+Of+The+Last+Persecution+bgtotlp

*bill fay – time of the last persecution – 4 men with beards – lp

- hell ya! this is one of the best albums ever! so happy to finally own this thing on vinyl… “time of the last persecution is bill fay’s second and final album for the deram label, originally released in 1971. an absolute classic of melancholy (borderline morbid) folk-rock that falls somewhere between pearls before swine, leonard cohen, and a suicide prevention hotline. time of the last persecution is almost single-mindedly obsessed with end times so it’s fitting that this brilliant album would be his last release for over 30 years. now that fay is back with a new and highly lauded album, it’s high time that his classic, definitive statement, is available again on 180 gram vinyl.” you need this in your life…. 

…..new arrivals…..

a certain ratio – to each – drastic plastic – lp
- hand-numbered, limited edition of 180-gram vinyl or coloured vinyl. originally released on factory records in 1981, and produced by legendary joy division producer martin hannett, a certain ratio is known for their post-punk masterpiece to each. here is a haunting exploration of the dark crannies and corners that might be contained inside a jazz cathedral. for fans of the durutti column, the pop group, joy division, and p.i.l. remastered for vinyl by masterdisk.
a hawk & a hacksaw – you have already gone to the other world – l.m. dupli-cation – lp
- the duo of jeremy barnes (neutral milk hotel) and heather trost, known for performing traditional and original music steeped in eastern european folk traditions, present their sixth album. the sixteen tracks feature seven originals along with nine ukrainian, hungarian and romanian traditional songs re-imagined and arranged with inspiration taken from the legendary 1964 film shadows of forgotten ancestors by russian filmmaker sergey paradjanov.
akron/family – sub verses – dead oceans – lp
- ”the album started with visions of large monumental sounds inspired by heizer and turrell; american works on a grand scale, monuments, dirty hands and an epic american masculinity. dust, stone, sky, earth. these broad, bold strokes would come to pass but not quite as expected. from shamanic hypno-mantras to noise-damaged soul anthems to north african street frenzy, from droning microtonal balladry to modular synthesizer destruction to lynchian doo-wop and back again. the sound is propulsive and driven by it’s physicality, and a disciplined acknowledgement of lineage. akron/family is here, with drums and guitars like divining rods calling on sonny sharrock and link wray, on elvin jones and john bonham, on jimmy garrison and aston barrett.
*barn owl – v – thrill jockey – lp
- “barn owl has always specialized in devotional darkness, pushing desert rock into previously unexplored, murky territories. v marks a shift in approach for the duo of jon porras and evan caminiti. the pair augmented their arsenal of guitars and effects with an array of electronics, vastly expanding the album’s sounds and textures. special attention was given to implied rhythms nestled within dense slow building environments, giving the album a rhythmic presence, albeit one that is buried beneath intricate layers. theirs is a ghostly rhythm, almost beyond reach.”
cosmonauts – if you wanna die then i wanna die – ayo silver – lp
- reissue of the cosmonauts’ second lp, originally released in 2012 by burger records. punk, rock’n'roll, and psychedelic music, reminding the contemporary big names of the style, such as thee oh sees, ty segall, moon duo, or the growlers. what you will find in this album is a combination of rock and roll beats, psychedelic vibes and punk attitude that transcends those genres. in a field where bands are usually subscribed to the same clichés, cosmonauts drown them. their music arises from the stomach, it’s as real as a punch full of anger, like a cold shower or sweaty pogo-dancing in first row. despite their significant charisma, cosmonauts are a perfect example of this generation; a new scene full of bands reading the past but writing the future, but they also reference the velvet underground, silver apples, or sst bands. cosmonauts take us on a psychedelic field-trip empowered by amphetaminic punk nerve on this album, and on other tunes they dig atmospheric loops with minimalistic structures while maintaining a pop heart.
disappears – kone – disappears – 12″
- disappears take 30-plus minutes to stretch out into the void, get abstract and make something that’s rare these days-music that asks the listener to listen. two different versions of “kone” (the b-side “edit” ends in a lock groove to infinity!) plus one new cut to boot. precedes the next disappears lp era due out in the fall of 2013 on kranky. limited edition of 1,000 copies with download.
*expo seventy – virtually from the unknown – sonic meditations – lp
- “expo ’70 is mainly known for being the work of justin wright with the occasional contribution of other musicians, primarily dabbling in drone, krautrock, psychedelic rock and kosmische music. this new release features a trio line-up of wright accompanied by aaron osborne and mike vera. rounded out by bass and drums, a heavier doom-inspired psychedelic journey from the drop of the needle takes the listener into the inner tangled web of sound and locked grooves from the rhythm section allowing wright to express washes of textures and breaking loose on more rock-esque guitar playing. as the needle drops onto side b, ‘closet full of candles’ opens as a huge sabbathy riff and get’s into stoner rock territory and quickly becomes dismantled by a wash of psychedelic jamming.”
luc ferrari – programme commun – sub rosa – lp
- sub rosa presents two substantial pieces from electro-acoustic musique concrete innovator luc ferrari: “programme commun pour clavecin et bande magnetique” (1972), performed by elisabeth chojnacka, and another previously-unreleased piece that he held dear: “les emois d’aphrodite” (1986/1998), performed by san francisco’s mc band under his direction. “‘programme commun…’: although cheerful, this piece of music asks a serious question: can one separate one’s political and artistic concerns, either directly, as a film can allow, or indirectly, as in this music? mostly though, this music is my way of commemorating the signing, in 1972, of the programme commun. ‘les emois d’aphrodite’: from the 1986 version i have retained the character of this piece, a kind of disjointed rock that periodically pops up as aphrodite’s dance. i have added harmonic ‘manipulations,’ or a progression toward disjointed harmony, which is what i currently look for (i have not said ‘which is my current aesthetics’). finally, the introduction of samplers makes it possible to convey the liveliness of time to disjoint tones.” –luc ferrari
*genius/gza – liquid swords – get on down – 4lp + chess set
- back in! “for record store day, get on down is proud to bring you gza’s liquid swords in its most deluxe treatment ever. the liquid swords chess box contains the entire liquid swords album and complete instrumentals, as well as in depth, full color liner notes with contributions from gza himself, inner jackets and dust sleeves with memorable vintage artwork from the original release, and even a complete full-sized wooden chess set, which can be played on the chess board contained on the inner lining of the box. housed in a sturdy wrapped hard board box with a deluxe magnetic clasp, this edition of liquid swords spans across eight sides of vinyl with the complete album as a double lp and the full rza produced instrumentals as a double lp. the album features appearances by the entire wu-tang clan, and includes the auspicious debut of killah priest on ‘b.i.b.l.e.’ liquid swords now has the vinyl reissue deserving of a project acknowledged as one of the ’100 best rap albums’ by the source and ‘top 100 records of the 1990s’ by pitchfork.”
*gravetemple – ambient/ruin – ideologic organ – 2lp
- gravetemple was formed in 2006 as a side-project of the band sunn o))) by oren ambarchi, stephen o’malley and attila csihar. the group formed initially to tour in israel in the summer of ’06, creating several recordings which eventually became the holy down album, which was released on southern lord recordings in 2007. at the time of the israel tour, the lebanon war started and was in action. in summer ’08, the trio reformed together with the addition of australian drummer matt “skitz” sanders for a short european tour culminating in a headlining performance at supersonic festival in birmingham. in late 2009, the original trio reconvened for a special one-off concert at london’s institute of contemporary arts. april 2013 marks the first set of live action since that period, and a new chapter in the ongoing system of the related network. ambient/ruin was created with the 2008 quartet — elements of tape collage, concrète, and field recordings blend within a strong, geographically-diverse (parts were recorded in japan, australia, paris and israel) suite of heavy minimalist/maximalist music, black/death metal and drone. the culmination of these efforts become the music, literally, of sadistik exekution meeting phill niblock. gravetemple clearly adapted the more abstract and experimental aspects related to sunn o))) and have continued from that point, with ongoing focus on metaphysical construction of free music and will. the music became a geographically and metaphysically-based effort.
*gruppo di improvvisazione nuova consonanza – musica su schemi – suprior viaduct – lp
- in the early 1970s, franco evangelisti assembled gruppo di improvvisazione nuova consonanza, a collective of italian composers that included ennio morricone on trumpet. gruppo aspired to revolutionize composition through group improvisation and-like their peer, karlheinz stockhausen-musique concrete, aleatory (controlled chance) techniques and early electronic music. one significant influence in the studio was their use of chess to define key parameters of their music. musica su schemi is unpredictable, fluid and always marked by a tension between the performers and their conscious rejection of traditional forms. each member of gruppo would establish themselves as important figures in 20th century music, though no others gained the notoriety of morricone. nonetheless, gruppo’s influence on modern composition endures. as composer / saxophonist john zorn explains, “[they] were instrumental in founding a radical tradition of western musical improvisation that owed little or nothing to anybody and created some of the strangest music ever made.”
*keiji haino/jim o’rourke/oren ambarchi – now while it’s still warm let us pour in all the mystery – black truffle – lp
- “following on from 2012′s acclaimed imikizushi, now while it’s still warm let us pour in all the mystery is the fourth release from the established power trio of keiji haino, jim o’rourke, and oren ambarchi, recorded in january 2012 at their yearly concert at super deluxe, tokyo. while the trio’s two previous double lp releases featured sprawling, side-long performances, the music here is presented in six shorter pieces, each one displaying a different side of the trio’s interactions, from holy minimalism to cave-man rock. the record begins with the trio joined by special guests charlemagne palestine and eiko ishibashi, conjuring ghostly tones from wine glasses as an accompaniment to haino’s angelic vocals. this 10-minute piece, which moves from near silence and the sound of onstage footsteps to a stunning passage of clean guitar work from haino, is steeped in the same mysterious atmospherics as haino’s great folk-drone project, nijumu. when haino turns to the flute on the lp’s second track, a performance that clearly demonstrates the importance of the special concept of space and silence (ma) that haino has developed from traditional japanese aesthetics, o’rourke and ambarchi transform into the delicate and probing rhythm section of a classic ’70s fusion side. when the trio returns to the crushing free-rock of their last two records, o’rourke’s heavily effected bass rolling alongside ambarchi’s tumbling rhythms as haino’s guitar squeals and slashes above them, their performances display a new purposefulness and concision. now truly operating as a band after a number of years of playing together, the pieces here feel like instant rocks songs — o’rourke and ambarchi instantly locking into solid riffs over which haino alternates between jarring no-wave chords, intense soloing and his signature vocalizations. when the trio slow down and stretch out, the rhythm section plods like an abstracted crazy horse on the brink of collapse, and haino elicits long, mournful solos reminiscent of the first classic fushitsusha double live lp. perhaps more accessible than the trio’s previous recordings because of its range and concision, now while it’s still warm… exudes the dark, alien quality of haino’s greatest recordings and testifies to the strength of the musical bond that has developed between these three players. –francis plagne, jan 2013.”
xander harris – new dark age of love – not not fun – lp
- the past two years have found austin’s dark lord xander harris (aka justin sweatt) on a heavy transfigurative trip, overhauling his live rig, detouring through an expansive soundtrack project celebrating the 20th anniversary of neal stephenson’s snow crash, touring outside texas (from new orleans to the netherlands), plus a host of other inner-life turmoils and metamorphoses-all of which have seeped into the synthesizer soil of his stunning second full-length, the new dark age of love. from the first shimmering hovercraft tones that kick off album opener “night fortress,” the growth is glaring; gone is the slasher camp and horror tropes of urban gothic, replaced by sleek, streamlined post-industrial cold-wave dystopias. a ballardian mood of paranoia, doom and technocratic elegance reigns, from icy, sci-fi night-drives to sweeping cyber-gothic dread symphonies; even the few forays into overt vhs splatter-score worship are executed with a similar sense of future-shocked metropolitan menace. echoes abound of classic chris & cosey urban wasteland synth-pop, umberto’s vintage evil, and klaus schulze at his most candlelit and crowleyian, but the new dark age of love is unquestionably sweatt’s story to tell, and it’s a tome.
*the haxan cloak – excavation – tri angle – lp
- in 2011 with the release of his debut, the haxan cloak, solo project of multi instrumentalist, bobby krlic, appeared seemingly out of nowhere with an impressively fully formed sound that blew away most anyone who heard it. recorded over the space of 3 years the haxan cloak was a wildly ambitious fusion of malevolent strings, junkyard found-sounds and primitive percussion, krlic’s grand ambitions transcending the fact that it was all recorded in a shed at the bottom of krlic’s parent’s home in wakefield, yorkshire. in the two years since the release of his debut, krlic relocated to London and began working on it’s epic follow up, and tri angle records debut, excavation. bolstered by the concept he was developing for his follow up and a desire to challenge himself into new terrains, krlic has evolved his sound to incorporate more of his electronic influences. the result is an album awash with serrated beats and cavernous sub-bass, meshing with the classical drones and ghostly details the haxan cloak fans will have already been accustomed to. excavation finds krlic confidently adopting a more minimalist approach to his compositions, experimenting with space and silence without forsaking any of the intensity that made his debut such a powerful statement of intent. if the haxan cloak was conceived as the soundtrack to a character’s journey towards death, excavation is its sequel representing the journey after death. excavation is about disconnecting entirely from this and entering upon a more astral plane, explaining some of the albums more ethereal, ambient moments that are in constant tension with jagged and aggressive elements. this journey isn’t supposed to represent an archetypal heaven or hell scenario, but something more abstract and unknowable; the abstraction of the situation being one of its most unsettling aspects. excavation is another uncompromising, incredibly personal record from an artist who is continuing to operate very much within his own world.
iron & wine – ghost on ghost – nonesuch – lp+cd/cd
- ghost on ghost is the fifth release from singer-songwriter sam beam, using the pen name iron and wine. ghost on ghost was produced by beam’s longtime associate brian deck (modest mouse, califone, fruit bats) and follows 2011’s kiss each other clean, which debuted at #2 on the billboard chart to critical acclaim. rolling stone said of kiss each other clean that “pop music hadn’t seen anything like it since the heyday of cat stevens,” while pitchfork said it “more closely resembles the lush, gold-toned singer songwriter records of the late 60s and early 70s – astral weeks, goodbye yellow brick road.” for ghost on ghost, beam sought to move from what he called the ‘anxious tension’ of his two previous records. “this record felt like a reward to myself after the way i went about making the last few,” he says. helping achieve beam’s vision was a group of stellar musicians including rob burger, steve bernstein, brian blade, curtis fowlkes, tony garnier, marika hughes, briggan kraus, maxim moston, tony scherr, doug wieselman, kenny wolleson, and anja wood. burger (tin hat trio) has worked with beam intermittently through the years and handled arrangements for strings and horns on ghost on ghost.
*paul metzger – tombeaux – nero’s neptune – lp
- tombeaux, the much-anticipated new album from paul metzger, marks our alchemist’s third appearance on nero’s neptune, following critically-acclaimed contributions to labels like locust and honest jon’s. metzger summons the spirits of musical appalachian forefathers, guitarist django reinhardt and classical sitarist nikhil banerjee, among others, weaving a peerless, highly individualistic music that sounds unlike anyone but himself. metzger’s playing doesn’t imitate raga structures so much as use those modal figures as a starting point. he employs dazzling, breviloquent string-plucks on the main banjo strings, while producing rhythmic, droning textures on the cross-strings of an added bridge. some have suggested similarities to the works of john fahey or sandy bull, but metzger’s modus operandi doesn’t constitute a mirroring of those styles; rather, he composes and operates apart from their music, in an insular and altogether separate universe. in the process, metzger transcends and expands the lexicon in a wholly organic manner.
milk music – cruise your illusion – milk music – lp
- combining the driving hooks of the wipers, slashing riffs of husker du, and melodic-on-the-edge-of-control vocals of early dinosaur Jr., milk music reinvent early- to mid-’80s sst-style hardcore punk and ’90s lo-fi pacific northwest influences for a new generation. formed in olympia, washington, the band is comprised of singer/guitarist alex coxen, drummer (and coxen’s brother) joe rutter, guitarist charles warring and bassist dave harris. a self-titled, self-released cassette offered in 2009 introduced listeners to their anthemic, thrashing sound, followed a year later by the beyond living ep, which found a wider release in 2011 with the perennial label. all the familiar elements slightly borrowed from the above references are here but they’ve added some atmospheric fuzz-jams reminescent of neil young & crazy horse. singer alex coxen sounds as blazed as he does disenchanted with with all things rule oriented.
*daphne oram – oramics – young americans – 4lp
- 2013 repress, originally released in 2010. young americans is a new label operating under the modern love umbrella, proud to present an extremely special vinyl pressing of some of the most important early electronic music ever made. daphne oram was the founder of the bbc radiophonic workshop, a department she more or less single-handedly created in 1958, camping out at the bbc studios for nights on end splicing tapes and working with various modified machines to create her abstract soundscapes. eventually the bbc bent under her pressure and in studio 13 created the soon-to-be-legendary radiophonic workshop, with daphne oram as its first director. oram also invented her own “drawn-sound” technique, a process whereby strips of 35mm film would be manipulated before being fed into her home-made “oramics” machine which would convert and “read” the film into sound. despite her considerable and historic list of achievements, oram’s life and work remain largely unknown by the wider public. as this remarkable 44-track collection shows, however, her work ranks amongst the most varied and pioneering ever made, and it’s quite incredible to think that this is the first time any of these precious recordings have been available on vinyl.

thee oh sees – floating coffin – castle face – lp
- a brandy-new full length from the tour sharpened oh sees, featuring the louder, grungier, synth-meltier sound they’ve been bludgeoning audiences with lately. this newest chapter in the story of thee oh sees, show the band fixing their fury against the onrushing night. it’s another blistering demonstration of thee oh sees greatest trick: they’re the only prolific band who doesn’t put out records often enough. featuring terrifying artwork from matt brinkman and john dwyer.
*bill orcutt/chris corsano – the raw and the cooked – palilalia – lp
- gatefold sleeve. recordings from the tour last summer (2012). ex-harry pussy guitarist with the percussion monster, chris corsano!
*bill orcutt – a king of something – palilalia – 7″
- small restock of this limited tour-only 7″, originally released in 2011. ‘a king or something’/'crossroads’/'the man in the mirror’ b/w ‘sad michael’/'solitary habits’/'die then come back to life.’
pere ubu – live at the longhorn — april 1, 1978 – nero’s neptune – 2lp
- the three vinyl sides of pere ubu live at the longhorn are as much an indispensable live rock album as modern dance is an indispensable studio album. the show consists mainly of material from the modern dance album, only rocked out and swinging, more raw-nerved yet seasoned than their studio counterparts. what becomes apparent, especially on repeated listens, is how well-made this music is, how the drama and comedy flows within the modules of each song, how the songs fit together to give an audience an experience that — while sharpened to paranoia and sensitive to harsh realities — is as ineffable as it is concrete.
physics – spectramorphic iridescence – digitalis – lp
- resident los angeles android, [physics] unveils his debut lp spectramorphic iridescence for the digitalis label. glazed electronics and polymorphic beats run through wetware enhancements left behind by future civilizations. even with the neuron-popping hooks from opener “anodyne dream” or the crystalline “isosceles trapezoid” acting like sandman for your brain, there’s a dark undercurrent running throughout spectramorphic iridescence. death-march rhythms snake through “emerald forest,” adding an extra sinister layer to all the cryptic stabs. as it bleeds deftly into “the keep,” it’s the ghost trapped in the machine, tortured into obsolescence. [physics] continues pounding the electricity, waiting for the last voice to drown beneath the bloated, cybernetic waves. moments of sonic ecstasy filter in when they can, though, finding heavy tranquility cycles with “realization” and album closer, “ultimate l.” its over-the-top, sugary synthetics laced with all aural opiates you need. “ultimate l,” especially, achieves maximal catharsis through countless layers of slowly-evolving tones. [physics] have crafted an album steeped in cyberpunk lore, complete with neon death rays and jacked-in viruses. spectramorphic iridescenceweaves a singular narrative through thoughtful sequencing and impressive songwriting. before the end it manages to sing its dystopian hymns like a mythic artificial intelligence finally freed from its vr prison.
portal – vexovoid – profound lore – lp
- no death metal band in the history of the genre is as bizarre, unique and aesthetically engaging as australia’s portal. unfolding a singular vision through polarizing music, distinct imagery and otherworldly live shows, portal has slowly set a new standard within the underground over the course of a decade-indeed, giving a new meaning to the term “death metal” itself. the band has spread their sonic plague via three full-length albums to date, the last of which, 2009′s swarth, brought them their highest level of recognition and praise yet. portal’s surreal psychosis sounds like a lovecraftian nightmare manifested; weird rhythms and perplexing musical structures twist together in a cinematic soundscape of sheer terror and madness. vexovoid takes their artistry to new levels, delivering their biggest and most dense sounding album of their career. comprised of seven harrowing tracks, it proves once again why portal is the harbinger of the coming new dreadful age of death metal.

*rainforest spiritual enslavement – black magic cannot cross water – blackest ever black – lp
- blackest ever black presents the first vinyl pressing of music by rainforest spiritual enslavement. two long-form, minimal synth/dark ambient compositions with field recordings. sourced from a box of cassettes found at a market in port moresby, it was thought to be recorded by a group of christian missionaries prior to their unexplained disappearance during the 1980s. limited edition of 500 copies only.
*colin stetson – new history warfare vol 3: to see more light – constellation – 2lp
- colin stetson established himself as an intensely original solo composer and performer in 2011 with the release of the widely acclaimed new history warfare vol. 2: judges. judges ended up on countless year-end lists and emphatically proved that stetson’s approach to solo saxophone transcends niche or genre; a unique and emotionally resonant instrumental music with influences as wide-ranging as jazz, metal, pop, soul, drone, industrial, minimalism, electro-acoustic and modern contemporary. remarkably, stetson channels these manifold musical strains into a singularly identifiable and personal sound as a polyphonic soloist who doesn’t rely on looping/layering or multitrack/overdubs technologies. new history warfare vol. 3: to see more light is the final installment in a trilogy of solo albums and is stetson’s most ambitious song cycle to date, again recorded live in single takes with a wide array of microphone positions and again mixed by groundbreaking producer ben frost. colin’s membership in bon iver over the past two years has also led to vocal contributions from justin vernon for this record, who appears on four songs, with a diverse approach on each, and whose voice constitutes the only overdubbing on the album. the new record’s 15-minute centerpiece, title track “to see more light,” is the longest piece stetson has yet recorded and possibly the heaviest: a tour de force of swirling arpeggiation, continuous breathing, pumping valves and vocalizations through the reed of the horn that gives way to a tremendous, screaming, sea-sawing dirge through the song’s final movement. this latter stretch conjures a sort of saxophonic sludge metal, and the album’s heaviosity references other sub-genres of metal as well, most notably in the hardcore blast of “brute” (abetted by vernon’s cookie monster barking) and the ambient grindcore throb of “hunted.”
*mark templeton – jealous heart – under the spire – lp
- mark templeton presents jealous heart, an album which re-imagines the story of his sound in an approach that is both staid and deeply emotional, reorienting what is offered and what is held back through a myriad of smeared stringed instruments, fragmented horn phrases, tape loops, and found-sound-driven explorations. templeton’s music is always difficult to truly classify, which is part of its charm. it is way too dense and detailed to qualify as ambient in a traditional sense — instead developing itself into a highly organized, spacious clutter. it is electro-acoustic music that harkens to tape machines and misused instruments of yesteryear, viewed whole-heartedly through the prism of ultramodernity, of an awareness of what has transpired in-between. filled with subtly processed horns that recall a jazz club under the sea, a speakeasy of a future past blanketed in a detailed haze that allows one to find an individual path through it — a precise murkiness, where objects coalesce in the background while the focus stays predominantly on the instrumental underpinnings of each track. at times the album holds a sense of longing, of days past or imagined to be, but cloaked in hopefulness, of a consistent sense of working through an idea, an experience, a sound source — wringing something constructive out of it and re-forming it into something better. warm and textured is a given with templeton’s work. this album is similarly so, but with a layer of knowingness, an awareness that warmth is not enough. there is a pervasive sense of age, a feeling of it being an older object than it actually is, almost as if it was found on a forgotten shelf, yet had sensibilities that won’t exist until tomorrow. the landscape becomes one where the album manages to be constantly moving while presenting the listener with a sense of stillness, a balancing act that is incredibly difficult to get right.
umberto – confrontations – not not fun – lp
       - kansas city’s goblin king of neo-giallo, brood-blooded dark fantasy soundtracking returns with his fourth official full-length, two years after the badass psychodrama of prophecy of the black widow. the time betwixt was well spent, on tours, one-off tapes and 12-inches, and tweaking the mixes and minutia of the seven undead invasion omens comprising confrontations. what instantly distinguishes this new album from the previous is its ominous, slow burn composititional model, building its evil temple brick by brick, basking in the tension of each new chiming, carpenter-esque synth line or monkish doom om for multiple measures before stirring the next substance into the cauldron. this elegant sense of patience gives the tracks a more oozing, operatic aura; these confrontations aren’t hostile showdowns in the woods but the creeping dread of alien-nation body snatchers infiltrating the populace. death comes slipping. can someone hire this genius to score the they live remake already?
velvet underground – at the end of cole ave., the first night – keyhole – 2lp
       - the velvet underground were arguably at their live peak in late 1969. lou reed, sterling morrison, maureen tucker and doug yule (who’d replaced john cale a full year previously) had developed into a sensationally tight and adventurous quartet, and this show — the first of two recorded on consecutive nights before a tiny audience in dallas, texas — is unquestionably one of the finest surviving documents of them in performance. remastered sound and background notes included on printed insert.
wanda group – piss fell out like sunlight – opal tapes – lp
       - wanda group is the brighton-based louis johnstone, whose prolific output for labels like astro:dynamics, nna tapes, and leaving makes him one of the most intriguing voices in contemporary electronic music. johnstone’s recent discography is best understood as a process of refinement: the more overt sampledelia of 2010′s caveman smackunder the dem hunger alias has been gradually distilled until only the barely-there remnants of damage and decay remain. with that arc in mind, the excellently-titled piss fell out like sunlight for opal tapes is perhaps the producer’s subtlest, gauziest work yet. johnstone assembles these two side-length tracks out of large building blocks: 30 seconds or a minute of a single idea, each cross-faded into the next, moments recurring multiple times or bookending others to form oblique poetic sentences. the results function like a particularly cryptic, labyrinthine mini-mixtape. within that, dance forms occasionally come under scrutiny: early in “her stomach on terror” we’re treated to a baleful techno throb over which reedy synths chirrup restlessly; later on, a hard-edged, andy stott-esque thump holds sway for a minute or so. the latter half of “pans out in the afterlife” is dominated by a desiccated hulk of a kick drum, dreamy detroit pads wheeling overhead. but johnstone’s relationship to the current crop of noise-techno fusionists is only passing; mostly this is an album of weightless moments: delicate washes of electrical hum, amplified grit in the wires, burbling synth clusters and stringently buried melodies. what’s remarkable is the pathos that johnstone wrings from these most microscopic of sonic phenomena.
wold – freermasonry – ideologic organ – 2lp
       - statement from the wold communiqué sent out following the completion of freermasonry: “lyrically freermasonry consists of a series of poems and discourses. early on in freermasonry during ‘sol,’ the mother allusion is referenced out of faust part two. it’s a small portion and short moment. faust does an invocation to the mothers, but the execution is as trickery through occult charlatanism and not truly believed ritual. goethe found passages about dark goddess figures known as mothers in the writings of plutarch. the metaphor is ambiguous, generally associated with creative dark force and will, but reared in a potent lie. i use it in correlation with screech owl as atheistic reactionary sentiment. of course there are many other aspects to freermasonry.” –fortress crookedjaw ”this is all to say that freermasonry — the obliterative sixth album from wold, the saskatchewan act led by the incredibly named fortress crookedjaw — is ultimately enigmatic and entirely unknowable, an intersection of noise, metal, and electronics that doesn’t yield to such plainclothes criticism. mean, dense and multivalent, with a lyrical conceit based on masonic symbolism and biblical scripture, it’s the rare loud music that begs to be louder still if you’re to have any chance of understanding it. freermasonry is a case study in controlling the illusion of chaos, an elegantly constructed nightmare of sound where hearing one layer of serrated screams, static bursts, and feedback flares means you’ve missed some mass of activity somewhere else. weirdly seductive rhythms tumble beneath a laundromat of blown-out tones and crackling vocals, generally pulling your attention a dozen different ways. i’ve been listening to the album consistently for three months now, and somehow, i’m still surprised by what its 58 minutes sound like and accomplish. paradoxically disorienting and direct, freermasonry is a constant tumult of surprising activity, more unforgiving than most everything in the noise, metal, and drone scenes, places where wold kind of fits.” –grayson currin, pitchfork (8.3)
various – harafin so – bollywood inspired film music from hausa nigeria – sahel sounds – lp
       - first-ever international release of film soundtrack tunes from northern nigeria — where the film industry is modeled on bollywood. autotuned robotic vocals combine with frenetic drum machines and pitch-bending synths for a singular hybrid of local styles and indian influence. featuring smash hits by hausa superstars fati niger, abubakar sani, and the exuberant sani danja. limited edition of 1,000 copies. includes insert with liner notes.

…..restocks…..

*ash ra tempel – s/t – mgart – cd
calexico – spiritoso – anti – lp
the clash – s/t – music on vinyl – lp
coloured balls – ball power – sing sing – lp
cramps – psychedelic jungle – vinylisssimo – lp
*destroyer – this night – merge – lp
*dust – s/t/hard attack – sony – 2lp
*brian eno – discreet music – editions eg – lp
flaming lips – zaireeka – warner – 4lp
fleet foxes – helplessness blues – sub pop – lp
foxy gen – we are the 21st century.. – jagjaguwar – lp
ghostface killah – 12 reasons to die – soul temple – lp
gong – est quoi mort – celluloid – 2lp
*ilaiyaraaja – fire star – bombay connection – lp
*les rallizes denudes – great white wonder – phoenix – 4lp
madvillain – madvillainy – stones throw – lp
*stephen malkmus & friends – can’s ege bamyasi – matador – lp
*medsusa – first step beyond – numero – lp
postal service – give up – sub pop – 3lp
pretty – mustache – numero – 2×7″
*laurie spiegel – expanding universe – unseen worlds – 2cd
chad van gaalen – diaper island – flemish eye – lp
*various – the conet project: recordings of shortwave numbers stations – irdial – 5cd
various – good god! a gospel funk hymnal – numero – lp
*various – brand new wayo – comb & razor – lp
various – minimal wave tapes 2 – stones throw – lp
*various – sorrow come pass… – dust to digital – lp

thanks for listening….

listen records
10443a – 124 street
edmonton, ab
t5n 1r7
780.732.1132

www.listenrecords.net
www.facebook.com/listenrecords
twitter/instagram: @listenrecords

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…..news letter #584 – rsd edition…..

rsdad

 

well folks, it’s here! record store day!
come down on saturday 10 am – 6pm and enjoy 20% off all day, buy some exclusive rsd titles (we’ve got loads*), hang
out, have a snack while you browse, meet other vinyl junkies.

*exclusives are, in some cases, terribly limited and in lots of cases we got less than we ordered, so, no holds, first come,
first served, one per customer, be nice. thanks.

listen records
10443a – 124 st
edmonton, ab
t5n 1r7
780.732.1132

 www.listenrecords.net
www.facebook.com/listenrecords
twitter/instagram: @listenrecords

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…..news letter #583 – i got shorts, all colors…..

howdy all,

 

well, i’m not gonna lie, i’m swamped with received record store day stuff, and all the stuff that is available now, so i won’t bore you…. read on!

this is your last reminder, next saturday, april 20th is RECORD STORE DAY! we are already busy receiving all kinds of cool releases for you to attempt to acquire next weekend. remember, we open at 10 that morning. it’s gonna be a blast.

 …..pick of the week…..

conet
*various – the conet project: recordings of shortwave numbers stations – irdial – 5cd
- irdial announces the release of the conet project: recordings of shortwave numbers stations, tcp/1111″: special 5cd edition. this will be a limited edition shrink-wrapped package containing: 1. the original 4 conet project cds in their own quadruple jewel case. 2. three black-and-white postcards. 3. one full-color postcard. 4. the extended 80-page booklet in its own jewel-case. 5. the new 5th cd in its own jewel case with its own new full-color booklet. the conet project is one of the most influential and important collections of recordings ever released to the public. its original release in 1997 was unprecedented and completely unexpected. no one had heard of “numbers stations” before the conet project, and its release baffled everyone who heard it. but it struck a chord. the unique sonic qualities and astonishing variety of the conet project’s recordings, combined with the clandestine origin of numbers stations and the meticulous research in the accompanying booklet combined to form a release that resonated strongly with people from a wide variety of backgrounds. now 15 years later, irdial-discs is re-releasing this ground-breaking and legendary work in a new updated edition, featuring a fifth disc containing a set of 26 carefully selected examples of shortwave “noise stations” sourced from the private tape archive of akin fernandez, the conet project’s creator. if shortwave radio transmissions were nested like a matroska, the outermost doll would comprise the ordinary government-licensed broadcasts that transmit propaganda and music. next down would be the licensed hams and utility stations used by shipping, weather and hobbyists. then come the numbers stations; the unlicensed and unacknowledged communications from government agencies to spies in the field. innermost of all of these are the completely abstract “noise stations” that have no point of human reference, other than that they can be heard. these noise stations sometimes consist of irregular and rare data-modes, and as such can be put into a context, but in other instances, noise stations have no plausible explanation at all. some are clearly being transmitted because there is a carrier wave and are not natural earth or space noises, but the content of the signal is without any obvious utility. for example, we present a recording that consists only of a loosely rhythmic “clacking” sound, that is similar to a man playing claves. when live on air, this broadcast went on for hours without interruption, only to suddenly cease without any discernible message of any kind. another example is track no. 2, for which we have no explanation. it was only heard once, went on without interruption for at least three days, and then disappeared. it appears to be a highly complex encrypted data mode of some kind, but is unlike any sound normally associated with data modes. a true mystery. as is the case with numbers stations, it is very unlikely that some of the more odd noise station examples on disc five of the conet project will ever have a good explanation provided to the public. this is to be expected. after 15 years, the numbers station mystery has barely unraveled, save for some isolated glimpses into the mechanics of their operation. irdial is privileged to be able to present one such rare and extraordinary revelation with “tcp/1111″ which can be seen in the booklet of disc five. irdial has obtained photographs of an actual numbers station voice machine, as was used in many of the former communist block countries. this event is without precedent. somehow, a german man managed to buy a set of these voice generators, and irdial has obtained photographs from him of the outside and inside of one of these machines. this machine’s function is to play sampled voices under the control of a 7-bit asciiI punched paper tape. it is made of widely-available commodity electronic components, and the manufacturer’s name does not appear on the casing; only two serial numbers “3 2620″ and “nr.8515″ and a handwritten “x1.85″ appear on the back of an access panel, with english lettering indicating the rear connector functions. the emergence of this machine raises many questions. who designed and manufactured it? who sold it? why were these machines not destroyed after the decommissioning of the stations? and of course, this is only a tiny fraction of the larger picture. numbers stations and noise stations are a problem and a phenomenon that is ongoing, and that will continue to perplex and fascinate listeners and the curious for decades to come.

…..new arrivals…..

besnard lakes – until in excess, imperceptible ufo – jagjaguwar – lp
- the fourth album by the besnard lakes features heavyweight additions by moonface’s spencer krug and mike bigelow, the barr brothers’ sarah page, the always enchanting monica guenter and the return of the fifth string liberation singers’ choir. the story of the album unfolds its introspection on the endurance of the human spirit during prophetic times as told by a spy or two, maybe more. each of the eight tracks on the album takes off, coasts, and lands smoothly, with a jubilant slowburn of its own momentum for the benefit of the larger picture. the besnard lakes create a distinct and dreamy headspace, an enigmatic and somehow familiar placelessness.
*george brigman – jungle rot – obscure oxide – lp
- “underground 1975 proto-punk/blues legend, ultra-faithfully reissued for everyone again. lifelong baltimore resident george brigman’s debut lp was quite an achievement for a teenager: self-financed and mostly self-recorded, influenced by uk blues-rockers the groundhogs but filtered through a us inner-city outlook (and budget). unfortunately, none of this mattered, as the record had botched distribution and so remained more heard about than actually heard, save for a few scattershot ‘pirate’ represses. 30 years after the original lp release, legitimate reissues were made available on other labels, all of which are now out of print. obscure oxide is proud to announce this new lp edition, utilizing the same john golden transfers, from the original masters, as used for the previous anopheles lp reissue (why re-invent the wheel?), plus a full-color insert with freshened-up liners and all five (!) snapshots from the original sessions.”
*celebration – old green village – time-lag – lp
- first ever reissue of this rare & obscure french private press lp from 1976. more of a one-off happening then an actual band, the album resulted from the one & only meeting of the group for a single overnight champagne-fueled session. as unlikely as it seems, somebody thought to roll some tape, and a very special evening was captured & pressed to vinyl… opening with a gorgeous drifting instrumental, and centered around three long jaw-dropping acidfolk originals, the album is filled out by wild romps though traditional folk songs. all english lyrics, female backing vocal, two acoustic guitars, dulcimer, autoharp, banjo, and some especially beautiful snaky flute work. the original compositions are truly magical : gently flowing and beautifully pastoral, but with an eerie, druggy, edginess. think ‘book of am’ minus the sunshine & electricity and you’ll be in the right zone… the trad folk cuts on the other hand are nearly as cool : joyous, dirty, and totally ragged music by & for the people. no ‘folk boom’ pretense on display, just ageless tunes, fast pickin’ and wild drunken wooziness, like some sort of reckless gypsy hoe-down… everything here is totally steeped in a damp, pagan / mystical basement atmosphere, that combined with the raw direct-to-tape, no overdubs / mixing execution & perfectly crude, haunting cover art make for a very distinct whole… originally only a few hundred copies of the lp were pressed up, and as there was no actual band to promote, those gradually slipped away into total obscurity. edition of 350 copies.
*demdike stare – test pressing 001 – modern love – 12″
- demdike stare return to the lab with two extended new productions, inaugurating a series of untamed releases brought together under the testpressing banner. “collision” was recorded in late 2012 and is an intense high-frequency re-arrangement of jungle and noise, fed through a bank of analog boxes and pedals, left to spin uncontrollably for 10 minutes before fading to black. “misappropriation” feeds off a different noise altogether, perched precariously between the mangled percussion you’d most commonly associate with muslimgauze and the metallic clank of industry.
*ellie daniels – both sides of the coin – time-lag – lp
- deluxe reissue of this totally unknown new england teenage folk private press from 1971. originally released by the artist herself as a demo only blank cover edition of 100 copies. just out of high school and hoping somebody might pay attention, the lp slipped though the cracks, the chapter closed, and life moved forward on a different coarse… but the album left behind stands as a true female loner folk gem, of which there aren’t many at all… just ellie’s humbly intimate vocals & her harp-like self taught finger-picked guitar playing, plus some lovely pastoral flute by a friend on a handful of tracks. the sounds are straight from the tuned-in melancholy teenage mind, reeling from the mind expansion of the 60s, but also the excesses. deeply reflective, poetic & searching lyrics of love / nature / peace playing out in real time against stark reality / longing / loss, and balanced at the very edge of the void. the aching innocence of youth tempered by a biting contempt for all things false… in the liner notes ellie mentions only practicing under a blanket, and there’s a up-close, lo-fi, almost voyeuristic realism / fragility here that’s quite special. a complex & personal trip that takes some time & attention to fully unfold. once it does, it will be no surprise that ellie went on to build geodesic domes & become a professional midwife, as that same unique spirit is already deeply embedded here… a really wonderful album we’re happy to help finally reach some receptive ears…edition of 300 copies, in two cover color / texture variations (black & burgundy).
everyone involved – either/or – guerssen – lp+7″
- first-ever reissue of this uk private press masterpiece from 1972. everyone involved was a hippie collective formed by well-trained musicians, assembled by alan wakeman and michael klein (solid british hat band) to record a set of environmental protest songs. some of the members of this london-based recording commune included vocalist freya hogue (ex-sunforest), guitar player lucinha turnbull (later with cilibrinas do eden/rita lee), and bass player arnaldo “liminha” filho (os mutantes) among others. either/or is a perfectly played and professionally recorded album (something very unusual for a private pressing). top-notch psychedelic folk-rock/acid-folk with male-female vocals, flute, electric-acoustic guitars, bass, drums and some freaky/weird arrangements/effects. the album is now also famous for including “a gay song,” which is probably the earliest known example of a pro-open gay song. the original pressing of 1,000 copies was never distributed or sold at stores, all the copies were given away for free (even to people passing on the street!). one of the members even buried a large number of them in a time capsule in the amazon rainforest. needless to say, the original album has been a highly sought-after artifact since the early days of obscure psych-prog record-collecting. this reissue reproduces the original embossed cover and includes repros of the two rare inserts, including the giant fold-out poster with new liner notes and info printed in the reverse. also included is a repro of the save piccadilly 7″ single released in 1972, featuring a non-album track: “the circus keeps on turning.” remastered sound from the original master tapes. limited release of 500 copies only.
ghostface killah – 12 reasons to die – soul temple – lp
ghostface killah – 12 reasons to die – instrumentals – soul temple – lp

- “the sounds of classic 36 chambers-era rza meld with portishead and the italian film music of ennio morricone on 12 reasons to die, the new album from ghostface killah and adrian younge. this project is a daring, full-length crime/horror concept album. 12 reasons’ executive producer and ghostface’s longtime wu-tang clan collaborator the rza, refers to the album as ‘groundbreaking’ in the hip-hop genre. ghostface killah’s prominence in hip hop has grown steadily over his 20-plus year career — including recent high-profile appearances on kanye west’s cruel summer, rza’s the man with the iron fists soundtrack, and the new wu-block album — 12 reasons catches the gifted mc at the height of his lyrical prowess.” instrumentals version also available.
the knife – shaking the habitual – mute – 3lp
- in tomorrow… the knife was formed in gothenburg, sweden by sister/brother duo karin dreijer andersson and olof dreijer. having released four albums as the knife (including their operatic collaboration with mt sims and planningtorock) and multiple side projects, the duo have proven themselves to be truly unique and prolific artists working by their own rules. the knife’s highly anticipated mute release, shaking the habitual, is the band’s first album in seven years, following 2006′s silent shout. the project has a strong political, societal and gender based ideology behind it. in the band’s own words: “we didn’t plan to make another album. we wanted to do something again but had to find a purpose. music can be so meaningless. we had to find lust.”
*alexander lewis – a luminous veil – blackest ever black – lp
- a luminous veil is the debut release by alexander lewis. six tracks of heart-sore modern industrial and s-m techno created using synth, microphone, and pedals. recorded in one take with minimal computer processing or post-production. limited edition of 500 copies only.
sean mccann – prelusion – root strata – lp
- the definitive version of this triptych of tectonic drift originally released as a cd-r on sean mccann’s own recital label in 2011. “our silhouette,” which blankets the whole of the first side with jewel-like piano runs and distant fading synths, may be one of the artist’s most elegant moves. the reverse holds two tracks of long-form organ/string plateaus that float elegantly in space, refracting light and sound in patterns around the head.
*miles – faint hearted – modern love – lp
- miles has been releasing material on modern love for a decade, first as one-half of pendle coven, then on his own as mlz, and eventually pairing up with sean canty to record as demdike stare. in between he’s also pursued more experimental terrain under the suum cuique moniker, produced jungle for the hate project and (together with andy stott) taken on the occasional release as millie & andrea for modern love sub-label daphne. after more than 10 years of producing, faint hearted is his debut solo album — an exposition of miles’ love of electronic music in all its shapes, harnessing his fidgety production style into one expansive, restless set of tracks. the album opens with the filtered and looped jungle mutation of “lebensform,” through to the minimal, barely-noticeable bass-shifts of “irreligious,” the classic plastikman-infused looped ruffage of “status narcissism” and the padded bliss of “sense data,” coming across like a lost move d production from the classic studio pankow era. the second half opens with “rejoice,” a slowly-unfurling 4/4 variant that sounds like a more technofied and electric take on his work with demdike stare, while “archaic thought pattern 1″ invades a sequence of strings and bass notes with blasts of white noise, sounding like something off aphex twin’s donkey rhubarb ep rebuilt by mika vainio. the set ends with the evocative field-recorded sequence “queuing” and the ambient futurism of “loran dreams,” in some respects the straightest, most affecting nine-minute stretch yet from a producer who is seemingly unable to settle or stand still.
*mohammad – som sakrifis – pan -lp
- based in greece, mohammad make long-form drone works that explore the lower end of the frequency spectrum while retaining an intense emotional capacity. the results are monumental, slow-moving blocks of sound, both daunting and musical. the sheer weight of these recordings is impressive, the interplay of the musicians and instruments staggering, this end result being an album rich with harmonious abstraction which highlights years of dedication to their unique path. som sakrifis follows the trio through three tracks of deep space experimentation where the acoustic and electronic blend together as a monumental whole. listening to som sakrifis takes the listener on an expansive journey through the netherworld of the low range while retaining distinct traces of musicality. the time and space in these works have a logic more akin to that of hungarian filmmaker déla tarrthan any contemporary music references. monumental monochromatic movement is the order of the day. sit back, strap in and let these fine explorers take you way out into the nether world.
nails – abandon all life – southern lord – lp
- southern californias’ nails was formed in december 2007 by todd jones (ex-terror) along with the help of taylor young (cremetorium), and john gianelli. nails is beyond brutality. filthy, vicious and raw. Imagine a cross between the good amrep bands of the nineties (helmet, hammerhead, today is the day, unsane) and cro-mags age of quarrel riffage played at breakneck speeds.
postal service – give up 10th anniversary edition – sub pop – 3lp
- sub pop’s second best selling album after nirvana’s bleach get’s the deluxe reissue treatment in honor of its 10th anniversary! remastered w/ 15 bonus tracks including the two brand new songs, “a tattered line of string” and “turn around” you can spend all the time and money in the world trying to craft the perfect pop-music scenario, but sometimes the stars have to align all by themselves.
*micah blue smaldone – the ring of the rise – immune – lp
- “smaldone’s latest on immune features much full band accompaniment, exploring sonic reaches of early ’70s era neil young, or richard and linda thompson’s first albums, with electric guitars and homemade tube amplifiers, as well as micah’s familiar acoustic finger-stylings. the ring of the rise continues micah’s relentless efforts to mine future truths from the past, this time hauling out a slab of marble spanning the 1950s through the 1970s, veined with slapback echoes, plate reverbs, tube equipment, and hefty old american iron. the sounds are both new and familiar, tugging at a collective consciousness particular to our era, where the past clamours for reconciliation with the future.”
*kurt vile – wakin’ on a pretty daze – matador – 2lp/dlx 2lp/cd
- kurt is slowly, quietly becoming one of the great american guitarists and songwriters of our time. this 69- minute double album is comprised of sweeping, expansive songs that are both very intimate and conversational. “wakin’ on a pretty daze” is a timeless record that would have sounded great 30 years ago, sounds great today, and will still sound great 30 years from now. beautifully produced by john agnello, the record is filled with hazy, swooning guitar lines and dreamy, beatific, and occasionally sardonic vocals. it is summed up by the staggeringly gorgeous 9-minute opener, “wakin on a pretty day”. the song is also the first video, directed by jonathan demme in the spirit of his landmark springsteen video “streets of philadelphia.” the record has other connections to kurt’s home town. steve powers (espo), the renowned philly street artist, painted the cover mural on an abandoned building near the northern liberties. the mural will be recreated in london, los angeles and new york. “kurt vile distills thousands of hours spent with classic american guitar music into one very singular and sublime vision.” – pitchfork.
roland p. young – mystiphonic – em – lp
- mystiphonic is the third release from roland p. young on em records, following isophonic boogie woogie which was originally released in 1980 and re-issued by em in 2005, and the 2009 istet serenade. mystiphonic is the fruit of two years of recordings at young’s isophonic sound laboratory in brooklyn, “comprovisations” which are more electronic than the previous em releases, and yet this new cd retains young’s emotional life-long horn playing, a romance which began in his youth in kansas city. also carrying on from previous releases is the all-encompassing warmth and organic/oceanic feeling of young’s music, a rootedness that has been present since his early exposure to charlie parker, on through his san francisco years and ever forward, linking past, present and future through deep american soil to his world-embracing current music, all united through his “isophonic” philosophy. the mystiphonic blend of electronics, percussion and horns is one of subtle beauty, sure to please young’s fans while attracting new admirers.
*various – deutsche electronische musik 2 – soul jazz – 2cd
- “soul jazz records’ deutsche elektronische musik 2 is their second voyage into the world of krautrock and german electronic music from the 1970s and early 1980s. this double cd pack (with over two and a half hours of amazing music) features a stunning line-up of seminal german groups (can, faust, popul vuh, neu!, cluster, amon duul ii, la dusseldorf) as well as lesser known and more obscure groups and artists such as agitation free, broselmachine, niagara, and many more. the double cd pack comes in unique box-edition with large booklet and excellent extensive new sleevenotes (by david stubbs, author of the excellent krautrock book published by black dog) as well as lots of exclusive photos.” other artists include: a.r & machines, michael rother, popol vuh, agitation free, d.a.f., harald grosskopf, gila, you, and asmus tietchens.
various – music for dancefloors: the kpm music library – strut – lp
- “original kpm library music classics from alan hawkshaw (the mohawks), keith mansfield, alan parker and more. music for dancefloors was originally created as a series of albums in the early 2000′s dedicated to mining the archives of the uk’s foremost music libraries. deluxe edition includes previously-unreleased live concert ‘the kpm all-stars live at the jazz cafe’ from april 2000.”

…..restocks…..

49 americans – e plurbus unum – staubgold – lp
49 americans – we know nonsense – staubgold – lp
alabama shakes – boys & girls – ato – lp
devendra banhart – mala – nonesuch – lp/cd
beatles – white album – capitol – lp
jane birkin/serge gainsbourg – s/t – light in the attic – lp
*circle – triumph – fourth dimension – 2cd
*circle – sunrise – headspin – lp
*circle – tulikoira – headspin – lp
*karen dalton – 1966 – delmore –  lp
*les rallizes denudes – heavier than a death in the family – phoenix – lp
ministry – ke*a*h** – rhino – lp
*nurt – s/t – sound by sound – lp
old komm – ventspils – discrepant – lp
*ost – drive – invada – lp
ost – reservoir dogs – geffen – lp
charlie parker – the immortal charlie parker – doxy – lp
iggy pop – lust for life – 4 men with beards – lp
*raime – quarter turns… – blackest ever black – lp
ramones – leave home – sire – lp
ramones – rocket to russia – sire – lp
ramones – s/t – sire – lp
rodriguez – searching for sugarman ost – light in the attic – lp
*laurie spiegel – expanding universe – unseen worlds – lp
*suicide – s/t – red star – lp
supremes – meet the supremes – rumble – lp
twink – think pink – sunbeam – lp
*witch – introduction – now again – lp

 

thanks for listening….

 

listen records

10443a – 124 street

edmonton, ab

t5n 1r7

780.732.1132

 

www.listenrecords.net

www.facebook.com/listenrecords

instagram/twitter: @listenrecords

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…..news letter #582 – more? ugh…..

howdy all,

 

as usual, another short list paired with a short week. although last week saw so much new stuff come in that we could use the week off to catch up anyway. to aid in that, i’ve relisted some highlights from last week’s list for you…

don’t forget, coming up in 2 short weeks is the insanity that is RECORD STORE DAY…. on april 20th we’ll open the doors an hour early so all you vinyl hungry fiends can frantically try scoop up some of the cool record store day exclusive releases we’ll be receiving this year. if you haven’t seen the list yet, check it out (http://www.recordstoredaycanada.com/SpecialReleases) we’ve ordered lots of stuff… but no matter how much we order, there’s never enough to go around so plan to get out of bed a bit earlier and come on down early. of course there will be more on the go that day as well, but we just wanted to give you a head’s up that it’s almost upon us!

 …..pick of the week…..

charles bradley victim
*charles bradley – victim of love – daptone – lp/cd

- “bradley and writer/producer/multi-instrumentalist thomas ‘tnt’ brenneck returned to dunham studios and recorded the most exciting daptone release to date, victim of love. on this album, bradley moves past his heartaches and pain to the great promise of hope and love. though quite at home among the music that has affirmed daptone as the world’s #1 authority on soul music, victim of love proves to be a genre-bending masterpiece, picking up where the early ’70s temptations left off and edging boldly forward into psychedelic soul exploration.”

…..new arrivals…..

*black angels – indigo meadow – blue horizon – lp/cd
- once again the black angels prove themselves the undisputed avatars of contemporary psychedelic rock, simultaneously exalting the genre’s kaleidoscopic past as they thrust it further into the future. now a four-piece the band have brought new focus to their wide-ranging song craft, the righteous riffs and dogmatic drones gaining increased power as they fuel a more expansive emotional terrain. a 21st century trip as transcendent as any in the canon, indigo meadow masterfully affirms the black angels’ full-throttle commitment to the psychedelic ethos of creativity, community and boundless experimentation.
bonobo – the north borders – ninja tune – cd
- “it’s been almost three years since the release of bonobo’s masterful, mould-breaking black sands, an album that saw him touring a hypnotic live show across the world for well over a year. now, in 2013, he stands ready to take things up yet another notch. the north borders is a long stride forward – both a natural evolution and a continuation of the electronic palette of black sands. thematic, resonant, addictive and perfectly formed, it’s a thrillingly coherent statement piece.” vinyl in soon.
david bowie – the next day – columbia – lp+cd
- bowie’s 30th studio album and his first new album in 10 years. in recent years radio silence has been broken only by endless speculation, rumor and wishful thinking ….a new record…who would have ever thought it, who’d have ever dreamed it! after all david is the kind of artist who writes and performs what he wants when he wants…when he has something to say as opposed to something to sell. today he definitely has something to say. produced by long term collaborator tony visconti.
*john carpenter/alan howarth – they live ost – death waltz – lp
- for the score to one of his most iconic films, john carpenter and alan howarth created what can only be described as electronic blues. the score is recognisable as carpenter but has a slow and dusty pulsating western feel that really gives it a life of it’s own. the 1988 film follows a nameless drifter referred to as “nada”, who discovers the ruling class within the moneyed elite are in fact aliens managing human social affairs through the use of a signal on top of the tv broadcast, concealing their appearance and subliminal messages in mass media. another home run from the death waltz bullpen.
how to destroy angels – welcome oblivion – columbia – 2lp+cd
- how to destroy angels is a post-industrial collective featuring nine inch nails front man trent reznor, his wife mariqueen maandig and frequent collaborator atticus ross while rob sheridan is the group’s art director. the group is named after a 1984 coil single of the same name. welcome oblivion is the follow-up to the group’s 2010 self-titled ep and 2012′s an omen ep. the 15-song set features several tracks from the an omen ep. atticus ross has co-produced for nine inch nails, jane’s addiction, coheed and cambria and korn. in february of 2011, ross and reznor won the academy award for best original score for the social network soundtrack.
*stark reality – acting, thinking, feeling – now again – 6lp+7″
- “six lp set of psychedelic jazz, restored and remastered from the original tapes. this marks the first time that all of stark reality’s music will be available on vinyl. included is the entirety of their ajp-issued album the stark reality discovers hoagy carmichael’s music shop, their out-of-print 1969 lp (first issued on this label in 2003), the two sides of their big yellow 7″ single, the three part song ‘acting, thinking, feeling,’ and a series of unreleased tracks discovered by porter records’ luke mosling — issued here for the first time.” includes 16-page booklet with digital download card.
kurt vile – wakin’ on a pretty daze – matador – cd
- vinyl in soon, maybe tomorrow… kurt is slowly, quietly becoming one of the great american guitarists and songwriters of our time. this 69- minute double album is comprised of sweeping, expansive songs that are both very intimate and conversational. “wakin’ on a pretty daze” is a timeless record that would have sounded great 30 years ago, sounds great today, and will still sound great 30 years from now. beautifully produced by john agnello, the record is filled with hazy, swooning guitar lines and dreamy, beatific, and occasionally sardonic vocals. it is summed up by the staggeringly gorgeous 9-minute opener, “wakin on a pretty day”. the song is also the first video, directed by jonathan demme in the spirit of his landmark springsteen video “streets of philadelphia.” the record has other connections to kurt’s home town. steve powers (espo), the renowned philly street artist, painted the cover mural on an abandoned building near the northern liberties. the mural will be recreated in london, los angeles and new york. “kurt vile distills thousands of hours spent with classic american guitar music into one very singular and sublime vision.” – pitchfork.
wire – change becomes us – pink flag – cd
- in spring 2012, wire’s plan had been to review the rudimentary blueprints of songs that had never made it beyond a few live performances in 1979 and 1980 – a time when the band-members were in creative overdrive yet the band itself was disintegrating. the objective was to approach that unrealized work as a potential springboard for wire’s contemporary, forward-looking processes – a possible point of departure for new compositions. this took place with wire firing on all cylinders, as a four-piece studio entity again, the core line-up of newman, graham lewis and robert grey now enhanced by guitarist matthew simms. the source material became, in the classic wire tradition, something quite other than what it may have once been. colin newman’s songwriting and production on ‘change becomes us’ reimagines the past in ways that ultimately break any substantive connection with it, making entirely new pieces – and these songs themselves enact wire’s restless drive to become other, often thriving on a fundamental tension between opposing sonic characteristics.

…..restocks…..

autre ne veut – anxiety – software – lp
*syd barrett – madcap laughs – vinylisssimo – lp
beach boys – pet sounds – capitol – lp
beach house – s/t – heart break beat – lp
beastie boys – ill communication – emi – lp
*sir richard bishop – polytheistic fragments – drag city – lp
caravan – in the land of pink and grey – klimt – 2lp
*miles davis – on the corner – music on vinyl – lp
dead weather – horehound – thirdman – lp
dirty beaches – water park ost – a music – 10″
hum – you’d prefer an astronaut – src – lp
johnny marr – the messenger – new voodoo – lp/cd
*metallica – … and justice for all – elektra – lp
*pissed jeans – honeys – sub pop – lp/cd
*ty segall – twins – drag city – lp
elliott smith – s/t – kill rock stars – lp
stooges – fun house – rhino – lp
*sunn o))) – monoliths & dimensions – southern lord – lp
*talking heads – talking heads: 77 – rhino – lp
whitehorse – the fate of the depends on this kiss – six shooter – lp
various – sound city: reel to real – rca – lp

 

thanks for listening….

 

listen records

10443a – 124 street

edmonton, ab

t5n 1r7

780.732.1132

 

www.listenrecords.net

www.facebook.com/listenrecords

twitter & instagram: @listenrecords

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…..news letter #581 – easter island…..

howdy all,
       well, just in time for your easter weekend shopping, it would seem, we’ve inadvertently stocked up like crazy! tons of stuff in this week both new and restocked. so whilst you are getting a breather from the family come on down and grab some fresh wax. we will be open the following hours this weekend….
thursday…. 11 – 9
friday….. 12 – 5
saturday….. 11 – 6
sunday….. closed
monday….. 11 – 6

…..pick of the week…..

eleh-homage-3lp-box-taiga
*eleh – homage – taiga – 3lp box
- presenting a unified whole, the homage 3lp boxed set contains homage to the square wave, …sine wave and …pointed waveforms, all out-of-print until now. initially released separately in 2008, 2009 and 2012 respectively with custom letterpress jackets, this collection includes new retrospective artwork by john brien. each disc comes in its own one-color silkscreen jacket using the same blue, orange and green from the original editions; all housed in a rigid white satin-coated slipcase with spot varnish printing, hand-numbered out of 800. eleh, an artist who flourishes in restraint, uses a reduced sonic vocabulary to highlight delicate intricacies in a logical path toward harmonious satisfaction. the organization of hypnotic square waves, rippling sine waves and triangle/saw tooth waveforms is a discourse in the infinity, rather than the limits, of reduction. by employing a natural practice of balanced interpretation, eleh enables an individual reaction free of the clutter of white noise. here’s a sample off a previous release…. 

…..new arrivals…..

*49 americans – e pluribus unum – staubgold – lp
- first full-length album from 1980 by late ’70s/early ’80s uk diy super-group the 49 americans. the main instigator behind the 49 americans was andrew “giblet” brenner, who assembled a loose, disparate group of musical/non-musical practitioners as an experiment in equality and democracy. this democracy included david toop, steve beresford, max eastley, lol coxhill and peter cusack, nagand bendle of the door and the window, viv albertine of the slits, vivien goldman, giblet’s mum and many more. by the first lp, the sound of the 49 americans evolved into an off-kilter songwriting style similar to that of maher shalal hash baz, red crayola and early beat happening.
*dylan golden aycock – rise & shine – scissor tail – lp
- beautifully arranged and performed songs on the acoustic guitar that are expansive and limitless. there is something immensely satisfying about running into an album like ‘rise and shine’. six songs of immense weight and beauty, composed and performed sporadically on six and twelve string acoustic guitars, recorded and then cut onto x-rays from his father’s non-fatal heart attack. while comparisons to james blackshaw and bruce langhorne’s hired hand soundtrack aren’t off the mark, aycock remains his own man, proving along the way that the spirit of american folkers didn’t die out, but morphed into a more primitive, cinematic experience. truly stunning work from an up-and-coming artist and label.
devendra banhart – mala – nonesuch – lp
- banhart’s eighth studio album, was recorded in his then-home in los angeles. he and georgeson played most of the instruments themselves, using borrowed equipment and a vintage tascam recorder they’d found in a pawn shop.
karl bartos – off the record – bureau b – lp+cd
- well-known as one-quarter of the “classic” kraftwerk line-up, karl bartos’ new album is an audio-visual sensation. lost for many years, some of his early music has been re-conceived and re-contextualized in a thrilling modern setting. here’s the story: during kraftwerk’s heyday, karl bartos wrote — off the record — a secret acoustic diary. based on his musical jottings (rhythms, riffs, hooks, sounds, chords, and melodies) this is what he has come up with today — 12 brand-new, exciting, timeless songs. many of kraftwerk’s most influential rhythms and memorable melodies were actually conceived in his home studio. they would later be used on an unstoppable succession of hits from the düsseldorf band as they ascended to the lofty heights of popular music culture. as a major contributor to the man-machine (1978) and computer world (1981), bartos has had a decisive influence on kraftwerk’s music.
*big boys – where’s my towel/industry standard – modern classics – lp
- “skate punk (neé skate rock) may have been one of the defining sounds of southern california in the late ’80s/early ’90s, but its origins were in another time and place. it began, in fact, in post-outlaw country 1970s austin, texas. that’s where singer randy ‘biscuit’ turner, guitarist tim kerr, bassist chris gates, and drummer greg murray were mixing the prevailing trend of playing hard and fast with playing loose and funky. the big boys came from the same scene that spawned scratch acid, the dicks, and mdc, but stood out with music that ventured far beyond post-punk angularities and hardcore machismo. originally released on the wasted talent label, their debut album is a classic of american independent music.”
*black angels – indigo meadow – blue horizon – lp/cd
- once again the black angels prove themselves the undisputed avatars of contemporary psychedelic rock, simultaneously exalting the genre’s kaleidoscopic past as they thrust it further into the future. now a four-piece the band have brought new focus to their wide-ranging song craft, the righteous riffs and dogmatic drones gaining increased power as they fuel a more expansive emotional terrain. a 21st century trip as transcendent as any in the canon, indigo meadow masterfully affirms the black angels’ full-throttle commitment to the psychedelic ethos of creativity, community and boundless experimentation.
*james blackshaw & lubomyr melnyk – the watchers – important – lp
- “the watchers is a historic collaboration between lubomyr melnyk and james blackshaw. these new pieces are being released as a cd/lp with material exclusive to each format. lp is pressed in an edition of 500. “We set up, Lubomyr at the grand piano, me directly facing him with my 12-string guitar and began. i would retune at random between songs and together we would find interesting chord progressions, hints of melodies and ways in which to weave those immense overtones that lubomyr is able to generate on the piano with those of my guitar. no more than two takes per song. improvisation, spontaneous composition, whatever you want to call it. either way, it truly felt as if the piano and guitar were as one — inseparable, parts of a bigger whole, a means by which for two people to make one sound. it never felt forced and never less than engaging. lubomyr was always humble, jovial and open to ideas. the whole session lasted six hours.’” — james blackshaw
david bowie – the next day – columbia – lp+cd
- bowie’s 30th studio album and his first new album in 10 years. in recent years radio silence has been broken only by endless speculation, rumor and wishful thinking ….a new record…who would have ever thought it, who’d have ever dreamed it! after all david is the kind of artist who writes and performs what he wants when he wants…when he has something to say as opposed to something to sell. today he definitely has something to say. produced by long term collaborator tony visconti.
don caballero – gang banged with a headache, and live – joyful noise – lp
- the first ever live album from legendary instrumental juggernaut don caballero! a recently-unsurfaced “authorized bootleg” from the math rock founders. with material spanning from 1993′s “for respect” to songs that would end up on 2006′s “world class listening problem”, “gang banged…” includes a decade’s worth of quintessential don cab material. not much is known about the origins of the recording, but what we do know is (1) it was probably recorded in chicago, (2) it was probably recorded in 2003, (3) it fecking rules.
*califone – heron king blues – thrill jockey – lp
- “califone’s third album is back on vinyl for the first time since it sold out quickly upon release in 2004. heron king blues is pressed on high quality virgin vinyl and packaged in an lp jacket with a fully artworked inner sleeve. included for the first time is a free download coupon. for this recording the band set out to make a record like captain beefheart’s mirror man, entering the studio with a blank canvas and laying things down quickly. the resulting songs combine the bands more pop-oriented qualities alongside their more spaced out ethereal thoughts.”
*john carpenter/alan howarth – they live ost – death waltz – lp
- for the score to one of his most iconic films, john carpenter and alan howarth created what can only be described as electronic blues. the score is recognisable as carpenter but has a slow and dusty pulsating western feel that really gives it a life of it’s own. the 1988 film follows a nameless drifter referred to as “nada”, who discovers the ruling class within the moneyed elite are in fact aliens managing human social affairs through the use of a signal on top of the tv broadcast, concealing their appearance and subliminal messages in mass media. another home run from the death waltz bullpen.
dj koze – amygdala – pampa – lp
- amygdala is koze’s sgt. pepper’s. it’s an unreal 78-minute walk through koze’s mind, complete with moods, intensities, sounds and scenes as yet unheard of. it feels more like a double album, urging you to turn over and change the records time and time again. amygdala amazes with its sheer musicality, deepness and its ethereal sound design. nobody else could unite artists like caribou and dirk von lotzow, hildegard knef and matthew dear, ada and milosh in such an organic way and on one and the same record as koze did. there’s never been anything like it. in the true style of kosi kos, its all about the courage to dare, about letting voices resonate undisguised in all their authentic peculiarity. about creating truthfulness. how much can you cut out, when does the flame die down? on the other hand, under which circumstances could it even burn for ever?
dj sprinkles – where dancefloors stand still – mule musiq – lp
- 2lp sampler, featuring 9 tracks from the cd: a1. braxton holmes – 12 inches of pleasure (ron’s foreplay); a2. fingers inc. – never no more lonely; b1. sound mechanix – i can’t forget; b2. classic man – rapid winds; b3. gene farris – good feeling; c1. choo-ables – hard to get (b.t.’s massive groove); c2. understars – forest funk 1 nodamkkb mix; d1. lectroluv – if we try (ambient dub); d2. keys and tronics ensemble – calypso of house (paradise version)
winston edwards & blackbeard – at 10 downing street – dub conference – studio 16 – lp
- “a superb uk dub set produced by winston edwards and mixed by dennis ‘blackbeard’ bovell in the late ’70s. featuring tracks like ‘downing street rock’, ‘kensington palace rock’, ‘airport smuggling’, and ‘ronald biggs the great train robber’.”
lawrence english – lonely women’s club – important – lp
- “beautiful new work from lawrence english. pressed in an edition of 500 copies. lawrence english is composer, media artist and curator based in australia. working across an eclectic array of aesthetic investigations, english’s work prompts questions of field, perception and memory. english utilizes a variety of approaches including live performance and installation to create works that ponder subtle transformations of space and ask audiences to become aware of that which exists at the edge of perception.”
*fall of saigon – s/t – dark entries – lp
- the debut ep by fall of saigon. the band was born in 1981 when florence berthon (vocals), pascal comelade (organ, synthesizer) and thierry den (guitar, vocals) met at a concert in montpellier, france. they chose to the name the project fall of saigon after a song by uk post-punk act this heat. they self-released their debut ep in 1983 citing nico & the velvet underground, suicide and james joyce as influences. at the time the band formed, pascal comelade was an accomplished musician with instrumental sketches composed for the trio. the 6 songs on the ep were recorded in two stages. the songs were minimal: verse, chorus, no bridge, no intro. built on a simple spine, they create a feeling of space with just a voice and an organ or synthesizer melody. full of class and inventiveness, fall  of saigon are often compared to young marble giants due to the fragile, ephemeral quality of the songs. trough two years of existence, they only released one ep and 30 years later their subtle sound is an essential guidepost in post-punk history.
fotheringay – essen 1970 – thors hammer – lp
- “fotheringay was the legendary english folk group around singer sandy denny who died a long time ago. she had become well-known with the groups strawbs and fairport convention and was elected best british singer several times. at the end of 1969, she founded fotheringay together with four friends. they could immediately sign a contract with the island label. on friday, 23rd october 1970, they had a gig at the third essen pop & blues festival in the gruga hall. the concert was then recorded semi-professionally by the host. now, the tapes have been elaborately re-mastered by fotheringay guitarist jerry donahue who got the most out of the sound that was technically possible. lp in gatefold cover (with an lp-sized eight-page booklet in colour).”
*gila – bury my heart at wounded knee – garden of delights – lp
- “after the break-up of the first gila line-up and conny veit’s move from stuttgart to munich, the latter founded a new band, retaining the old name. instead of their former lengthy improvisations, their tracks were now tightly arranged. their only album, bury my heart at wounded knee, which was inspired by dee brown’s book of the same title and deals with the expulsion and extermination of native north americans, features three american indian lyrics (translated into english) and received good reviews without exception. the lp was released in 1973 on wea/warner bros., while in 1995 a really bad bootleg cd was released by germanofon, and in 2012 a bootleg lp on blue vinyl. on all these records the tracks are mistakenly in the wrong order. this has been corrected now. the vinyl re-issue is limited and numbered and comes with a four-page insert in lp size.”
gina x performance – nice mover – medical – lp
- medical records is proud to present the quintessential first album by gina x performance. gina x performance was composed of the charismatic gina kikoine (vocals/lyric) along with famous german producer/musician zeus b. held. released in 1978 on various labels including emi, nice mover has been out of print on vinyl since 1980. gina’s debut has been an internationally regarded electro/disco record with various tracks appearing on compilations throughout the years. the track “no g.d.m.” (a tribute to famous gay actor/writer/personality) was a club hit on both sides of the atlantic and remains a commonly heard track in dj sets to this very day. gina’s unmistakable and truly unique vocals and lyrics set this record apart from its contemporaries. tackling controversial subject matter such as transgenderism, exhibitionism, and other fetishes, this record has left a deep mark on the history of new wave and electro/disco.
*goat – world music – rocket – lp/cd
-  sale priced cd in the listening post! rocket recordings presents the debut album world music by the band goat. for those who are unaware, goat is a collective of musicians who hail from a small and very remote village called korpilombolo in deepest, darkest sweden. legend has it that for centuries, the inhabitants of the village of korpilombolo were dedicated to the worship and practices of voodoo, until their non-christian ways were discovered by the church and they were burned out by the crusaders, the survivors cursing the village over their shoulders as they fled. to this day, the now picturesque village of korpilombolo is still haunted by this voodoo curse; the power of the curse can be felt throughout the grooves of this goat record. the nine track album follows the underground success of the now sought-after 7″ goatman, which is also included in this selection. the band takes in many influences, from the afro-groove that is central to the album, through to head-nodding psych, post-punk, turkish rock, kraut repetition and astral folk.
*francoise hardy – s/t – doxy – lp
- “a seminal album of the french ye-ye era, françoise hardy’s self-titled debut (known in the us as the ‘yeh-yeh’ girl from paris!) was released shortly after her debut single ‘oh oh chéri’ in 1962. the success of this album, along with its hit ‘tous les garçons et les filles’, made the eighteen-year-old french bombshell a huge star in europe and an icon of the french fashion and music industries. along with other ye-ye girls of the sixties, like jane birkin, brigitte bardot, france gall, and sylvie vartan, hardy exuded a kind of sexy innocence that made french women the most liberated and the most desired in the world.”
hawkwind – leave no star unturned: cambridge january 1972 – dirter promotions – lp
-  dirter promotions presents on double vinyl a previously-unheard and unreleased live hawkwind show from the cambridge corn exchange in 1972. “though the tapes were listened to in the weeks after the show, lucas and kemp upgraded their recording equipment to half-inch a few months later and the quarter-inch reels disappeared, thought perhaps to be lost forever. fortunately, that wasn’t the case. in 1985, a reel was unearthed at spaceward studios, noted to contain the syd barrett element of the show plus ‘parts of the hawkwind and pink fairies sets,’ and in 2005 a second copy of the recordings was unearthed in a collection of tapes stored in gary lucas’ attic. it’s the lucas tape, via an appearance on the auction lists at bonhams in knightsbridge, which has enabled the release of this pivotal show. dirter promotions is very pleased to present these recordings, cleaned-up and remastered, enabling hawkwind’s dedicated fan base to experience the band in full flow, poised to fly high and fly far, making the very concept of space-rock their own in perpetuity.”
hickory wind – s/t – klimt – lp
- “before morphing into the excellent psych trio, b.f. trike, hickory wind (from evansville, indiana), released one brilliant, and extremely rare, country psych album in 1969. just 100 copies were pressed for the gigantic label, and originals have been known to change hands for a small fortune. the album features excellent vocals, plus an interesting mix of fuzz guitar, and droning organ, as well as some wonderfully melodic songs. this reissue also features four bonus tracks from the b.f. trike album session, recorded for rca records in nashville, tennessee in 1971. the b.f. trike album, however, remained in the vaults for 25 years, before it was finally uncovered and given its just recognition in the mid-nineties.”
how to destroy angels – welcome oblivion – columbia – 2lp+cd
- how to destroy angels is a post-industrial collective featuring nine inch nails front man trent reznor, his wife mariqueen maandig and frequent collaborator atticus ross while rob sheridan is the group’s art director. the group is named after a 1984 coil single of the same name. welcome oblivion is the follow-up to the group’s 2010 self-titled ep and 2012′s an omen ep. the 15-song set features several tracks from the an omen ep. atticus ross has co-produced for nine inch nails, jane’s addiction, coheed and cambria and korn. in february of 2011, ross and reznor won the academy award for best original score for the social network soundtrack.
hum – you’d prefer an astronaut – src – lp
- hum’s sonic universe is a solipsistic world that exists on its own terms, a maelstrom of sensations and colors, a thick metallic vortex of fuzztoned guitars with a silent core at the center like the eye of a hurricane – equal parts homegrown and high-tech. hum serves up a cacophony of overlapping harmonics and dense shards of electric guitars providing a counterpoint to matt talbott’s reflective tales. you’d prefer an astronaut is the champaign, il post-hardcore group’s third studio album. the 9-song set was first released in 1995 by rca records and serves as the band’s major label debut following the independently issued fillet show (1991) and electra 2000 (1993). the album hit the #1 slot on billboard’s heatseekers chart thanks to the breakout lead single, “stars” which exploded on radio, leading to subsequent tours with the smashing pumpkins and bush.
king tubby meets the upsetter – at the grass roots of dub – studio 16 – lp
- “one of the earliest dub albums (dating from 1975), with mixing credits shared by lee perry and king tubby. this is an essential 10 track dub set with crucial tracks like ‘king tubby & the upsetter at spanish town,’ ‘no justice for the poor,’ ‘blood of africa’ and ‘people from the grass roots’.”
lady – s/t – truth & soul – lp/cd
- all you have to do is listen to lady once, and you’ll remember – in case you forgot – why they call it soul music. the honesty, the aching sweetness, the raw power of these singers and their songs will remind you that nothing can move you as much, or touch you as deeply, as two women with amazing voices singing in tight harmony. lady is the new collaborative project by terri walker and nicole wray. this unexpected transatlantic pairing was born out of a shared love of soul music and the resulting album – also entitled “lady” is a modern day interpretation of the classic sounds pioneered by labels such as stax, atlantic, and motown. lady unites the mellowness and pop flair of 60s soul with the driving beat of hip-hop, and the silky rhythms of modern r&b. lady is an authentic original, drawing from the past to infuse the present with new power. prepare to take your hat off to lady. get ready to fall in love. there has never been, there will never be, anything else like it.
mathematiques modernes – les viditeurs du soir – medical – lp
- released in 1981 on the famous celluloid imprint, this masterpiece has been out of print since its initial pressing. this gem needs no introduction to fans who have enjoyed the classics from this era, representing a very diverse blend of new wave, almost progressive arrangements, baroque melodies, complex rhythmic structures, and plenty of so called “cold wave” sprinkled in. probably the most well known track, “disco rough” was a single and was later included on the popular comp, so young but so cold, underground french music 1977-1983.
*nurt – s/t – sound by sound – lp
- it was january of 1972 when nurt, a progressive rock band from poland, took part in a festival of avant-garde music, where the group won a recording session at studio m-1 at polish radio headquarters in warsaw. stepping into a radio studio was one of the limited ways of having an album recorded in communist poland, which restricted the evolution of rock music in eastern europe as it was seen as promoting the “american way”. the result of that session is this self-titled album containing the group’s first recordings that have ever been commercially released in 40 years, until now. this release holds a unique blend of radiant fuzz guitar, jazz-rock, and psychedelia recovered from the era of the east european iron curtain and re-mastered by sound by sound records from its original master tapes. sick soundz!
old komm – ventspils – discrepant – lp
- “старые комм” (loosely translated as “old komm”) are andrey kolmogorov and sergey gorsky, a musical duo hailing from the city of samara, russia. since meeting in the mid-’90s, the duo started translating their musical ideas by making industrial music using a mixture of field recordings, broken synths, found sound and, what became a constant motif on their output, church pipe organs — sergey’s father was a church organist of 40 years, giving the duo plenty of material to tamper with. isolated from any western influence and attention, the duo issued a handful of extremely limited releases on a now-defunct russian label (svarog records). the results were unique slabs of industrial music with strong nods to primitive techno, sound design, and noise music. for lack of an audience as well as poor distribution, the tapes were mostly handed out to friends and family until one reached the discrepant radar a couple of years back. today, discrepant presents an exclusive ep of their first work in years, constructed around the sounds recorded in the ex-usse baltic port city of ventspils, latvia. during a recent visit in 2010, the duo were inspired by the decaying post-industrial charm of the city and decided to re-activate their musical activities. pressed in an edition of 250 vinyl-only copies and packed in a luscious printed outer and inner sleeve with photography by sergey gorsky.
*prints of darkness – zindabad – ravi – lp
- this is the story of a sixties garage band…only this one was based in lahore, west pakistan, where there was a small american community and a funky school in an old british raj-era bungalow. six kids, synthesizing the current sounds of their homeland – animals, stones, zeppelin, the west coast ballroom groups – managed to become the best rock ‘n roll group in west pakistan. “raw, exciting and really quite excellent…fans of fuzz will find a feast of it on this set.” – mike stax (ugly things)
robbie m – let’s groove – people’s potential – lp
- the release of highly anticipated lost modern funk gems from the lead man of midnight express! new modern funk LP from the always trustworthy ppu family. robbie m, from the midnight express show band “danger zone” fame, finally releases tracks from his extensive ram music productions catalog. 10 titles total featuring 5 lost instrumental synth funk riders, and 5 classic club multi-tracks. over 40 minutes to smooth your evening, lay back on and vibe. robbie’s mood is infectious and delivers with every chord and melody. prepare yourself for “let’s groove”.
rza presents – shaolin soul selection vol 1 – soul temple – 3lp
- “dug out from the archives of stax records, this collection of deep soul has been personally curated by the rza himself. containing heavy cuts from such legends as isaac hayes, booker t & the mgs, albert king, the emotions, and many more, it’s not hard to see the genius and ideas these songs and artists inspire, and their influence on the very history of the wu-tang clan. a pinnacle as both a compilation of classic soul music, and a must-have for any wu-tang completist, this is an lp set not to be missed.”
*ravi shankar – three ragas – doxy – lp
- “three ragas, ravi shankar’s western debut (recorded in london in 1956), remains one of his finest albums ever recorded. although shankar was already an accomplished and well-known musician in India in 1956, he was still almost completely unknown in the west. the album, consisting of three ragas, was meant to be a kind of introduction to shankar’s music for the western listener. side a consists of ‘raga jog,’ an evening raga that ‘expresses the yearning of a longing soul,’ while side b consists of a morning devotional raga, ‘raga ahir bhairav,’ as well as a raga of the southern indian carnatic tradition, ‘raga simhendra madhyaman.’ also featuring chatur lal, one of the best tabla players of all time. includes liner notes. comes on 180 gram vinyl.”
*stark reality – acting, thinking, feeling – now again – 6lp+7″
- “six lp set of psychedelic jazz, restored and remastered from the original tapes. this marks the first time that all of stark reality’s music will be available on vinyl. included is the entirety of their ajp-issued album the stark reality discovers hoagy carmichael’s music shop, their out-of-print 1969 lp (first issued on this label in 2003), the two sides of their big yellow 7″ single, the three part song ‘acting, thinking, feeling,’ and a series of unreleased tracks discovered by porter records’ luke mosling — issued here for the first time.” includes 16-page booklet with digital download card.
supremes – meet the supremes – rumble – lp
- “the debut album by diana ross’ supremes originally came out in late 1962, right after motown’s boss berry gordy signed them and changed their name (the group was previously referred to as ‘the primettes’) and immediately before barbara martin left the band (which cost her being cut from the legendary ’3 on the barstools’ cover, and the loss of any royalties from the album). mainly a collection of their early singles, meet the supremes features pure soul gems like ‘i want a guy’, ‘buttered popcorn’, ‘(he’s) seventeen’ and many more little classics recorded by this quartet of seventeen year-olds who, although still far from the international star status they would soon achieve, helped pave the road to the definition of the classic ‘motown sound’.”
thors hammer – s/t – thors hammer – lp
- “thors hammer came from copenhagen, the danish capital. their music was a jazzy progressive rock with english lyrics. their one and only lp was released in 1971 and holds the sad record of being the most bootlegged lp in denmark. until now it can be found as cd editions on four illegal labels and as an illegal lp reprint. all these editions were made up very poorly. the now first legal vinyl re-issue is accompanied by a four-page insert in lp size, containing a detailed band history in german, english and danish language, a comprehensive discography including side and solo projects, cover and label reproductions, and band photographs. it is pressed on 180g vinyl and limited to 1000 numbered copies. it is the very first lp release of garden of delights’ sublabel thors hammer which, to honour this great band, was named after it. this label is destined for bands coming from outside the german-speaking countries.”
toy love – s/t – flying nun & captured tracks – 2lp
- “this 28-track double lp compilation collects all the a and b sides of the three toy love singles, plus the best demos from 1979, a live track, and even a radio jingle – all mastered for vinyl, straight from the original analogue tapes. housed in a gatefold jacket, a 24 page booklet accompanies the release with photos, ephemera, and commentary from toy love. the back cover features a sketched cartoon of an early toy love flyer drawn by chris knox. evolving from dunedin band the enemy, toy love had a brief but bright existence between january 1979 and september 1980. invoking the ghost of punk and the melody and creativity of ’60-’70s pop, they were peerless at a time when new zealand music was still struggling to imprint itself on the national consciousness. they became a model for local musicians around the country and inspired the birth of flying nun records — a label which many from the band went on to work with, including chris knox and alec bathgate with the tall dwarfs and paul kean with the bats. then, in 2005 flying nun released cuts, a double cd anthology of toy love material. electrifying and unmissable, toy love made an impact on all who saw then, and continue to do so around the world today.”
ike & tina turner – the soul of ike & tina – rumble – lp
- “well-known for her trademark legs, throaty voice, and boundless stage energy, tina turner was one of the sexiest and most popular international performers of the 20th century. ike turner, a well established seminal figure in the early years of rock & roll as both a performer and talent scout, met her one night in st. louis while he was performing with his ‘kings of rhythm’: she just grabbed the microphone and sang a b.b. king song, impressing Ike so immediately and overwhelmingly that he asked her to perform regularly with them. the rest is history: ike’s slick managing skills and songwriting, along with tina’s intensely energetic lead voice, three back-up ‘ikettes’ and a technically airtight eight-piece band produced a combination of country blues, rock and roll, ghetto rhythm and gospel passion that created a legend lasting 50 years. ‘it’s gonna work out fine, ‘ ‘i pity the fool, ‘ ‘i idolize you, and ‘tra la la la la.’ are just some of the r&b gems included in their 1960 astonishing debut album.”
twink – think pink – sunbeam – cd
- recorded in london in July 1969, and featuring members of tomorrow, the pretty things, the deviants, and tyrannosaurus rex, the legendary think pink is one of the hallowed relics of british underground rock. masterminded by john “twink” alder, who fully participated in this comprehensive reissue, it is presented here with detailed background notes, eight bonus tracks and rare pictures, making it truly essential for all fans of true psychedelia.
wavves – afraid of heights – warner – lp
- straight from the dungeons of l.a., wavves unleashes afraid of heights, the fourth album under the moniker and first on the mom + pop and warner bros. labels. now a duo consisting of guitarist nathan williams and bassist stephen pope, they sound bigger, brasher, and shockingly more professional than ever on afraid of heights which positions the band to take their rightful place amongst the pop-punk gods. the product of more than a year of writing and recording, afraid of heights expands the wavves sound while remaining true to the band’s original vision – it was created with absolutely no label involvement, a specter that nearly derailed king of the beach.
*witch – lazy bones – now again – lp
- “our comprehensive overview of zambia’s premier garage, psych, prog, funk, afro-rock ensemble witch… the band’s third album, lazy bones!!, is the band’s masterpiece — a dark, brooding psychedelic opus that makes equal use of wah-wah and fuzz guitars, that relies as heavily on the stomping feel of hard rock as it does the syncopation of funk.”
*witch – lukombo vibes – now again – lp
- “the band’s fourth album — recorded after the band toured with osibisa — makes use of traditional zambian rhythms and folk melodies alongside progressive rock movements. it is the most ‘afro-rock’ of witch’s oeuvre.”
*various – drop on down in florida: field recordings of african american traditional music 1977-1980 – florida folklife – 2lp
- based on four years of fieldwork throughout the state, the florida folklife program released the two-album, 27-track lp drop on down in florida: recent field recordings of afro-american traditional music in 1981. the album was intended to highlight african american music traditions for a statewide public audience, blues and sacred traditions in particular. dust-to-digital reissued this two lp set on cd in november 2012. the recordings include: one-string musician moses williams, four-shape-note sacred harp singing from an african american community, and the richard williams family in the blues and gospel-blues traditions. comes on 2 lps with a 24-page 11″x11″ booklet in a gatefold sleeve. includes 18 photographs and illustrations; new old stock from 1981, still in shrinkwrap, no signs of warping on multiple copies that have been opened.
various – dual form – stones throw – lp
- “collaborative release by stones throw and leaving records. leaving records is one of los angeles’ best, a hand-curated cassette label whose international reach belies its boutique status and diy style. naturally, dual form reflects the brightly burning light guiding leaving’s doings: an elevated level of experimentation combined with the twinning beliefs that art is sacred and music is magic. in a way, avant chanteuse julia holter provides this set’s mantra with her haunting cover of arthur russell’s ‘you and me both’ when she sings, ‘want to keep on doing.’ to that end, anticon founder odd nosdam delivers the booming but elegiac ‘sisters,’ postal service electrician dntel gets playful with ‘windy windy,’ psychedelic blueser sun araw discovers transcendence for ‘right off,’ and serengeti teams with matthewdavid for the far-out rap of ‘into the night.’ dual form could’ve easily been a retrospective of leaving records’ ‘greatest hits,’ but that’d be a disingenuous introduction to a label that’s always looking forward. all of the tracks on the album are new, original recordings. if the names gathered here look unfamiliar, it’d be a good time to start studying them.”
various – jim jam gems vol 1 – stag-o-lee – 10″
- start of a new series. limited edition with wild ’50s rhythm and gospel. teenage hoodlums in leather jackets standing on street corners, chewin’ gum and eyeing conspicuously every invader on their turf. revvin’ up the engine of a hopped-up ford, kissing in back alleys, flashin’ a flicknife in the dark — that’s the sound of a bad boy serenade. artists include: larry williams, connee boswell, tony casanova, du-droppers, little willie john, bobby lester, archibald, danny taylor, paul gayten and annie laurie and jive bombers.
various – jim jam gems vol 2 – stag-o-lee – 10″
- second volume in stag-o-lee’s jim jam gemsseries. brothers and sisters, swing out with hallelujah. we’ve all come together here to hear about good souls in full faith. to hear about sinners confessing their misled ways. to hear about the tellings of the good book, and to hear about beating the devil! feel the spirit driving into you like the rod of correction, sing, praise, and give the lord a handclap! artists include: rod willis, savannah churchill, lance fortune, laverne baker, otto bash, golden gate quartet, the chords, dorsey burnette, roy hogsed, and mahalia jackson.
various – sound city: reel to real – rca – lp
- all-new original album of music created exclusively for the new feature length documentary by dave grohl! featuring paul mccartney, stevie nicks, jim keltner, rick springfield, trent reznor, joshua homme, rick nielsen, lee ving, corey taylor, brad wilk, tim commerford & dave grohl! deep in the san fernando valley, behind the train tracks and amidst dilapidated warehouses, was rock n’ roll’s best kept secret. sound city, america’s greatest unsung recording studio, housed a legendary, one-of-a-kind recording console, and became the birth place to the seminal albums that defined 20th century music. fleetwood mac, neil young, rick springfield, tom petty, nirvana, amongst many others, all put magic to tape within these walls. It was rock ‘n’ roll hallowed ground.

…..restocks……

alt-j – an awesome wave – atlantic – lp
*amon duul ii – yeti – internation artists – lp
*syd barrett – madcap cries – fan club – lp
beatles – revolver – emi – lp
belle & sebastian – tigermilk – matador – lp
*captain beefheart – safe as milk – buddah – lp
*captain beefheart – trout mask replica – warner – lp
*nick cave – no more shall we part – mute – lp
chelsea light moving – s/t – matador – lp
sam cooke – mr. soul – music on vinyl – lp
sam cooke – night beat – music on vinyl – lp
d’angelo – voodoo – modern classics – lp
danger mouse – & jay z – the grey album – fanclub – lp
*betty davis – they say i’m different – light in the attic – lp
*miles davis – bitches brew – music on vinyl – lp
*demdike stare – elemental – modern love – 2cd
*demdike stare – tryptych – modern love – 3cd
desert sessions 3/4 – mans ruin – lp
desert sessions 5/6 – mans ruin – lp
j dilla – donuts – stones throw – lp
*dna – on dna – no – lp
*ensemble pearl – s/t – drag city – lp
*bill fay – s/t – 4 men with beards – lp
*luc ferrari – preque rein – recollection grm – lp
jonny greenwood – the master ost – nonesuch – lp
*lee hazlewood – lhi years – light in the attic – lp
*lee hazlewood – a house safe for tigers – light in the attic – lp
*arve henriksen – solidification – rune grammofon – 7lp
*jaylib – champion sound – stones throw – lp
kavinsky – outrun – record makers – lp
roland kirk – blacknuss – atlantic – lp
kyuss/queens of the stone age – split – mans ruin – lp
metric – old world underground – last gang – lp
ministry – land of rape and honey – music on vinyl – lp
nirvana – outcesticide 1 – fan club – lp
nirvana – outcesticide 2 – fan club – lp
nirvana – outcesticide 3 – fan club – lp
queens of the stone age – songs for the deaf – ipecac – lp
radiohead – in rainbows – tbd – lp
*pierre schaeffer – le triedre – recollection grm – lp
*silver apples – s/t – kapp – lp
*soundtrack – drive – invada – lp
tame impala – lonerism – modular – lp
tool – anima – fan club – lp
turbonegro – apocalypse dudes – mans ruin – lp
*robert turman – beyond painting – fabrecia – lp
u2 – zooropa – island – lp
*mv & ee – fuzzweed – three lobed – lp
*marcos valle – s/t – light in the attic – lp/cd
*marcos valle – vento sul – light in the attic – lp/cd
*marcos valle – previsao do tempo – light in the attic – lp/cd
vampire weekend – s/t – xl – lp
*wire – pink flag – 4 men with beards – lp
bobby womack – breavest man in the universe – xl – lp
xx – xx – xl – lp
neil young – home of the brave – fan club – lp
various – minimal wave tapes vol 1 – stones throw – lp
various – minimal wave tapes vol 2 – stones throw – lp
*various – sorrow come pass… – dust to digital – lp

thanks for listening
listen records
10443a – 124 street
edmonton, ab
t5n 1r7
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…..news letter #580 – let’s build a fort…..

howdy all,

happy spring! ugh. anyway, as i had hoped, due to last week’s monstrous list, this week’s news letter is, at least comparatively, brief. anyway, play safe, drive safe, build a snow man.

 …..pick of the week…..

Django-Unchained-soundtrack-608x608

*various – django unchained – mercury – lp
       - original soundtrack to the 2012 motion picture written and directed by quentin tarantino. the film stars jamie foxx, christoph waltz, leonardo dicaprio, kerry washington and samuel l. jackson. django (foxx) is a slave living in the deep south after having been separated from his wife broomhilda (washington). when django is held for a slave auction, dr. king schultz (waltz), a bounty hunter who poses as a dentist, frees django from his vicious masters, the speck brothers (james remar and james russo), and gives him the option of hunting down and killing the brittle brothers, a ruthless gang of killers whom only django has seen. in return, schultz will free django from slavery completely and help rescue broomhilda from the plantation of the charming but ruthless owner, calvin candie (dicaprio). as you may know, tarantino soundtracks are killer… you probably need this. killer morricone cuts and more. 


…..new arrivals…..

babysitter – eye – psychic handshake – lp
- for their debut full-length, ‘eye’, british columbia’s babysitter have compiled a forceful and catchy collection of raucous rock and roll. with its skewed take on anthemic grunge, the electrifying album is a welcome addition to a roster that includes genre-bending records by drainolith, red mass, sex church, tonstartssbandht, and the first two editions of yamantaka//sonic titan’s polaris prize short-listed yt//st. a punkish grunge-and-roll that recalls the wipers, archers of loaf, pavement, and neil young. now, with eye, the band’s adrenalized rock and roll has evolved into a mature statement on the revolutionary zeal that animates this fundamentally absurd pursuit.
cave singers – naomi – jagjaguwar – lp
- if every story is a story about love, what of suffering, surrender, and redemption? life says they’re in there too. along with traffic jams and dishes, jobs and sunsets and spilling all the red wine on the floor. all of it. naomi, the fourth record from northwestern mystics the cave singers, is a totem to these things: the every, any, all ways, always of life. written over the span of ten months and recorded in one, it bears a new and more expansive production style that captures the live performance energy the band has developed over the past five years. the 12-song set was engineered and produced at avast studios in seattle by phil ek (fleet foxes, built to spill, shins, modest mouse).
*jimi hendrix – are you experienced (mono uk version) – reprise – lp
- individually numbered mono pressing on 200 gram audiophile vinyl. the debut release from the jimi hendrix experience is widely regarded as the greatest, most influential debut release from any artist. are you experienced has long been acknowledged as one of the most influential rock albums of all time. there are, however, two distinctly different editions of this legendary album. the original version, prepared and sequenced by jimi and producer chas chandler, was issued throughout europe in may 1967. this album excludes the group’s first three uk singles. there has never been a mono release of this album in the us. this original monophonic mix has been transferred from the original master tapes by noted mastering engineer bernie grundman. grundman’s all analog mono mastering process helps to present the vitality of the original recording as accurately as possible.
*jimi hendrix – are you experienced (mono) – lp
- individually numbered mono pressing on 200 gram audiophile vinyl. the debut release from the jimi hendrix experience is widely regarded as the greatest, most infuential debut release from any artist. are you experienced has long been acknowledged as one of the most infuential rock albums of all time. the classic us edition of the album was only available in mono for a brief period after its original august 1967 release. this version features the classic fish-eye cover and includes such hits as ‘purple haze’ and ‘hey joe’. this original monophonic mix has been transferred from the original master tapes by noted mastering engineer bernie grundman. grundman’s all analog mono mastering process helps to present the vitality of the original recording as accurately as possible.
*jimi hendrix – axis: bold as love (mono) – reprise – lp
- individually numbered mono pressing on 200 gram audiophile vinyl. the sensational sophomore release of the jimi hendrix experience highlights hendrix’s own evolving musical experimentalism and acknowledges his early musical influences of soul and r&b. remastered from the original two-track mixdown master tapes, axis: bold as love’s 13-songs show the evolving trio as they neared the height of their career. features the seminal classics ‘spanish castle magic’, ‘little wing’, ‘castles made of sand’, and the classic easy rider anthem, ‘if 6 was 9′. the original monophonic mixes have been transferred from the original master tapes using grundman’s all analog mono mastering process.
hollerado – white paint – royal mountain – lp
- hollerado is a juno award nominated canadian indie rock band formed in 2007 and originally from ottawa, ontario, canada. “it’s been almost four years since hollerado released their debut full-length, record in a bag, as a digital download in 2009 (it was subsequently reissued). now, the fast-rising canadian power pop band have officially announced the follow-up. entitled white paint, it’s due out on february 2013 via the band’s own royal mountain records. like record in a bag, the new disc was produced by gus van go (the stills, rah rah, priestess). there’s no word as to exactly what the collection will sound like, but a press release promises an “impressively mature” 11 songs.” – exclaim.ca
the men – new moon – sacred bones – lp
- with their fourth full-length album to be released in as many years, the men proudly present the sweeping new moon, the most intensely personal and immersive installment yet. never content to draw on the same methods twice, nor to recline under the heel of expectation, the men quit the city in early 2012 to head for big indian, ny – transforming a remote catskills locale into a full-edged stray-dog studio home. entering with only the most skeletal sketches, the house was selected as an incubator for its technical limitations. familiar faces remain, the core of guitarists nick chiericozzi and mark perro, with drummer rich samis all returning from last year’s much-acclaimed open your heart. however, inroads have since been made to previously unreachable trails, as close friend and producer ben greenberg (pygmy shrews, hubble, zs) officially joins the ranks as bassist on paper, and full-bore, compositional partner in practice. in tandem, wayward brother kevin faulkner occupies his most substantial sphere to date, dreaming aloud on lap steel guitar. the men’s oft-cited commitment to their “no-one-is-frontman” maxim surely insists itself all the more emphatically here…so much so that it practically creates a new band in the process. this smiling observance induces a fresh fluidity amongst their roles and instrumentation, incorporating at various junctures piano, mandolin, harmonica, four-part vocal harmonies and even no-impact harsh noise. new moon is simultaneously an expansion of palette and a contraction of focus, hedged with as much leading dirge and ecstatic abandon, as it is genuine saccharine steel-string levity and an ever-tightening, no apologies pop concision. summarily, it is a love letter devoted in bowed humility to the grand continuum, exposing the hoax of the great divide. allegiances to the glowing patinas of detroit and san francisco, new york and nashville all abound, but ‘nostalgia’ is not her name. the band’s clear ethos is to revisit but never retread.
my bloody valentine – mbv – mbv – lp/cd
-  vinyl is on 180 gram with a gatefold sleeve and cd inserted in card a wallet to a cut inside the gatefold along with an 8 page booklet. yes!!! my bloody valentine are back, 22 years later, with one of the most highly anticipated releases of the year!!.. receiving rave reviews from all music publications!!
sam roberts – inhuman condition – paper bag – lp
- for the first time ever since its 2002 release, the inhuman condition is being released on vinyl. this six-song ep marked the breakthrough for canadian favourite sam roberts. the inhuman condition has reached certified gold status and sold over 50,000 copies to date, making it one of the most successful and bestselling ep’s by a canadian band in the history of canadian recorded music. the inhuman condition, was a heaven-sent prophecy from the classic-pop gods translated into street-level terms, and while there was no denying sam’s way with ultra-addictive melody, he also displayed astonishing breadth in just six tracks, from knockout power-pop punches (‘don’t walk away eileen) and moody folk mysticism (‘brother down,’ the official soundtrack of summer 2002) to extended psych-pop jams (‘where have all the good people gone?) and middle-finger-waving rockers (‘this is how i live’).
strokes – comedown machine – rca – lp
- the strokes announce their highly anticipated fifth studio album comedown machine. the strokes consist of julian casablancas (lead vocals), nick valensi (guitar), albert hammond, jr. (guitar), nikolai fraiture (bass) and fabrizio moretti (drums). the band has released four studio albums, is this it (2001), room on fire (2003), first impressions of earth (2006) and angles (2011) which have sold over 5 million albums worldwide. “they sound like themselves – those taut, rhythmical jabs, stabs of guitar underpinning julian casablancas’s dozily sighed vocals – but nothing like themselves at the same time. the shrill manga-pop of one way trigger, release as a free download at the end of january, is a perfect taster for the rest of the record. just as that song had people wondering if the strokes had discovered a-ha, there’s an ‘80s groove hip-swivelling its way right through the core of comedown machine. in their own dysfunctional way, the strokes sound like they’ve having fun.” – niall doherty, q magazine.
various – nippon girls – big beat – lp
- “nippon girls” is a celebration of the female side of japan’s 1960s pop scene. the lp comprises a dozen highlights from the cd of the same title issued on our big beat international logo a couple of years back, one of our recent top sellers. compiled by dj sheila burgel, a former tokyo resident, the “nippon girls” cd raised a few eyebrows here at ace hq, but girl-pop maven sheila knew what she was doing. the collection drew rave reviews, becoming something of a left-field hit with the club crowd and young hipster types.

…..restocks…..

sam cooke – night beat – music on vinyl – lp
*miles davis – bitches brew – music on vinyl – 2lp
j dilla – donuts – stones throw – lp
*ensemble pearl – s/t – drag city – lp/cd
allen ginsberg – first blues – ginsberg – lp
*hawkwind – space ritual – rock classics – lp
*tim hecker/daniel lopatin – instrumental tourist – software – lp/cd
*blind willie mctell – complete recorded works vol 1 – thirdman – lp
*charlie patton – complete recorded works vol 1 – thirdman – lp
pink floyd – dark side of the moon – emi – lp
pink floyd – wish you were here – emi – lp
radiohead – pablo honey – emi – lp
tegan & sara – heartthrob – warner – lp
*robert wyatt – dondestan – domino – lp
*robert wyatt – old rottenhat – domino – lp
*robert wyatt – rock bottom – domino – lp
*robert wyatt – schlep – domino – lp
chad van gaalen – infiniheart – flemish eye – lp
chad van gaalen – diaper island – flemish eye – lp
weakerthans – reconstruction site – epitaph – lp
*various – nuggets – rhino – lp
*various – personal space – chocolate industries – lp

 

thanks for listening….

 

listen records

10443a -124 street

edmonton, ab

t5n 1r7

780.732.1132

 

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news letter #579 – good flood, not bad…..

howdy all,

as promised last week, this week we’ve been flooded with new releases as well as tons of restocks. so, if that snow was keeping you from coming in today, perhaps this massive news letter will change your mind. i’ve been at this all day, and have piles of records to receive all around me, so i didn’t do much editing on this one, sorry.

 

…..pick of the week…..

tsm isengrind snowbringer1
*isengrind – the snowbringer cult – ba da bing – lp
*twinsistermoon – the snowbringer cult – ba da bing – lp
*natural snow buildings – the snowbringer cult – ba da bing – lp

- totally stoked that this set has finally been released on vinyl!!! “following up on 2012′s fearsome four-lp box set night coercion into the company of witches, ba da bing presents the second large-scale reissue of another obscurity from french duo natural snow buildings’s past. originally released on double-cd by the amazing students of decay in 2008, the snowbringer cult is a grandiose quadruple-album that combines mehdi ameziane’s and solange gularte’s solo projects, twinsistermoon and isengrind, on disc one and their collaboration as natural snow buildings on disc two. ba da bing is reissuing the original double-cd, along with vinyl versions for each of the three releases, all with interconnecting artwork. gularte’s isengrind centers on hypnotic soundscapes, floating woodwinds and chanted dirges. the airy sounds intermix and collide, sometimes building ominously, sometimes crashing together. it sounds gloriously like an imagined soundtrack to a banned ’70s italian horror film. ameziane’s twinsistermoon showcases the folk end of his sound. often graced with his soft counter tenor voice, the songs are like a sweet respite amidst the menace of minor keys. delicate acoustic guitar passages break for shifting drones before leading to ornate instrumentals. the natural snow buildings material on the second disc brings about an alternately luminous and perilous finish to the journey. here, the snowbringer cult reaches climactic points of intensity, following all the tension from disc one with grand payoffs. in all, this expansive work presents the most varied and nuanced sense of what fills the natural snow buildings cosmos.” 

invisible hands
*invisible hands – s/t – abduction – cd
- *******as a special bonus, especially for those who want to wait for the vinyl version, this cd is specially priced and purchase will enter you in a draw for a very special handmade invisible hands pillow!******* he invisible hands is the english translation of the band’s original egyptian arabic name: el ayadi el khafeyya. taking almost two years to create amidst an unusual and challenging backdrop, this is the brand new project of alvarius b. (alan bishop of sun city girls). eleven highly-crafted new songs projected through his typically dark lens of songwriting and a band of brilliant musicians from cairo, the premier, self-titled cd version of this album is the english language vocals edition (see below) delivered in ab’s patented sinister style; drenched in lovely psychedelic folk arrangements and vocal choruses with a nod to what could have potentially been an album that surfaced decades ago but instead found its way into the future superimposed over historic and tumultuous times in the center of the arab world. the group was established during the summer of 2011 and the album was recorded in cairo in may of 2012. band members include cherif el masri and aya hemeda (both former members of popular egyptian group eskenderella) with drummer magued nagati. on a handful of songs, several other players from the cairo scene are featured including sam shalabi (shalabi effect/land of kush) on oud and mohamed medhat on violin and viola. all tracks written and sung by alvarius b. in english. note: this is the english language cd version of the album. an arabic language cd version will only be available to purchase in the middle east. both english and arabic language versions will be available for digital download and both versions together will be available as a limited edition 2lp in the very near future. 

…..new arrivals…..

100 flowers – s/t – superior viaduct – lp
- 100 flowers (previously known as the urinals) were a power trio whose sole 1983 album is an enduring document of the southern california underground. based in crime-ridden ’80s los angeles against the backdrop of juvenile hardcore and vapid hard rock, 100 flowers crafted a sound that rests between the inspired bursts of the minutemen and the pastoral jangle of the dream syndicate with similarities to the equally oblique monitor and the gun club (who even included a urinals cover in their set). the trio wielded a gripping visual aesthetic and hyper-literate lyrical content that reflected their art-school backgrounds, while a ferocity and frustration borne out of their bleak urban environment permeates their songs.
ellen allien – lism – bpitch control – cd
- ellen allien’s new work lism is already being referred to as a milestone in the label’s history: rarely has an lp from the circle of bpc artists deviated so far from the club context as this one. the label boss has radically disposed of all established musical templates and created space for 45 minutes of sonic experiments that lie well beyond any functional paradigm — a highly emotional soundtrack for one’s “inner cinema,” but also a creative process with a considerable fun factor.
athanor – flashback – guerssen – lp
- chicago, early ’70s. greg herriges is obsessed with lennon, 12-string guitars, and far-out psychedelic sounds. rick vittenson is a beach boys-hollies-who fanatic who writes for crawdaddy! magazine. both had previously played in several garage college bands during the ’60s. combining their mutual love for ’60s music, athanor was born. with the help of top studio musicians, they recorded and self-released three 45s between 1973 and 1975 which are now highly sought-after by fans of obscure psychedelic pop. all of them are featured here in stellar sound taken from the master tapes along with previously-unreleased studio tracks and superb-sounding home demos (1973-1981), plus a new song recorded in 2006 in the same vein as their vintage recordings. athanor’s music features impressive songwriting and musicianship, a collision of beatlesque harmony vocals, rickenbacker and guild 12-string guitars, occasional fuzz-wah leads, fender rhodes, and studio effects. psychedelic proto power-pop highly recommended to anyone into lazy smoke, badfinger, only ones, emitt rhodes, rockin’ horse, or creme soda.
*batch – wait ’til tomorrow – anazitisi – lp
- “what a discovery and what an album! the minnesota music scene of the 60’s was an exciting and vibrant time. it was in this nurturing atmosphere that the beginnings of the batch were born. from the many songs recorded by the batch, we present now their more psychedelic efforts on this 11-track vinyl edition—all home recordings made on two-track tape-recorders between 1968 and early 1970; all carefully remastered from the original master-tapes. from the garage-pop ‘ha la la’ to the mind-blowing psychedelic ‘drifting’; from the acid underground sounds of ‘wait ’til tomorrow’ to the heavy ‘untangle your mind’; and from the guitar-pyrotechnics of ‘freedy coolchick’ to the grateful dead-esque ‘so sad,’ this batch album is a must for every psych-head, and will soon take its rightful place among lost us psychedelic jewels. raw and vital recordings of a band at the very moment of finding their freedom and independence. 500 copies.”
bizarros – complete collection 1976-80 – windian – lp
- unearthing their huge post-punk sound took a bit of time, attempting to bake original master tapes, developing original 30-plus year old film, and sifting through an akron ton of rare music, windian has put a large effort in bringing to the table a beyond quality double lp. these records span the short 5 years the band recorded music before calling it quits in 1980. from the singles released on the own band’s imprint clone records, to the scorching split ep with the tubber city rebels, the brutally amazing debut lp released on mercury records, live cuts, and even never before heard demos, this collection contains it all from a band cut short in their prime.
*nathan bowles – a bottle, a buckeye – soft abuse – lp
- hard to believe our planet had not yet been graced with nathan bowles solo recordings until now, but such is the case. after years of playing in celebrated ensembles, touring the world, and honing his skill on a host of instruments, bowles unveils his first solo effort: a bottle, a buckeye. the spacious, rollicking, meditative, and above all powerful record bridges the methods and constructs of his two most notable groups—the black twig pickers (old-time) and pelt (outer limits)—while inhabiting a space all its own..
*burmuda triangle – s/t – anazitisi – lp
- the first ever official vinyl reissue of this folk-psych gem from new york city, usa. originally released in 1977 by winter solstice, the group’s own label, this is a very rare album nowadays. it’s strange mixture of haunting melodic folk and dreamy psychedelia. both male and female vocals, by roger and wendy penney (who had also presented the extremely rare “roger & wendy” lp back in 1972), with autoharp, violin, percussion and sound effects (wah wah, fuzz, phaser, delay) offering a unique atmosphere. here’s how acid archives describes this fantastic album: truly bizarre folk-psych album that’s more enjoyable than a lot of “better” records. it feels like the songs are at a normal speed but the backing tracks are sped up. some of the melodies are pretty speedy too. spastic, cymbal-heavy drumming adds another layer of intrigue. this album is kind of a shock on first listen, because at least to these jaded ears it’s not often i discover something so original and bizarre.” this is truly a one of a kind album—you have to listen it to believe it!!!
*chelsea light moving – s/t – matador – lp/cd
- chelsea light moving is the new band from sonic youth’s thurston moore. featuring the backing talents of keith wood on guitar, samara lubelski on bass and john moloney on drums, the same band from thurston’s last solo album “demolished thoughts” — but this time it hits hard with rock n roll noise. the man himself describes the tracks as “chug & shred burners,” and they hit the usual mindblowing variety of rock-historical reference points and the primal clatter thurston’s pioneered for over two decades. the original chelsea light moving company actually moved people’s stuff, and was run by steve reich and philip glass.
*dead c vs rangda – split – ba da bing – lp
- two of the greatest bands of the present day, each composed of two guitarists and a drummer. every member’s name carries its own legendary status. richard bishop. ben chasny. chris corsano. michael morley. bruce russell. robbie yeats. fabricated empires have risen and been destroyed by the vast output of any one of these guys. finally, they come together on one release: a split lp between two supergroups. the dead c’s tracks are a gem of a find. the band uncovered recordings nestled in the back corner of their archives that they completely forgot existed. these tracks were under consideration for their seminal album eusa kills. the loose majesty found on that album comes to the fore here, with a group finding their wings right as they are set aflame. rangda recorded their two compositions at russian recording in bloomington, indiana. everything that brings these musicians together uncoils and commands. beats of silence underscore tangents that lead back to main themes and out again. it’s as though the years and years of playing under their collective belts has culminated in these glorious moments.
*dead moon – stranded in the mystery zone – mississippi – lp
- “maybe the hardest to find dead moon lp. all kinds of killer songs. another stone cold classic by the world’s greatest rock band. some call them the thinking man’s ac/dc and some call them the working man’s roky erickson but really there is nothing that compares to dead moon. they live in a world of their own — d.i.y on every imaginable level, brilliant song writing, perfect elemental stripped down playing, honest and intense vocals. it’s all here.”
*dead moon – strange prey tell – mississippi – lp
- “one of dead moon’s all time classics, filled with some of their catchiest and most rousing songs. rockers of the highest caliber such as ‘destination x,’ ‘fire in the western world,’ and ‘don’t look back’ as well as perfect ballads such as ‘you can’t do that’ and ‘out in the blues.’ an utter masterpiece of psychedelic rock straight from the heart.”
*nick drake – pink moon – universal – lp
- remastered from the original analogue master tapes by original sound engineer john wood at abbey road studios! pink moon, nick drake’s third and final album, was originally released on island records in 1972 and is the record that made him the cult figure he remains to this day. recorded in november of 1971, the beautifully spare 11-song set only features drake’s vocals, guitar, and piano. the music comes across as peaceful and unadulterated through its richly woven textures of tone and melody. although the story behind his music is undeniably tragic, what he left behind here is truly breathtaking. 180g vinyl in a gatefold jacket with printed inner sleeve.

*ensemble pearl – s/t – drag city – lp/cd
- cosmic heavy amplified rock drops and ripples, auras radiate and expand into cloudforms, through which lightning bolts. tides rise, the moons wax upon a place somewhere between link wray, hex-era earth and early tangerine dream. the echoes return, leaving a trail that blows and drifts, creating a separate piece. the metal of coils is the metal of the earth, the air… the meteoric and primal elements found in space. ensemble pearl reaches through the clouds and atmospheres and brings it all back down to the ground, to forge further creations for woman and man. this music production is inspired by rock from the classic era (’50s through ’70s) and acousmatic contemporary composition alike. ensemble pearl are atsuo, william herzog, michio kurihara and stephen o’malley.
*fortune teller – inner-city scream – anazitisi – lp
- “fuzzy underground album recorded back in 1978, and released as a private pressing of 500 copies. heavy at places, full of fuzz-guitar work with 60′s garage & british invasion influences and low-budget production (think of boa or shadrack chameleon albums) while a couple of songs have a wild and underground approach to rural rock. this album exists in a time warp. it’s from the midst of the first punk era, but sounds genuinely 60s garage the way no neo-garage band ever did. the fuzz guitars are ever-present, and the songs are pure garage pop and garage rock, rocking hard without ever sounding remotely “hard rock.” the sound is as cheap as can be, which only accentuates the coolness of the fuzz. despite some awkward singing, there are a lot of catchy melodies here, and i can imagine that baltimorians who discovered “nuggets” in the late 70s went nuts over this band. a few songs flirt with rural rock, but basically it’s teen-sounding angst, just as cool as their punk peers. [am] (taken from acid archives) 400 black vinyl edition.”
four tet – 0181 – text – lp
- previously-unreleased miscellaneous four tet recordings produced between 1997-2001.
jesse fuller – jazz, folk songs, spirituals & blues – doxy – lp
- recorded on in 1958 in los angeles, ca, jazz, folk songs, spirituals, & blues is a rare album by the one-man-band and well-known folk musician jesse fuller. although fuller always played music on the side, becoming a master of the 12-string guitar (between working for the railroads, lumber companies, or the circus), he did not make his first recording until 1955, when he was already 50 years old. frustrated by his inability to get a band together, fuller devised a way to play all the instruments himself, constructing a one-man band system that allowed him to sing and accompany himself on the twelve-string guitar, harmonica, kazoo, cymbals & a homemade instrument he called the ‘fotdella’ (played with the big toe of the right foot which hit pedals causing padded hammers to strike against the instrument’s six strings). this brilliant and unique album in the blues arena includes fuller’s rendition of traditional blues numbers like ‘take this hammer’ and ‘linin’ track’ as well as his own compositions like ‘fingerbuster’ and ’99 years’.
*justin greaves – devil’s business – death waltz – lp
- marking death waltz’s first foray into contemporary film music, the devil’s business was released to theaters and dvd in 2012, with a u.s. release happening late 2013. the film is a gritty low budget satanic gangster film that shares it’s dna with ben wheatley’s “kill list”. the score by justin greaves, the main protagonist of crippled black phoenix is a beautiful eerie listen, minimal yet epic and soaked in a smoky atmosphere that fits perfectly alongside the other releases in the death waltz canon.
habeas corpus – my roots… – anazitisi – lp
- “habeas corpus formed in athens, greece in 1977. originally a trio of guitar-bass-drums and occasionally, at some live gigs, a quartet with the addition of a keybordist/guitarist. at the end of 1981, all three members participated to the foundation of the more well-known band, syndromo and made an album for vertigo in 1982. habeas corpus’ music is instrumental and combines heavy progressive rock and jazz/fusion rock with classical and greek traditional tinges all around. this limited release, collects all their recorded material from 1980-82. strictly limited, to 150 hand-numbered copies, edition.”
*lee hazlewood – trouble is a lonesome town – light in the attic – lp/dlx lp/cd
- “light in the attic’s lee hazlewood archive series continues with an expanded reissue of lee hazlewood’s debut album. re-mastered from the original tapes, this is the first time trouble is a lonesome town has been available in its original mono mix since the 1960s. this is an essential purchase for hazlewood fans or anyone curious about the man before the mustache. originally released in 1963, trouble… finds the bohemian cowboy sketching out a vivid picture of a backwater place named trouble, where trouble with a small ‘t’ is never far away. ‘trouble is little and it’s lonesome,’ he says, on the title track, ‘you won’t find it on any map, but you can take three steps in any direction and you’re there.’ lee says plenty on the album. the first voice you hear is hazlewood’s spoken-word narration. it’s a format the singer-songwriter would revisit frequently, introducing his stirring songs with a touch fireside storytelling in the rich, texan drawl he’d tried hard to lose during years he was struggling to make it as an aspiring radio dj. each mini, pre-song poem seems to impart unexpected wisdom. indeed, if the record sounds remarkably wise and mature for a debut album, hazlewood was, of course, no spring chicken on making this debut. 34 years old at the time of the album’s release, he was already a seasoned producer, writer and publisher with dozens of hits under his belt and a few singles under his own name and more under the pseudonym ‘mark robinson’ — all of which are included here in this reissue.” also available as the super limited deluxe version which includes hazlewoods original screenplay!
sid hemphill – devil’s dream – mississippi – lp
- multi-instrumentalist, band-leader, and composer sid hemphill (1876-1961) was for decades the musical patriarch of the mississippi hill country. he and his band-comprised of alec “turpentine” askew, will head and lucius smith were fixtures at dances, picnics, and frolics throughout the right triangle formed by memphis, the delta, and the hill country. this lp features alan lomax’s first recording of blind sid in august 1942, near sledge, mississippi, where the hemphill band was appearing at a country picnic. by that date hundreds of commercial records had been made of the music of the delta, and the preponderance of those were of or relating to the blues form, with guitar or piano accompaniment. lomax’s recordings were the first made of the hill country’s local music, and contributed to a broader perspective of black vernacular instrumentation with their inclusion of the fiddle and banjo of the string band, the fife and drum ensemble, and the cane panpipes or “quills. This music is wild and loose and of a style seldom heard.
*homer – grown in usa – guerssen – lp
- with their roots traced in two legendary ’60s garage bands, the outcasts and the stoics, homer were without doubt one of the best psychedelic/hard-rock outfits from texas. grown in u.s.a. was their only album, released as a private pressing in 1970. rural psychedelic rock with early prog hints fuelled by stunning lead/dual guitar, melodic vocals and occasional mellotron. presented in a 2lp expanded edition including their early singles, which are prime examples of ’60s texan garage-psych, plus previously-unreleased studio demo tracks recorded at the same time as the album. newly remastered sound especially for this vinyl release, housed in a gatefold sleeve with detailed liner notes and rare pictures. 180 gram vinyl. “a texas private press classic that spans several early ’70s genres but still manages to sound like a coherent, personal work. a strongly played melodic rock trip somewhat like mother tuckers yellow duck.” –patrick lundborg, acid archives
*iasos – inter-dimensional music – wild sages – lp
- a remastered version of the 1975 classic made in 2010. inter-dimensional music is considered one of the first (and finest) records of the “new age” movement. iasos is heralded as a new age pioneer along with steven halpern. his music has been used by nasa and numerous laseriums around the world. fans include alan watts and r. buckminster fuller. we love iasos! iasos has performed music around the world and locally in northern california for decades. pressed on 180-gram colored vinyl. the first “new age” record, now remastered for 21st century vinyl.
guiseppi ielasi/kassel jaeger – parallel/grayscale – editions mego – lp
- parallel/grayscale is the first collaborative work between italian guitarist and composer giuseppe ielasi and french-swiss composer and electroacoustic musician kassel jaeger. it is comprised of two different improvisation sessions. the first one took place in paris, in october of 2011. the second happened in oreno, in june of 2012, after the first concert ielasi and jaeger performed together. the first session was a pure analog device improvisation, whereas the second one was more laptop-oriented. these two moments have been melted together, forming two different subtracts of the same material.
julie kent – character – leaf – lp
- opportunities for introspection have come few and far between for canadian-born, new york city-based cellist julia kent. recorded alone in her home studio, character develops the layering techniques kent brought to the fore on her previous solo material, the flow of intertwining cello motifs working as an external representation of competing internal meditations. in the past, the cellist adopted field recordings to accompany her playing; delay saw recordings taken from various airports as kent became fascinated by their ambience, while samples were taken from nature as she explored boundaries between electronic and organic sounds on green and grey. in character, their somewhat hidden nature is just as important, reflecting the need for introspection that drives the album. if her first two albums saw kent developing her individuality, character is perhaps the first time she’s had the courage to take what she’s learned and deliver an album of such depth and contemplative beauty.
jacob kirkegaard – conversion – touch – lp
- in collaboration with danish ensemble scenatet, kirkegaard’s two pieces “labyrinthitis” and “church” are here interpreted by classical instruments. the intention of this transformation into an instrumental score is to explore the musical dimension and potential of the sounds that were used in creating the original works. “church” originally consists of ambient recordings of an abandoned church inside the radioactive zone in chernobyl. “labyrinthitis” is a canon of oto-acoustic tones generated by the artist’s own ears. like most of kirkegaard’s sound works, both pieces are characterized by a strong focus on methodology, and by the artist’s wish to omit any deliberate emotional or “musical” intention.
krallice – years past – gilead – lp
- “krallice seem to be aiming for a greater level of obscurity in their work, from production to lyrics and song titles, which have not been published prior to the release of this vinyl edition. within the mix itself you can hear a stark difference from past albums, a move towards greater cohesiveness in their sound. this is particularly apparent in the vocals, which appear to be lower in the mix, helping to drive home the aforementioned hypnotic feel. and although nick mcmaster’s metal growls are still as prominent here as they were on diotima, the music itself has less of the up front ‘metal’ feel than it has in the past when nick’s vocals were present alongside mick barr’s signature screams.”

lady lamb & the beekeeper – ripely pine – ba da bing – lp
- more than anything, aly spaltro has 20,000 second-hand dvds to thank for her first album. despite being recorded at a proper studio in her recently adopted home of brooklyn, ripely pine showcases songs conceived during her tenure at bart’s & greg’s dvd explosion in brunswick, maine. spaltro worked the 3:00 pm to 11:00 pm shift. each night, after locking up, she’d walk past drama and horror, pull out her music gear from behind a wall of movies, and write and record songs until morning broke. she did this every day, drawing strength from the monotony of her routine and testing out multiple techniques, approaches and instrumentation. anger, confusion, love, happiness and sadness reigned, and the songs ran rampant, with little form or structure. isolated for those many hours, spaltro let melodies morph together, break apart and pair up.
*sven libaek – inner space – votary – lp
- sven libaek’s inner space is, simply put, one of the most legendary soundtrack recordings in the history of australian music. released in 1973, soundtracking a documentary series on underwater life by ron & valerie taylor, it now stands proud as a key album of ‘underwater music’, one of the most rightly and righteously revered fields within soundtrack and library music circles. endlessly inventive, gorgeously melodic, at times oceanic, at times amphibian, at other times in some mysterious pelagic zone, inner space sits proudly alongside such classic underwater osts and libraries as egisto macchi’s fauna marina, the sonoton underwater music series, the ittologia and biologia marina twin-set, and danielle patucchi’s men of the sea, alla scoperti del mare and uomini e squali. considered to be one of the unsung masters of australian film music, sven libaek composed for many australian films and tv series in 1960’s and 70’s. inner space is considered amongst his finest. featuring the best australian jazz musicians including don burrows, john sangster, george golla and errol buddle, they masterfully range from the incidental to the improvisational as they create a whirlpool of sublime aquatic jazz exotica. notably, in 2004 the soundtrack had a second lease on life when several tracks were used in the wes anderson film. ‘the life aquatic with steve zizzou’.
max load – s/t – bdr – lp
- max load was formed and began playing live shows around belleville in 1978. they soon were playing in st. louis as well, but they never would be treated as equals. they were often forced to play first, before much less competent bands, or dead last, when the st. louis crowd was anxious to get to the after-party. last often meant playing to an empty room, rather than being the coveted headlining spot. out shining most of the missouri bands around at the time, they released a scorching two song 45 (“x-rod” b/w “magazine sex”) in 1979 on their own label. it was mostly intended as a calling card to secure gigs, but some copies were sold locally and a few even distributed by bomp! records in ca. the band would go on to record studio demos in 1980 at the request of epic records and would commit countless songs to tape with their own 4-track recorder. they were also the only punk band in the area to pay attention to and be featured on the short-lived cable access tv show, street beat. although max load started out with a fairly traditional punk sound, by 1981 they started writing more post punk and art punk influenced material. this new direction can be heard on the included 4-track demos. like so many other bands, they never got that record deal or big break they were hoping for. by late 1982, most members had moved on to new projects and the band was gone by 1983. the max load release is comprised of all studio recordings from 1979-1983. the x-rod 45 is included, along with 22 never-before-released 8-track and 4-track demos. the package includes a 14-song lp, a 24-song cd and a dvd that features a 20-song live performance, recorded for cable access tv in 1981. the cd and dvd come with a title card in a protective sleeve that’s tucked inside the lp jacket, along with a double sided 11″x17″ insert featuring numerous photos, gig posters and extensive liner notes.
mind garage – a total electric happening – anazitisi – lp
- “mind garage, from west virginia, are well known for their two lps made for rca in 1969 and 1970. they began as a hard rock group in 1967, but soon had a unique rock and roll dream: this band, straight from the beer halls with their long hair, beards and wild clothing, was about to change rock and roll forever. they became the first rock band to bring their drums, amps, and guitars into church for a live rock and roll worship service. in 1968, with many such services under their belt, they were discovered in new york city’s greenwich village and dubbed “theo-rock” by the village voice. by 1969 they had signed with rca. after three years of persistent efforts, they had gone where no other bands had been before, taking “the raw sounds in rock music” and offered it to god in the form of an electric liturgy. playing in church after church, they cultivated an environment where rock could thrive, establishing in the process, christian rock, a completely new genre of music that has inspired untold millions worldwide. the lp which we now proudly present, contains the band’s very first single (privately released in 1968 on their own morning glory label), plus seven previously unreleased songs, which come from an acetate made for promo use that same year. in our opinion, these are their most psychedelic and eclectic efforts, from the very first days of the american psych scene. 400 copy vinyl edition.”
mogwai – les revenants ost – rock action – lp
- following on from the sold out limited edition 10″ ep released in january the les revenants soundtrack is the full release of 14 brand new recordings by mogwai taken from the critically acclaimed canal+ series. the album is released via our rock action records label.
motion sickness of time travel – perennials – boomkat – lp
- motion sickness of time travel makes fuzzy eyes for the dancefloor on her sublime debut for boomkat editions. the perennials is rachel evans’ eagerly-awaited follow-up to her eponymous lp for spectrum spools, channeling her celestial energies into concise and emotive ambient-pop arrangements on the cusp of progressive ’90s trance. taking in a handful of gorgeous songs ranging from pastoral instrumentals to strobing arpeggio surfers and sweeping mini bleep symphonies, she isolates a feeling or vibe hovering between the alien horizons of tangerine dream and laurie spiegel and the heart-aching cinematic yearn of angelo badalamenti and julee cruise at their best for david lynch. limited to 500 individually-numbered copies.
om – addis dubplate – drag city – 12″
- a special dub version of om’s “addis” from their advaitic songs album from the reigning king and queen of dub, alpha & omega. features the original version on the flip.
oneida – the human factor – limited appeal – 12″
- “another one to grab right now is oneida’s demented new 12″ live ep, which sports a single long track something like an ambulant n.y. no wave act playing the legendary stardust cowboy. catchy as ten bastards and compelling throughout, i certainly prefer oneida when they’re this sheerly cunted; heck, the brooding & obstinate tailout is like something of late queen elizabeth stuff. with only 480 copies out there-you should try and scoff one off the shelves pronto, tonto, or these suckers will quickly fade from sight.”-julian cope.

one st. stephen – s/t – anazitisi – lp
- “the first ever official reissue of this highly-rated and very rare us album. don l. patterson (aka one st. stephen) wrote the music and lyrics, was lead vocalist, played electric guitars, directed and produced the album ‘one st. stephen’ in march of 1975. the music was originally intended for a film don was developing with the working title ‘the devil’s reservation’. due to a famous jazz musician with the same name, don used the alias of one st. stephen. the music was recorded at the legendary owl studios (columbus, ohio), using the same 8-channel analog recording deck that was used to tape the audio at woodstock in 1969. because everyone who heard the lp wanted a copy, don pressed a very limited amount from queen city record company (cincinnati ohio). he also designed the album sleeve and label. the response by regional disc jockeys was phenomenal. the album got a lot of regional air play. a few months later, don was offered a recording contract from two major record companies in new york city. don was asked to tour. don was never interested in the world of rock and walked away from a music future. since then, the album has been sought by many record collectors around the world and bootlegged several times on cd and vinyl in europe. one of the finest examples of mid-70′s us psych-acid music. great vocals with some jim morrison “colour”, heavy and sometimes fuzzy acidelic guitar work and excellent musicianship overall. 400 vinyl edition.”
charlie parker – the immortal charlie parker – doxy – lp
- this collection of brilliant sides, all recorded in new york city for the savoy label from 1945-1948, represent the very apex of charlie parker’s career. several tracks feature bird’s all-star quintet, with a young miles davis (who was just 19 on ‘billie’s bounce’ and ‘thrivin’ on a riff’) on trumpet, max roach on drums and legendary bebop pianist buddy powell on piano. songs like ‘buzzy’ and ‘chasin’ the bird’ are also particularly significant because they represent some of the only existing recordings of powell and bird together.
purling hiss – water on mars – drag city – lp
- it takes balls to let purling hiss get in your face. their records are a half-corroded, screaming roar of high-end guitars crushed together, obliterating vocals and even drums with their singular assault. well, if you’ve got balls, get ready to swing ‘em. with water on mars, purling hiss have broken out of the basement, run through the bedroom and are out in the streets, blasting one of the great guitar albums in the past couple minutes. it’s a tumble of hits and ragers, sewing together nine new purling hiss celebration laments out of their usual patches of distortion, singing melodies and unexpected production hoohah-but this time the unexpected part is how the guitars gleam so precisely as they pile upon each other, how they work alongside of the rhythm section rather than avalanching it. water on mars is purling hiss’s first recording outside the fuzzy confines of mike polizze’s inner rock utopia, where the first three albums and ep were constructed in solitude with a home-recording setup. now there is a center to the hiss maelstrom, with polizze’s guitars slugging, sizzling and spiraling their way around the rhythm throb. polizze lyricises like a poet of the disaffected, shifting from aggro to slack and back over the course of a song; the production highlights the schiz by buffing the raw power into a streamlined blast, hitting down hard and covering a lot of ground in just over a half hour.
the spits – i & ii – slovenly – cs
-slovenly unleashes a brand new issue of their total classic first and second albums on what is perhaps the ultimate format for this kinda trippy budget skate punk: the always cool and highly portable cassette tape! it’s true, dude. the first side contains their debut album featuring such legendary hits as “sk8,” “black kar,” and “remote kontrol,” while side two is their arguably radder second album with the all time anthems “spit me out,” “let us play your party,” rat face,” take back the alley,” and alla that shit. you can now rock the spits I & II in your ghetto blaster on the bus, much to your friendly drivers’ and mongoloid passengers’ chagrin, blast it at your fave ditch, or record something better over it and draw on the j-card.
steve adamyk band – third – dirtnap – lp
- canada’s veteran punks the steve adamyk are back at it again, unleashing their third album, aptly titled, third. the last two years have taken sab on tour in europe (twice), to sxsw (twice), awesome fest, sled island and beyond. the formula is the same as always; bringing a punk edge to classic power-pop, with help from a strong modern garage influence. you could call it aggressive pop-punk, keeping it tight and far from over-produced. the formula is simple – no one is trying to re-invent the wheel. with that said, they’re staying clear of cheese and cliches. third is the band’s most solidified recording to date.
*sun city girls – eye mohini: singles volume 3 – abduction – cd
- volume 3 in the series of sun city girls singles, compilations, and rare tracks, consists of material recorded between the mid-1980s and early 1990s. much of this collection reflects the arabic guitar instrumental and acoustic pseudo-asian vocal folk styles of the band from the period when they recorded relentlessly. the 14 cuts vary wildly in scope yet maintain a consistent listening experience throughout, bridging a wide gap between the band’s second full-length lp grotto of miracles (track 3 — “gum arabic” — being the only true outtake from that recording session) in 1986 and the 1993 launch of the group’s abduction label after the band relocated from phoenix to seattle. all four tracks from the eye mohini single as well as all six tracks from the borungku si derita double single are included here, the latter featuring a vicious rehearsal version of esoterica of abyssynia with a rare captured occurrence of both bishop brothers playing electric guitars. the remaining two tracks from three fake female orgasms double single not included on volume 2 of this series are present with the extremely rare studio version of “kickin’ the dragon” from a triple 7″ box set released by an obscure bay area label in 1994. the disc is rounded out by a 10-minute live track from the heinz afterworld lounge in oakland from 1992 where scg closed the show with a heavy and ecstatic version of “the flower” from their torch of the mystics lp. as in the previous two volumes of this series, this cd is sequenced to play as a full album and is an excellent entry point for the non-initiated into a band that produced as diverse and intimidating a back catalog as any other entity in modern music.
pete swanson – punk authority – software – 12″
- following the devastating one-two punch of man with potential and pro style for type records, pete swanson returns to his deformed warehouse techno sound with punk authority. after leaving cornerstone us noise duo yellow swans, swanson made it his mission to pull apart the techno genre by the seams. this four track stomper for software recording co. is by far his most damaged solo offering to date. with a sly nod to police academy, punk authority launches into a barrage of debauched, regressive noise punctuated by the kind of beats you’d more readily expect to find on an underground resistance 12″ (and that’s as effortlessly engaging as it sounds). using a deceptively simple synthesizer/tape setup, swanson siphons his club constructions through a hoarse mix of saturation and overdrive, resulting in something aggressive yet effortlessly foot pushing. punk authority might have the kind of surface grit you’d expect to come across on a hand-painted cassette tape, but at its heart is a vomited pulse half-heard through a stuttgart toilet stall. swanson has successfully re-tooled a genre to fit his needs, and this punk authority is his chance to really crack his bare knuckles.
*chrissy zebby tembo – my ancestors – qdk – cd
- this might be the final chapter of qdk media’s releases from zambia (unless they find an unknown album which is as good as this one). chrissy zebby tembo is the drummer of the ngozi family. this time, the album is under his name and paul ngozi is his guitarist. this album is so great, qdk left the best for the last zam-rock release. wild fuzz guitars all over, african beats and extra-cool vocals — completely stoned music. people say it is easily one of the best african psychedelic rock albums ever recorded — raw, rough, with a gaping charm and tons of front-and-center fuzz guitar over basic, ultra-catchy rock/pop tunes reminiscent in style to the velvet underground. the songs are sung in english. original albums on chris edition are rare as gold dust.
thought forms – ghost mountain – invada – lp
- the album veers between two opposites, from brisk, scuzzy american garage-rock influenced numbers to brutal, anguished noise constructions of ethereal doom, where it feels like they’re tapping into a similar dark psyche to groups like godspeed you! black emperor and circle. with a psych slant too informing tracks like ‘afon’ and ‘burn me clean’ – where vocals are almost as though a ritualistic call to on high – the scope of ghost mountain’s sonic terrain is vast, the result of a varied approach to song writing where wholes form out of group jams or from the chrysalis of an idea presented by just one of the trio. it’s a clear move away from their debut album, though retaining the group’s penchant for creating vast atmospheres.
various – 20 jahre komp kollection – kompakt – 2cd
- on march 1st, 1993, kompakt opened the blue doors on gladbacher straße 36 for the very first time and thus, a new record store was born. two moves, a name change, almost exactly 500 publications and a staggering 20 years later, kompakt is still here and stronger than ever. that’s why throughout 2013, kompakt will celebrate 20 years of kompakt in all shapes and colors, including this exciting jubilee 2cd release jam-packed with floor favorites, towering chart-toppers and secret weapons from the rich history of one of germany’s most-loved labels. carefully pulled from kompakt’s extensive archives, this first entry in the 20 jahre kompakt kollektion series is in no way meant to be a “best of”: that would indeed be a task larger than life. rather than just going through the motions and assembling sales numbers, kompakt took a different road, simply compiling their proudest moments instead, classic records that defined their sound today. the label considers each track in this selection an electronic masterpiece, regardless of whether it reached out for the floor like justus köhncke’s “after 909″ or catered to the home-listening crowd like pluxus’ “transient.”
*various – the devil is busy in knoxville – mississippi – lp
- compilation of early gospel recordings spanning from 1927 – 1955. sanctified blues by the two gospel keys, mother mccollum, blind roosevelt graves, lottie bracey, sister o.m. terrell & rev. ib ware, beautiful slow country gospel by the anglin brothers & delmore brothers, intense vocal performances by the new gospel keys, elder richard briant & the silent grove baptist church congregation, and much more! all killer no filler compilation that rocks hard and gets deep and sad too. old school “tip on” cover. limited one time pressing.
*various – eccentric soul: dynamic label – lp/cd
- born out of the largesse created from rene & rene’s hot 100 tejano tornado “angelito,” dynamic records was but one of half a dozen labels run by san antonio music and real estate mogul abe epstein. his flagship group, the commands, took their afb circuit-honed chops up to the middle of the charts in 1966 with “no time for you,” paving the way for 20 other soulful singles over dynamic’s impressive two and a half year run. epstein’s open door policy led to a diverse cross section of the population converging inside his studio on general mcmullan drive, as whites, blacks, and latinos were swapped in and out of groups as needed. that melting pot mentality is well represented by the tonettes, little jr jesse & the teardrops, don & the doves, willie cooper & the webs, bobby blackmon & his soul express and doc & sal. compiled here are 21 (28 on the 2lp) of dynamic’s most intriguing sides, representing the first layer of a treasure trove of san antonio soul we’ll be unleashing over the coming year.

 …..restocks…..

*1991 – high tech high life – boomkat editions – lp
*13th floor elevators – psychedelic sounds of – sundazed – lp
arcade fire – funeral – merge – lp
arcade fire – the suburbs – merge – lp
dan auerbach – keep it hid – nonesuch – lp
*franco battiato – foetus – vinyl magic – lp
beastie boys – check your head – capitol – lp
black keys – el camino – nonesuch – lp
*broadcast – berberian sound studio – warp – lp
nick cave – dig lazarus dig – anti – lp
civil wars – barton hollow – sensibility music – lp
john coltrane – blue train – blue note – lp
*betty davis – s/t – light in the attic – lp
miles davis – four & more – mofi – lp
miles davis – kind of blue – legacy – lp
miles davis – birth of cool – pan american – lp
dj shadow – endtroducing – mo wax – lp
*john fahey – transcendental waterfall – 4 men with beards – box
florence & the machine – ceremonials – universal – lp
flying lotus – until the quiet comes – warp – lp
fucked up – david comes to life – matador – lp
*lee gamble – diversions 94-96 – pan – lp
jacco gardner – cabinet of curiosities – trouble in mind – lp
marvin gaye – what’s going on – motown – lp
marvin gaye – let’s get it on – tamala – lp
*ghost – tune in, turn on… – drag city – lp
*tim hecker – dropped pianos – kranky – lp
*tim hecker – an imaginary country – kranky – lp
*tim hecker – ravedeath 1972 – kranky – lp
howling hex – best of the howling hex – drag city – lp
*syl johnson – is it because i’m black – numero – lp
lcd soundsystem – this is happening – dfa – lp
*ivo malec – triola – recollection grm – lp
dawn mccarthey & bonnie ‘prince’ billy – what the brothers sang – drag city – lp
*marshall mcluhan – the medium is the massage – five day weekend – lp
*medusa – first step beyond – numero – lp
modest mouse – we were dead before the ship sank – epic – lp
neutral milk hotel – in the aeroplane over the sea – merge – lp
nirvana – nevermind – geffen – lp
the oh sees – castlemania – in the red – lp
the oh sees – putrifiers ii – in the red – lp
pavement – wowee zowee – matador – lp
pavement – slanted & enchanted – matador – lp
radiohead – in rainbows – tbd – lp
*rodriguez – coming from reality – light in the attic – lp
sabbath assembly – restored to one – anja – lp
sabbath assembly – ajna – lp
*ty segall – twins – drag city – lp
*ty segall & mikal cronin – reverse shark attack – in the red – lp
sigur ros – med suo i eyrum vio spilum – xl – lp
sigur ros – valtari – xl – lp
the smiths – hatful of hollow – rhino – lp
*soft machine – s/t – sundazed – lp
*sonic youth – daydream nation – goofin – 4lp box
sonic youth – murray street – goofin – lp
*sonic youth – s/t – goofin – lp
*sonic youth – sonic nurse – goofin – lp
the sound – jeopardy – 1972 – lp
the sound – from the lions mouth – 1972 – lp
stereolab – dots & loops – 1972 – lp
t rex – the slider – fat possum – lp
tegan & sara – hearth throb – warner – lp
traditional fools – s/t – in the redd – lp
weakerthans – left and leaving – epitaph – lp
weakerthans – live at burton cummings theater – epitaph – lp
white stripes – white blood cells – thirdman – lp
white stripes – elephant – xl – lp
white stripes – under great white northern lights – thirdman – lp
wilco – summer teeth – nonesuch – lp
xx – coexist – young turks – lp
thom yorke – the eraser – xl – lp
neil young – harvest – reprise – lp
various – eccentric soul: deep city label – numero – lp
various – good god! a gospel funk hymnal – numero – lp
various – good god! born again funk – numero – lp
*various – kassidat – dust to digital – lp

thanks for listening….

listen records & cds

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edmonton, ab

t5n 1r7

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